KatzPascale have today released their new single titled ‘GBTC’ via Sonic Guck. The track saunters in like it knows it’s cooler than half your playlist and isn’t about to apologize for it. KatzPascale lean into mood over momentum, stacking hazy electronics and bruised melodies into something that feels less like a pop song and more like the soundtrack to a night where everyone’s pretending they’re fine but nobody actually is. It’s stylish without trying too hard — the sonic equivalent of showing up late and still stealing the room.
Vocals drift through with a detached intimacy, as if the singer’s confiding in you but keeping one eyebrow raised the whole time. Beats flicker, textures swell, then duck away before you get too comfortable. The whole thing rides that sweet indie sweet spot between vulnerability and aloof cool — the emotional equivalent of texting “I’m good” while staring dramatically out a bus window. Every twist in the arrangement feels intentional, refusing the easy payoff in favor of something messier and, honestly, more interesting.
By the end, the song doesn’t so much conclude as it evaporates, leaving a mood hanging in the air like smoke after last call. “GBTC” feels built for repeat late-night listens — the kind of track that quietly hijacks your headphones while you pretend you’re not in your feelings. In a sea of algorithm-chasing singles, KatzPascale deliver something refreshingly unconcerned with trends, choosing vibe over virality — and somehow making that feel like the boldest move of all.
About KatzPascale
Challenging convention in both the indie and classical spheres, the duo’s immersive sound navigates the sonic tension between emotional intimacy and experimental rigor. The release comes on the heels of their debut singles ‘Spill Your Time’ and ‘Mother’, which have garnered over 1 million streams on Spotify alone. The band will also be performing a sold out Public Records show in New York City on February 14th.
When asked about the release, the duo said “Creating this cover was a year-long process of live experimentation – it was one of the first songs we ever played live. With every performance, the track evolved and grew further into our own sound as we added layers of cinematic texture and new vocal arrangements. By giving the song a distinct emotional arc and a clear storyline, we transformed it from a standard cover into a centerpiece of our identity.”
KatzPascale, the two-woman cello and saxophone duo of Sammi Katzmann and Jenna Pascale, is on a mission to kill indie-rock. Drawing from neo-classical, ambient music, jazz and ventures with such indie bands as Porches, the duo combines the expression of the cello and saxophone to lay the ground for vocals as an instrument. The band draws equally from Jeff Buckley as they do Arthur Russell to create soundscapes that transcend genre and transform performances into experiences. With each new song provoking a profound emotional response, they have become a viral sensation, boasting over 2 million likes on TikTok, 100k+ followers across social media accounts and over 1 million streams on streaming platforms off their two debut single releases alone.
The duo is also known for their dynamic performances that blur the lines between listening and immersion. Often beginning in silence, they guide audiences through sensory immersion with elements like dim lighting, evocative spatial design, and an emphasis on listening with more than just the ears. Past shows have featured blindfolded audiences, fog-filled rooms, and lighting that reduces the performers to silhouettes. Their intimate, conversational way of playing has led to their songs evolving on the bandstand, with each rendition different from last and audiences feeling the weight of every note.
Featured image by Jake Webber.
LINKS:
https://katzpascale.com/
https://www.tiktok.com/@katzpascale
https://www.instagram.com/katzpascale/
https://www.youtube.com/@KatzPascale