Underground Titans: The Most Impactful Artists on Jammerzine in 2025

    Underground Titans: The Most Impactful Artists on Jammerzine in 2025: Mary Mina, Every Us, Lord Elephant, Lost Trends, To Die On Ice, Alien Orchestra, Beauty In Chaos, Earthset, Big Big Train, The Dandy Warhols, Tracy Bonham, Whitney Tai, Sonic Punter, Dhรคrรค, Tooth Gore, Modenine & Black Intelligence, A Light Within, Pink Stiletto, Fenra, Solarrio, Voxtrot, The Zenith Passage, Koncept, Neska Rose, Season To Risk.
    Underground Titans: The Most Impactful Artists on Jammerzine in 2025: Mary Mina, Every Us, Lord Elephant, Lost Trends, To Die On Ice, Alien Orchestra, Beauty In Chaos, Earthset, Big Big Train, The Dandy Warhols, Tracy Bonham, Whitney Tai, Sonic Punter, Dhรคrรค, Tooth Gore, Modenine & Black Intelligence, A Light Within, Pink Stiletto, Fenra, Solarrio, Voxtrot, The Zenith Passage, Koncept, Neska Rose, Season To Risk.

    In an era dominated by algorithms and acceleration, Jammerzine has remained focused on something quieter and far more enduring: artistic direction. Throughout 2025, the artists featured on Jammerzine were not simply those releasing music, but those actively shaping identity, sound, and intent.

    Success, in this context, was not measured by chart position or viral reach, but by editorial gravity โ€” the ability of an artist to command attention through vision, consistency, and creative honesty. The following twenty-five artists represent the most resonant voices to emerge across Jammerzineโ€™s coverage between January and December 2025.

    They are not unified by genre or geography. They are unified by purpose.

    1. Lord Elephant

    Featured: Lord Elephant โ€“ Gigantia

    Lord Elephantโ€™s premiere of โ€œGigantiaโ€ showed a band comfortable operating in a vast emotional and sonic space. The track was layered and expansive, embracing a kind of contemplative amplitude that invited listeners to experience, not just hear.

    Jammerzineโ€™s editorial described the groupโ€™s sound as atmospheric and immersive, with textures that unfolded gradually over time โ€” a quality that rewarded patience and repeat listening.

    In 2025, Lord Elephant defined an approach to indie music that celebrated space and mood as compositional elements, setting them apart in the yearโ€™s landscape.

    1. Every Us

    Featured: Every Us โ€“ Bโ€‘Train

    Every Usโ€™s โ€œBโ€‘Trainโ€ was one of Jammerzineโ€™s standout single premieres of 2025, revealing the bandโ€™s ability to integrate electronic textures with soulful undercurrents. The trackโ€™s rhythmic propulsion and melodic warmth created a sound that felt both contemporary and timeless.

    Jammerzineโ€™s editorial emphasis focused on the way Every Us navigates genre spaces โ€” not confining themselves to electronic or soul, but celebrating permeability between them, creating music that defied simple categorization.

    Their work demonstrated a commitment to emotive exploration, making Every Us one of 2025โ€™s most compelling voices in the indie electronic sphere.

    1. Mary Mina

    Featured: Mary Mina โ€“ Lonely Part Of Me

    Mary Minaโ€™s 2025 Jammerzine premiere โ€œLonely Part Of Meโ€ revealed an artist sharpening her craft with emotional precision. Her songwriting distilled evocative feeling into concise, memorable structures, allowing listeners to directly feel the narrative rather than be told it.

    Editorial coverage noted Minaโ€™s melodic balance: she writes with sensitivity but avoids self-indulgence, grounding her songs in universal experience while preserving personal specificity. This balance became a defining trait noted by Jammerzineโ€™s audience.

    Her success in 2025 was less about commercial impact and more about artistic identity: Mina articulated emotional complexity with a clarity that made her work repeatedly engaging and resonant.

    1. Lost Trends

    Featured: Lost Trends โ€“ Interest Free

    With โ€œInterest Freeโ€, Lost Trends demonstrated a striking economy of sound โ€” each note and beat felt purposeful. Jammerzineโ€™s premiere highlighted how the band distilled musical elements into essentials, resonating with an audience craving clarity amid noise.

    Their textures were minimalist yet emotionally resonant, proving that restraint can amplify impact when wielded skillfully.

    Lost Trendsโ€™ 2025 emergence on Jammerzine illustrated how less can be more: a philosophy translating directly into artistic depth and listener engagement.

    1. To Die On Ice

    Featured: To Die On Ice โ€“ Baccanale + Exclusive Q&A

    To Die On Iceโ€™s โ€œBaccanaleโ€ and accompanying interview provided insight into a creative process built on spacing and tension. Jammerzineโ€™s coverage underscored how their music balances repetition with subtle shifts, creating intensity through controlled modulation.

    The Q&A offered rare perspective into their compositional choices, revealing a thoughtful approach to dynamics and pacing rather than excess.

    In 2025, To Die On Ice stood out as a project that uses structure as a storyteller, making their work compelling beyond the surface.

    1. Alien Orchestra

    Featured: Alien Orchestra โ€“ Under My Pale Skin

    Alien Orchestraโ€™s EP Under My Pale Skin became one of 2025โ€™s most intriguing premieres on Jammerzine. The project embraced orchestration and texture, blending classical sensibilities with experimental layering.

    Editorial context framed the EP as immersive, urging listeners to approach it as a sonic world rather than a collection of tracks โ€” rewarding deep listening.

    Alien Orchestraโ€™s presence in 2025 underscored how genre-agnostic exploration can yield cohesive artistic statements that unfold with emotional complexity.

    1. Beauty In Chaos

    Featured: Beauty In Chaos โ€“ Get Down Moses

    Beauty In Chaosโ€™s โ€œGet Down Mosesโ€ video premiere blended diverse influences and collaborators, crafting a cinematic experience that transcended genre norms. Jammerzineโ€™s coverage highlighted their collaborative ethos and narrative breadth.

    Their sound stitched together post-punk, industrial texture, and alternative rock, demonstrating how hybridization can produce originality rather than dilution.

    In 2025, Beauty In Chaos became a model of how collective creativity โ€” when curated with vision โ€” can expand musical possibilities while preserving coherence.

    Check out our exclusive Q&A with Beauty In Chaos HERE.
    Watch our exclusive interview with Beauty In Chaos HERE.

    1. Earthset

    Featured: Earthset โ€“ Shores

    Earthsetโ€™s โ€œShoresโ€ was a First Look video premiere that accentuated their atmospheric and textural ambition. Jammerzineโ€™s editorial emphasized how the trackโ€™s details โ€” from layered guitar to ambient swell โ€” invited immersion.

    The bandโ€™s ability to balance mood with motion created music that felt reflective and deeply evocative.

    Earthsetโ€™s 2025 feature positioned them as purveyors of sonic storytelling, using subtle evolution rather than bombast.

    1. Big Big Train

    Featured: Big Big Train โ€“ The Sharpest Blade + Tour Dates

    Big Big Trainโ€™s โ€œThe Sharpest Bladeโ€ video premiere and tour coverage illustrated the bandโ€™s enduring relevance in progressive music. Jammerzineโ€™s editorial framed the release as both sonically rich and narratively engaging.

    Their blend of melodic prog and lyrical depth appealed to readers seeking substance without pretension.

    In 2025, Big Big Train reaffirmed their capacity to merge technical musicianship with emotional resonance.

    1. The Dandy Warhols

    Featured: The Dandy Warhols โ€“ Kiss Off

    The Dandy Warhols brought their signature blend of art-inflected alt-rock to Jammerzineโ€™s 2025 video premiere with โ€œKiss Off.โ€ The track showcased their capacity to evolve while retaining a distinct musical identity.

    Jammerzineโ€™s premiere placed emphasis on their stylistic confidence: familiar yet exploratory, weaving echoes of their past with contemporary sensibilities.

    Their feature affirmed that artists with a long history can still contribute meaningfully to the independent music dialogue when they remain creatively restless.

    Watch our exclusive interview with The Dandy Warhols HERE.

    1. Tracy Bonham

    Featured: Tracy Bonham โ€“ Un-Fk This Fkt Up Christmas + Tour Dates

    Tracy Bonhamโ€™s 2025 presence on Jammerzine demonstrated both refinement and renewed energy. Her music balanced intricate compositional choices with emotionally honest delivery.

    Editorial focus emphasized Bonhamโ€™s ability to integrate diverse influences, blending alternative rock with intimate melodic expression.

    Her Jammerzine features in 2025 underscored her evolution as an artist who grows through experience while remaining accessible and compelling.

    Listen to our exclusive interview with Tracy Bonham HERE.

    1. Whitney Tai

    Featured: Whitney Tai โ€“ American Wasteland

    Whitney Taiโ€™s 2025 Jammerzine feature highlighted her ability to blend evocative storytelling with atmospheric soundscapes. The track โ€œAmerican Wastelandโ€ showcased Taiโ€™s talent for weaving lyrical narratives into deeply immersive instrumental textures.

    Jammerzine emphasized her nuanced approach to songwriting: each melodic choice, rhythm, and tonal inflection serves to amplify emotional resonance, creating a listening experience that is both personal and universal.

    Her 2025 feature cemented her position as a rising force in the independent music scene, demonstrating that originality and artistic depth can coexist with broad listener accessibility.

    1. Sonic Punter

    Featured: Sonic Punter โ€“ Cloud Indigo

    Sonic Punterโ€™s Jammerzine premiere emphasized textural exploration, layering tonal shifts to craft immersive sonic experiences.

    Editorial commentary noted the meticulous structure of their compositions, rewarding attentive listening and analysis.

    Their 2025 work exemplified dedication to nuance, expanding the potential of indie experimental music.

    1. Dhรคrรค

    Featured: Dhรคrรค โ€“ A Place In Time, (the entities, divided)

    Dhรคrรคโ€™s 2025 feature explored progressive ambition balanced with emotional resonance. Jammerzine emphasized accessibility without compromising complexity.

    Each track exhibited thoughtful construction, revealing a commitment to both innovation and listener engagement.

    Dhรคrรคโ€™s coverage positioned them as artists capable of advancing the boundaries of modern indie and experimental music.

    1. Tooth Gore

    Featured: Tooth Gore โ€“ Cold Heart, Warm Skin

    Tooth Goreโ€™s music combined aggression with humor and critique. Jammerzine highlighted how the bandโ€™s confrontational style serves expressive purposes rather than shock value.

    Editorial analysis underscored their energy and intent, noting a balance between performance and message.

    In 2025, Tooth Goreโ€™s coverage demonstrated how intensity, when thoughtfully channeled, can create meaningful art.

    1. Modenine & Black Intelligence

    Featured: Modenine & Black Intelligence featuring Maka โ€“ My Skin is Black Remix

    The collaboration between Modenine & Black Intelligence was framed as a conversation in sound. Jammerzine emphasized how distinct voices interact without blending into uniformity.

    Each track highlighted lyrical and sonic interplay, reinforcing individuality within collaboration.

    Their 2025 feature illustrated how dialogue-driven music fosters creative depth and cohesion.

    1. A Light Within

    Featured: A Light Within โ€“ Dying Clock

    A Light Withinโ€™s video premiere presented immersive atmosphere over direct narrative. Jammerzine highlighted their ability to create contemplative spaces for reflection.

    The projectโ€™s restraint and emotional focus set it apart from more bombastic contemporaries.

    Their 2025 feature emphasized minimalism as a tool for immersive engagement.

    1. Pink Stiletto

    Featured: Pink Stiletto โ€“ Do It For Me

    Pink Stilettoโ€™s Jammerzine coverage focused on intentional style and clarity of voice. Their music merged aesthetic and substance without resorting to nostalgia.

    Editorial analysis emphasized coherent creative identity and thematic consistency.

    The 2025 feature reinforced Pink Stilettoโ€™s position as an artist who leverages style as expressive language.

    1. Fenra

    Featured: Fenra โ€“ Delusional

    Fenraโ€™s debut feature explored foundational songwriting with subtle impact. Jammerzine highlighted craft and structural integrity over spectacle.

    Tracks were designed to reward attention, showcasing deliberate pacing and emotional focus.

    Fenraโ€™s 2025 coverage suggested a promising trajectory and long-term artistic intent.

    1. Solarrio

    Featured: Solarrio โ€“ Toxicology + Q&A

    Solarrioโ€™s 2025 premiere emphasized spatial and architectural approaches to sound. Jammerzine highlighted compositional cohesion and deliberate track sequencing.

    Each song reinforced a larger narrative framework, creating immersive listening experiences.

    Coverage underscored Solarrioโ€™s thoughtful construction as a key to artistic distinction.

    1. Voxtrot

    Featured: Voxtrot โ€“ Fighting Back + Tour Dates & New Album Announcement

    Voxtrotโ€™s 2025 article noted reflective songwriting that balanced past experience with renewed artistic perspective. Jammerzine emphasized melodic clarity and lyrical introspection.

    Tracks demonstrated evolution without erasing history, providing a nuanced creative arc.

    Their feature positioned Voxtrot as an artist who remains relevant through narrative coherence and emotional honesty.

    1. The Zenith Passage

    Featured: The Zenith Passage โ€“ Fleshbound Reliquary + Tour Dates

    The Zenith Passageโ€™s technical proficiency was framed as a tool for expression rather than mere virtuosity. Jammerzine highlighted their balance of complexity and clarity.

    Tracks conveyed emotional intention even amidst rapid instrumentation.

    Their 2025 coverage reinforced that extremity can serve meaning and narrative.

    1. Koncept

    Featured: Koncept โ€“ Under They Skin

    Konceptโ€™s integration of visuals and music was a central focus in Jammerzineโ€™s 2025 coverage. Rhythm, image, and sound combined to create holistic artistic experiences.

    Editorial commentary emphasized unified creative vision across mediums.

    Their feature showcased how integrated artistry enhances emotional and cognitive engagement.

    1. x-blu

    Featured: An Exclusive Interview with x-blu + Video Premiere

    In 2025, x-blu emerged on Jammerzine not as a fleeting curiosity, but as an artist whose creative evolution was woven deeply into the narrative of their work. Jammerzineโ€™s exclusive interview with the band โ€” paired with a video premiere of their track โ€œTime and Tideโ€ โ€” illustrated something larger than a momentary release: a creative ethos in motion.
    Jammerzine

    x-bluโ€™s art defies easy categorization because it refuses to be confined by expectation. The band blends post-punk grit with influences ranging from velvet-era proto-art rock to modern electronic inflections, functioning less as a single genre and more as a spectrum of intention. Their music feels like memory and anticipation folded into sound โ€” punctuated by rhythm, textured by mood, and anchored by a sense of communal performance energy that resonates far beyond the trackโ€™s runtime.
    Jammerzine

    What Jammerzine highlighted in 2025 was not simply the release of a song, but the ongoing process of self-redefinition. The feature brought out how x-blu embraces both the physicality of live performance and the narrative potential of digital media, using visual art, film, and lyrical abstraction as tools to deepen audience engagement. Rather than revealing all at once, their work invites repeated engagement โ€” each layer unfolding with intention.
    Jammerzine

    In a year when independent music often risked fragmentation, x-blu demonstrated coherence through play, exploration, and integration. Their success in 2025 was not measured by a single metric, but by the sense that they were constantly remaking โ€” and expanding โ€” their own artistic perimeter.

    1. Season To Risk

    Featured: Season To Risk โ€“ An Exclusive Interview

    Season To Riskโ€™s 2025 Jammerzine interview revealed a band refining its musical identity and stagecraft. The coverage emphasized the combination of historical experience and contemporary relevance.

    Editorial discussion highlighted the depth of songwriting, thematic coherence, and evolution over time.

    Their feature underscored the groupโ€™s sustained creativity and significant contribution to the 2025 independent music landscape.


    The 25 artists featured in Jammerzine throughout 2025 collectively illustrate a moment in independent music defined by intentionality, audacity, and depth. They are not merely chasing trends but are shaping a soundscape that is rich, layered, and transformative. From the nuanced emotional landscapes of Mary Mina to the fearless experimentation of Season To Risk, each artist demonstrates that music is both a reflection of personal evolution and a catalyst for broader cultural dialogue.

    This year, Jammerzineโ€™s coverage highlights a profound truth: independent artistry is not measured solely by charts or viral moments but by the resonance and endurance of creative vision. The featured artists challenge, inspire, and expand what listeners can expect, demanding engagement that is active, thoughtful, and emotionally invested.

    By documenting these voices, Jammerzine not only captures the essence of 2025 but also offers a blueprint for the future of music where authenticity, risk-taking, and sustained artistic growth reign supreme. These artists collectively prove that when intention meets craft, the result is not just music โ€” it is a cultural force that shapes hearts, minds, and the very fabric of the independent music landscape.

    Jacquie Roar – Revenge (Best Served Cold)

    Jacquie Roar
    Jacquie Roar

    The new year is often about moving on, but Jacquie Roar isnโ€™t interested in pretending the past didnโ€™t happen. Sheโ€™s meeting it head-on with โ€œRevenge (Best Served Cold),โ€ her explosive new single, available now on all streaming platforms.

    Co-written by Jacquie Roar, Jesse Slack, and Jude Toy and produced by Jason Mater, โ€œRevenge (Best Served Cold)โ€ fuses raw rock energy with sharp-edged country storytelling. A blistering rock-country anthem, the song transforms hard lessons into power, fueling a bold new chapter in Jacquie’s career.

    With razor-sharp lyrics like โ€œHereโ€™s to the love you lost and found / So drink it up, I hope you drown,โ€ Jacquie Roar delivers a sound thatโ€™s cathartic, commanding, and unafraid to blur genre lines.

    โ€œThis song holds a special place in my heart,โ€ she explains. โ€œIt was my first write in Nashville, opening doors for me artistically and personally. It pushed me to expand as an artist, build lasting friendships and relationships, and ultimately connected me with someone who helped me write my entire album. This is my first rock/country release and it feels like the most honest version of me.โ€

    About Jacquie Roar

    Jacquie Roar is a powerhouse in country music, known for her dynamic vocals and electrifying stage presence. She has shared the stage with icons like Reba McEntire, Martina McBride, Kelsea Ballerini, Gary Allan, Cody Johnson, Riley Green, Jackson Dean, and even hip-hop legend Nelly, proving herself as a force to be reckoned with.

    Her journey to national fame began on The Voice Season 24, where she wowed audiences with her rendition of โ€œHere for the Partyโ€ by Gretchen Wilson, earning a coveted Four-Chair Turn. Fighting her way through the competition, she secured a spot in the finale and finished in the top four.

    In 2024, Jacquie made her highly anticipated Music City debut, performing at CMA Fest, the Grand Ole Opry Plaza, and Nashvilleโ€™s legendary Whiskey Jam, delivering a standout performance alongside Jamie Oโ€™Neal.

    Most recently, Jacquie made history performing alongside Jelly Roll at the Oregon State Penitentiaryโ€”the first live music event on the prison yard in over two decades. Whether performing in a stadium or an intimate setting, Jacquie’s ability to connect with audiences defines her as a captivating and fearless performer.

    SOURCE: Official Bio

    LINKS:
    https://jacquieroar.com/
    https://www.facebook.com/JacquieRoars
    https://www.instagram.com/jacquieroar/
    https://www.tiktok.com/discover/jacquie-roar
    https://open.spotify.com/artist/7ouBagsRCLs7MEEO9aeyVD

    We Three Kings – Joyrider

    We Three Kings have released their new video and single titled ‘Joyrider’, from their upcoming album ‘Stone Cold Kiss’, dropping in April. Grit rock with grime, grandiose, and grandeur, We Three Kings give us a glimpse of what indie rock should always be” one of those things that make you want to stomp something into the ground. This is rock at it’s most rebellious yet accessible depths of delicious depravity.

    Anthemic at the core and energetic from its roots, ‘Joyrider’ is a kick to the gonads that keep you composed and permits you to become that inner anarchist, at least for the next four minutes.

    About We Three Kings

    We Three Kings are trailblazers for releasing visceral modern rock n roll that always makes a statement. Intent on doing things the way they want to do them, they blend fuzzed up blues-rock into three-minute mini miracles of pure joy.

    With Rich on vocals and guitars and Pete on drums, their riff-driven, guitar-heavy sound is perfect for a playlist alongside the likes of Queens of the Stone Age, Royal Blood, Wolfmother, Rival Sons, The Black Keys and Jack White.

    Things go up a level on stage, as their no-nonsense, high-energy live act continues to make waves across the UK rock and festival scene, offering audiences a razor-sharp reminder of the power of monstrous riffs turned up to 11.

    The band have a powerful back catalogue of original music behind them, which includes 2024 album โ€˜By Royal Appointmentโ€™, and is available to stream or download across all digital platforms.

    LINKS:
    https://www.instagram.com/wethreekings_
    https://www.facebook.com/we3kingsband
    https://www.youtube.com/c/WeThreeKings
    https://open.spotify.com/artist/4Ufdd2K7bzvbZgU0dkqa2E
    https://wethreekings.bandcamp.com
    https://soundcloud.com/we3kingsband
    https://we3kingsband.wixsite.com/we3kingsband

    Conan Osiris – Xenonexo

    Conan Osiris
    Conan Osiris

    Tiago Emanuel da Silva Miranda (born 5 January 1989), known professionally as Conan Osรญris (Portuguese pronunciation: [หˆkษ”nษn ษ”หˆziษพiสƒ]), is a Portuguese singer-songwriter. His stage name is based on the main character from Japanese series Future Boy Conan and the ancient Egyptian god Osiris.

    Osรญris gained national recognition after presenting his song “Telemรณveis” at the 2019 Festival da Canรงรฃo, the national selection show for the Eurovision Song Contest. After its release in online media, the song topped Portuguese trends in YouTube and Spotify.[4] On 2 March 2019, Osรญris won the Festival da Canรงรฃo, securing the right to represent Portugal in the Eurovision Song Contest 2019 in Tel Aviv, Israel.

    SOURCE: Official Bio

    LINKS:
    https://www.instagram.com/conanosiris/
    https://open.spotify.com/artist/4oYolWgvQmCnjrvVNTymlf

    Mรฉlanie Pain – How and Why + Tour Dates

    Mรฉlanie Pain
    Mรฉlanie Pain

    Born during a creative retreat in a wooden cabin near Bordeaux in early 2024, the album emerged from a collaboration with guitarist and producer Jรฉrรดme Plasseraud (Alaaska, 1973). Nine English-language songs took shape on the banks of the Garonneโ€”a luminous interlude that balances melancholy with rebirth, sorrow with light.

    “I wanted to reconnect with my first loves: bare folk, clear melodies, with just guitar and voice to guide me,” Pain explains.

    Recorded live with her longtime bandโ€”Jรฉrรดme Plasseraud, Oliver Smith, Alexis Anรฉrilles, Raphaรซl Chassin, Mathieu Geghre, David Lewis, and Thibaut Barbillonโ€”the album channels the stripped-back sincerity of Iron & Wine, Kings of Convenience, and Emilรญana Torrini. Pain’s velvety voice has never sounded more enveloping, flowing through minimalist arrangements like water over stone.

    Standout moments include: โ€“ “Cold Hands” โ€“ a magnetic duet with Brian Lopez (Calexico) โ€“ “Dreamloop” โ€“ a pop gem with shades of Velvet Underground โ€“ “Senden Daha Gรผzel” โ€“ a sensual cover of Turkish cult band Duman โ€“ “Bluer than Blue” โ€“ the opening ballad where darkness gently turns to dawn.

    Written and produced by Pain under her own label Lucky13, ‘How and Why’ will be released under license from Capitane Records (Nicolas Michaux, Adam Green, Turner Cody) and distributed by Modulor.

    After two decades as Nouvelle Vague’s defining voice, Pain has carved out a solo path marked by delicacy, poetry, and fearless intimacy. ‘How and Why’ is her most direct statement yetโ€”a soothing, sunlit album that serves as the perfect vessel for her voice and words.

    Featured image by Simon Vanrie.

    SOURCE: Official Bio

    LINK:
    https://www.instagram.com/melaniepainmusic

    Reversed Chakra – Rarefied

    Reversed Chakra
    Reversed Chakra

    A centerpiece of the EP is the bandโ€™s reimagining of Duran Duranโ€™s 1984 classic โ€œThe Wild Boysโ€, transformed into a brooding, atmospheric indie rock anthem. The track was produced and mixed by John Fryer, legendary for his work with Depeche Mode, Nine Inch Nails, and HIM, and mastered by Alan Douches, whose credits span from Converge and Chelsea Wolfe to Fatboy Slim and The Chemical Brothers.

    “Rarefied is a statement about contrasts: beauty and decay, danger and desire,” says Reversed Chakra. “Covering ‘The Wild Boys’ allowed us to pay homage to the spirit of the 80s while pushing it through our darker lens.”

    With their previous singles โ€” including โ€œGame of Chessโ€ (2.2 million views and extensive international radio play), โ€œAll The Way Downโ€, and โ€œDustโ€ โ€” Reversed Chakra have already made their mark as one of the most compelling new voices in alternative music. Rarefied sees the band expand their sonic palette even further, blending post-rock atmospheres with the urgency of modern indie rock.

    About Reversed Chakra

    Reversed Chakra’s sound explores deep emotions, crafting stories that transcend the ordinary. Imagine a fusion of Interpol and Editors, seasoned with hints of Kings of Leon and Placebo, all enveloped in the ethereal beauty of The Cure and Sigur Rรณs. This sonic journey defies genres and promises to leave you spellbound.

    SOURCE: Official Bio

    LINKS:
    https://reversedchakra.com
    https://instagram.com/reversedchakra
    https://facebook.com/reversedchakra
    https://youtube.com/@reversedchakra

    Starting Early – Bethesda

    Starting Early
    Starting Early

    Rock trio Starting Early is concluding 2025 with a festive bang as they release their 4-track “Bethesda EP” at their headlining performance at Songbyrd located in Washington D.C. on December 19th.

    After the release of their debut album Hello in 2023, Starting Early is back with a fresher than fiction sound.

    Starting with the title track and lead off single, “Bethesda” leaves a feeling of yearning for a long-lost love and the familiar mindless ritual of time spent on the road to work and through everyday life. Declan’s passionate vocal performance paired with layered harmonies will pull the listener through the soundscapes created by synths and fantastic percussion.

    The tracks “Summer Sun” and “Do As I Do” are brought to life by jazz trumpeter, Joseph Brotherton, who brings a lively and rich brass section that will make you want to roll your windows down and take in the fresh air. One track shares the story of a young couple enjoying their care-free summer nights, and the other narrates a cat and mouse chase of burglars attempting to escape the law in the middle of a bank heist. But both tracks will leave the listener impressed with Paul’s uppity drumming and Rory’s methodically planned guitar solos.

    Last but certainly not least, “Angie Harmon (Motion to Dismiss)” animates an underlying tongue-in-cheek feud between two lawyers publicly disputing their love affair in an intellectual game of chess. The looped guitar and percussion create a groove sure to make you tap your foot with its catchy and playful melody.

    There is no better stocking-stuffer or Kris Kringle gift to give to your loved ones than Starting Early’s Bethesda EP. All three members of the band are certain of that and hope to see you at their EP release at Songbyrd on December 19th.

    About Starting Early

    Starting Early are brothers Rory and Declan Oโ€™Donnell (vocals, guitars, and bass) with Paul Mosimann (drums, vocals).

    Filed under the nebulous genre of indie-rock, Starting Early has a sound that is unpretentiously fresh. Cutting their teeth by studying Beatles harmonies and instrumentally recreating the sounds of acid rock legends Cream and Led Zeppelin, Starting Early injects a vintage vibe into their exciting and plucky songwriting.

    SOURCE: Official Bio

    LINKS:
    https://startingearlyofficial.com/
    https://www.instagram.com/starting_early_band/
    https://www.facebook.com/StartingEarlyMusic
    https://www.youtube.com/channel/StartingEarly
    https://startingearly.bandcamp.com/music
    https://music.apple.com/us/artist/starting-early/1596530414
    https://open.spotify.com/artist/StartingEarly

    Mary Mina – Lonely Part Of Me

    Mary Mina
    Mary Mina
    1. Lonely Part Of Me Mary Mina 02:55

    Mary Mina has today released her new single titled ‘Lonely Part Of Me’. I’ve been following Mary’s music going back to the Mary in the Mirror days, and to see her become what she has become stylistically and musically is something anyone can be impressed with.

    ‘Lonely Part Of Me’ is a track that will mean something to anyone that listens to it. It found a personal spot for me after I pressed play. The lyrics are deep and meaningful in a way that finds a relationship with anyone.

    Musically, tinged with spots of jazz and soul, each note caresses Mary’s unique and signature vocals with the vibrance of true soul and the subtlety of your deepest emotions.

    About ‘Lonely Part of Me’

    Bristol based soul and jazz vocalist Mary Mina will release her deeply personal new single, Lonely Part of Me, on Christmas Day, choosing the date intentionally as an offering, a gift to her listeners after more than a year of preparation.

    The song was written following a vivid dream in which a woman with chestnut hair sang softly to Mary. At the time, Mary was navigating fresh grief after the sudden loss of her father while travelling to New York to perform at an industry showcase. Only later did she come to understand that the woman in the dream was her long-lost grandmother, a woman she never met because Maryโ€™s father was adopted, and whose identity only came to light after his death.

    Lonely Part of Me emerged from that period of grief, movement, and discovery. While in New York, Mary connected with newly discovered relatives through DNA genealogy and learned something that deeply moved her: her biological grandmother had also been a professional singer, performing regularly on the radio in the 1940s and travelling to America for her work.

    Mary says โ€œLearning that my grandmother was also a singer gave me the feeling that we were deeply connected across time, it brought a real sense of belonging through music.โ€

    Although the song was written over a year ago, Mary chose not to rush its release. The process of losing her father, uncovering hidden family history, and integrating the emotional weight of the song meant that timing mattered deeply. โ€œThis song is an emotional release,โ€ Mary explains. โ€œI needed time to feel my way into sharing it. Releasing it on Christmas Day feels like a gift for my listeners of a song that is in many ways hard to let go of.โ€

    Musically, Lonely Part of Me is a stripped-back, soulful ballad rooted in jazz phrasing and emotional restraint. Maryโ€™s intimate vocal delivery allows space for vulnerability, stillness, and reflection, inviting listeners into a quiet moment of connection.

    Known for her rich, expressive voice and emotionally honest storytelling, Mary Mina continues to carve a space where music, identity, and healing intersect. Lonely Part of Me stands as one of her most personal releases to date โ€” a tribute to lineage, loss, and the unseen ways music is written into our DNA.

    About Mary Mina

    Mary Mina is a Bristol-based soul and jazz vocalist known for her rich, emotive voice and deeply personal storytelling. Blending vintage soul, jazz, and modern influences, her work explores identity, resilience, and emotional truth. Alongside her music career, she is also a radio and podcast host.

    SOURCE: Official Bio

    LINKS:
    https://maryminamusic.com/
    https://facebook.com/maryminamusic
    https://youtube.com/@MaryMinaMusic
    https://instagram.com/miss_mary_mina
    https://open.spotify.com/artist/0NRH0iJ0qIBmkT6BjjI5JX

    Black Mariah – Lap It Up (frog boy)

    Black Mariah
    Black Mariah

    ‘Lap It Up (frog boy)’ is the latest single from Southern California rockers Black Mariah. Speaking about their new track, the band states, “This song is best served chilled over ice, shaken not stirred.”

    Featured image by Thomas Wehle.

    SOURCE: Official Bio

    LINKS:
    https://www.instagram.com/theofficialblackmariah
    https://music.apple.com/us/artist/black-mariah/1851786528
    https://open.spotify.com/artist/6iXV21JzMyhA0QkGNU25Xl

    Turner Cody – Cigarettes Inside

    Turner Cody
    Turner Cody

    Featuring a simple acoustic arrangement with Clement Nourry’s delicate guitar accompaniment and Ted Clark on electric bass, “Cigarettes Inside” tells the story of four musicians on the night of a gig in Nashville played to an empty room. Not originally intended for Out For Blood, the song caught the ear of producer Nicolas Michaux, who recognised its raw emotional power.

    Turner Cody began his career in New York’s Anti-Folk scene at the Sidewalk Cafรฉ in 1998. Over two decades, he has released a rich body of work spanning lo-fi folk to rock and country-infused records, earning recognition for his lyrical depth and timeless songwriting. His music has appeared in films like Un Prophรจte and ‘Un Prophรจte’ and inspired the 2019 tribute album ‘Songs of Turner Cody’ featuring Adam Green, Jeffrey Lewis, and others.

    “I wrote this song pretty much as the story happened,” Cody explains. “It was the last show I played before the Covid Pandemic and may have been the worst attended show of my 20-year career. Anyone who’s ever played Nashville knows that the Music City isn’t always welcoming to outsiders and that night was no exception. All we had was each other. The only thing that saved the night was the Three Crow Bar, a Nashville dive that somehow, miraculously, allowed indoor smoking! So, we drank beer and smoked inside just like the old days. We talked about old times and had some good laughs and for that brief moment all was well with the world.”

    In the tradition of mournful ballads, “Cigarettes Inside” lays out certain hard truths about life’s elusive mysteries. But it balances its sad tone with gentle humor and a suggestion that there is still joy to be found in all the heartache. The song showcases Turner Cody at his most elemental: finger-picking and singing alone in the studioโ€”a song about every man who ever shed a tear for what could’ve been.

    Since 2018, Cody has collaborated closely with Belgian label Capitane Records and has been working with producer Nicolas Michaux on Out For Blood (2025). Now based in Illinois, Cody continues to craft songs that balance literary sophistication with an enduring gift for popular song traditions.

    Following “We Need Each Other”โ€”which explored interdependence and what makes us better peopleโ€””Cigarettes Inside” reveals another facet of Cody’s humanistic songwriting: the beauty found in shared disappointment and the comfort of kindred spirits.

    Featured image by Alex De Terwangne.

    SOURCE: Official Bio

    LINK:
    http://www.instagram.com/mister_turner_cody/

    Belle Morte – My Legacy

    Belle Morte closes out 2025 with a final, intimate release: the acoustic version of โ€œMy Legacy,โ€ taken from the bandโ€™s debut album Crime of Passion.

    Stripped back to its emotional core, this new version reveals a different side of โ€œMy Legacy.โ€ The symphonic weight gives way to atmosphere and nuance, letting the songโ€™s melody and meaning take center stage. Itโ€™s a reflective moment, deliberate, and honest, that feels like a farewell, and a thank you at the same time.

    About Belle Morte

    Formed in Minsk, Belle Morte combines dark symphonic metal with gothic, progressive, and melancholic elements. After their 2018 EP Game On, the band signed with Wormholedeath in 2021 to release Crime of Passion, a conceptual album inspired by John Fowlesโ€™s The Collector. Their second album continues this global approach, delivering unique symphonic metal experiences for fans seeking something different.

    SOURCE: Official Bio

    LINKS:
    https://facebook.com/bellemortemusic
    https://instagram.com/bellemorteofficial
    https://youtube.com/@bellemortemusic
    https://bellemorte.bandcamp.com
    https://bellemortemusic.com

    Alien Orchestra – Under My Pale Skin

    Alien Orchestra
    Alien Orchestra

    Alien Orchestra has dropped their new EP titled ‘Under My Pale Skin’ via Rockshots Records. The EP has that combination of orchestration and imagination done in such a way as to not feel pretentious or over bearing in any way. It’s simply a beautiful set of songs. Each track has its place and each place hits its mark.

    Music done by musicians with a feeling of sonic poetry meets soulful symphony, ‘Under My Pale Skin’ is a muse for anyone wanting to pic up an instrument and a guide for all those who wish to express their emotions through music.

    About ‘Under My Pale Skin’

    Oslo-based cinematic metal project Alien Orchestra unveils its new EP โ€œUnder My Pale Skinโ€, a deeply personal and emotionally charged release that brings together the full artistic and conceptual arc previously introduced through the singles โ€œInside The Worn Shellโ€, โ€œThe Last Horizonsโ€, and โ€œSvรฆrt Mysteriumโ€.

    Written in the aftermath of founder Jan โ€œEpicAlienโ€ Batista Mojdisโ€™ battle with leukemia and subsequent bone marrow transplant, โ€œUnder My Pale Skinโ€ stands as a sonic chronicle of near-death experience, recovery, and renewed purpose. The EP captures a fragile yet powerful emotional spectrum where sorrow, resilience, and hope coexist within a carefully sculpted cinematic metal framework.

    Musically, Alien Orchestra blends orchestral arrangements, ambient textures, and evocative โ€œalienscapesโ€, creating soundscapes that feel equally suited to introspective listening and cinematic storytelling. Each track represents a different emotional stage of the journey: from isolation and inner struggle to reflection, healing, and forward momentum.

    The EP features an acclaimed lineup of collaborators, including Simen Sandnes (Evergrey, Shining, Temic) on drums and percussion and Mats Haugen (Circus Maximus) on lead guitars for โ€œThe Last Horizonsโ€. All songs were written by EpicAlien, with production handled by Drop RMX at Downtone Studio in collaboration with EpicAlien himself, ensuring a cohesive and deeply atmospheric sound.

    With โ€œUnder My Pale Skinโ€, Alien Orchestra further defines its identity as a studio-focused project, where ambient elements are enriched by cinematic soundscapes. The EP also serves as a tribute to those who fought similar battles and did not survive, with a particular emotional dedication to children affected by serious illness.

    This release not only completes the narrative introduced by the recent singles but also lays the foundation for Alien Orchestraโ€™s next chapter, anticipating a more expansive full-length album currently in development.

    About Alien Orchestra

    Alien Orchestra is an Oslo-based cinematic metal project founded in 2014 by Jan Batista Mojdis, known artistically as EpicAlien. Initially conceived as an experimental studio act, the project quickly evolved into a unique blend of heavy metal, cinematic orchestration, ambient, and trailer music, merging the intensity of metal with the grandeur and emotion of film scores.

    Alien Orchestraโ€™s music often draws inspiration from science fiction, cosmic exploration, underwater worlds, and the vast Nordic landscapes, transforming these themes into soundscapes that feel both otherworldly and deeply human.

    The projectโ€™s early releases, including the debut EP Fall of Mars and the single Dark Nordic Dramรฆ, established its distinctive atmosphere and storytelling approach. In 2021, EpicAlien returned to writing after a long battle with leukemia and a bone marrow transplant, channeling his experience of struggle and rebirth into a new creative cycle.

    The result is the new mini album Under My Pale Skin โ€” a deeply personal work that narrates a journey through pain, healing, and hope. Featuring renowned guests such as Mats Haugen (Circus Maximus) on guitars and Simen Sandnes (Evergrey, Shining, Temic) on drums, the EP marks a turning point where Alien Orchestra solidifies its identity as a metal-driven yet cinematic act.

    As EpicAlien himself describes it, Alien Orchestra represents โ€œthe meeting point between the human spirit and the cosmic unknown โ€” where heavy metal riffs collide with orchestral emotion and alien soundscapes.โ€

    LINKS:
    https://www.facebook.com/alienorchestraofficial
    https://www.instagram.com/alienorchestraofficial

    Zukatti – Luz da Noite

    Zukatti
    Zukatti

    Portuguese synthpop act Zukatti presents his new single โ€œLuz da Noiteโ€.

    This synthpop/pop track, sung in Portuguese, explores the power of the night, a blend of darkness, mystery and freedom that awakens intense emotions and reveals parts of ourselves that rarely show in daylight.

    โ€œLuz da Noiteโ€ captures exactly that moment: what we keep inside during the day and finally release when darkness and moonlight surround us.

    SOURCE: Official Bio

    LINKS:
    https://www.instagram.com/zukatti_xo
    https://www.facebook.com/Zukatti
    https://youtube.com/@zukatti
    https://open.spotify.com/artist/3R8pLbnYOdo0SPt1YnmnzM

    Steve Aoki & Kaaze – Head Rush + Tour Dates

    Steve Aoki & Kaaze - Head Rush
    Steve Aoki & Kaaze - Head Rush

    2x-Grammy-nominated artist and producer Steve Aoki has teamed up with Swedish producer Kaaze for their first collaborative EP, Head Rush. The new project sees the longtime friends reunite in the studio following recent hits โ€œWonโ€™t Forget This Time (ft. John Martin)โ€ and โ€œWhole Again (ft. John Martin)โ€ from Aokiโ€™s HiROQUEST albums. Kaaze also previously remixed Aoki’s โ€œKyroโ€ from HiROQUEST 2: Double Helix. On Head Rush, the pair merge Aokiโ€™s signature electro flair with Kaazeโ€™s distinctive Hลt Teknล style, delivering a set of high-impact festival anthems.

    The title track, โ€œHead Rush,โ€ features techno artist Sarah De Warren and blends big-room energy with an emotive, vocal-driven edge. The EP rounds out with โ€œGive It To Meโ€ and โ€œSelf Control,โ€ two equally festival-ready cuts. Earlier this month, Kaaze joined Aoki on stage at Hypersonic Festival in Sydney and Melbourne, where the duo debuted both โ€œHead Rushโ€ and โ€œGive It To Meโ€ in front of thousands of fans.

    โ€œKaaze and I have been talking about doing something together for years, and this EP finally captures that shared vision: high-energy, emotional, euphoric,โ€ Aoki shares. โ€œBoth โ€˜Head Rushโ€™ and โ€˜Give It To Meโ€™ take you straight to that festival moment where everything just lifts. Itโ€™s big-room energy with heart, exactly the kind of music that reminds me why I started doing this in the first place.โ€

    โ€œItโ€™s always a blast to jump in the studio with Steve!โ€ exclaims Kaaze. โ€œWhen we started working on this EP, the goal was simple: make something that absolutely destroys the festival stage. Every drop, every melody, every vocal across all tracks is designed to make people lose themselves in the moment.”

    About Steve Aoki

    Counting nearly 3 billion music streams to his name, Steve Aoki is a true visionary. Billboard described the 2x-GRAMMY-nominated music producer, artist, fashion designer, entrepreneur, futurist, and Dim Mak Records founder as โ€œone of the most in-demand entertainers in the world.โ€ A Guinness World Record holder for the โ€œMost Traveled Musician in a Single Calendar Year,โ€ Aoki has performed at nearly every top festival around the world, including Coachella, Ultra Music Festival, Lollapalooza, Fuji Rock Festival, Tomorrowland, and Electric Daisy Carnival. Aoki also graced recent covers of Entrepreneur Magazine, Success Magazine, Electronic Musician, and Adweek as their โ€œVisionary of the Year.โ€

    As a globally successful cross-genre solo artist, Aoki has collaborated with an impressive list of varied artists, including BTS, Maluma, Snoop Dogg, Linkin Park, blink-182, One Directionโ€™s Louis Tomlinson, Machine Gun Kelly, Lil Uzi Vert, 2 Chainz and Daddy Yankee, on top of having released three Platinum singles, six Gold singles, and over ten Top 10 radio records.

    Aoki approaches each new endeavor with the same sense of dedication heโ€™s put into his past achievements, including the Grammy-nominated Netflix documentary Iโ€™ll Sleep When Iโ€™m Dead (2016) and his memoir BLUE: The Color of Noise (2019). In 2012, he also founded THE AOKI FOUNDATION to support organizations in brain science and its research. His influential record label Dim Mak, which celebrated its 25th anniversary in 2021, is known for being a launching pad for the careers of prominent acts like Bloc Party, The Chainsmokers, Bloody Beetroots, The Kills, Zedd, and Diplo.

    About Kaaze

    Born to stand out, bred to create, Kaaze is a Swedish DJ, producer, and songwriter whose music bridges fuels underground ferocity on a mainstage scale.

    Mick Kastenholt, better known as Kaaze, has earned his place as a luminary of contemporary electronic music, with both musical mastery and laser-focus determination in his artistic arsenal. Since 2021, Kaaze has consistently ranked in DJ Magโ€™s Top 100 DJs Poll, a testament to both his technical skill and enduring connection with fans worldwide.

    Kaazeโ€™s expansive catalogue spans diverse styles. Reworks like โ€˜Maneaterโ€™ with Luciana and his official remix of Calvin Harris & Sam Smithโ€™s โ€˜Desireโ€™ cemented his reputation for studio firepower, positioning him as an in-demand collaborator for dance music heavyweights including Steve Aoki, David Guetta, KSHMR, Tiรซsto, and Hardwell.

    Yet, Kaazeโ€™s identity remains firmly rooted in the subterranean techno clubs of Europe, where every beat he produces carries the imprint of authentic rave culture. Itโ€™s this unfiltered underground energy that drive his signature sound dubbed by fans as โ€˜Hot Tekno.โ€™ Characterised by deep penetrating techno beats that playfully flirt between the lines of brash and boisterous, yet edgy and melodic.

    On the dancefloor, Kaaze becomes a force of nature. From basement raves to world-renowned venues such as Ministry of Sound and Ibiza clubbing meccas Amnesia and Ushuaรฏa, as well as major festival stages of Parookaville, Donโ€™t Let Daddy Know, EDC and Beats For Love Festival,his performances are charged with intensity and unforgettable energy.

    In 2025, Kaaze conquered new territory in every sense. First, launching his debut North America and Canada tour, โ€˜RESONANCE,โ€™ visiting top cities including New York, Detroit, Toronto, and proving a sell-out success.

    His studio output amplified to the same level. โ€˜Reach Out (Iโ€™ll Be There),โ€™ a Hot Tekno take on a Motown classic, flexed Kaazeโ€™s diverse musical ear and passion for analogue authenticity. Fan-demand called for official release of โ€˜On the Floorโ€™ with CERES which marked Kaazeโ€™s debut onto renowned imprint Spinninโ€™ Records, plus official remixes for John Dรคhlback, David Guetta, Ricky Martin, all in the last twelve months. The final flame thrower being Head Rush, the debut EP between Kaaze and Steve Aoki.

    As always, Kaazeโ€™s vision is laser-focused on the future. Teasing fans with his new 360ยฐ conceptshow set to debut in London in the Spring. As well as the upcoming launch of his new label, SE7EN Records, in 2026. Kaazeโ€™s mission to redefine the intersection of underground authenticity and mainstage dominance is readying for maximum global impact.

    SOURCE: Official Bio

    LINKS:
    https://steveaoki.com/
    https://www.facebook.com/steveaoki/
    http://instagram.com/steveaoki
    https://www.tiktok.com/@steveaoki
    https://www.youtube.com/steveaoki
    https://discord.gg/steveaoki
    https://www.iamkaaze.com/
    https://instagram.com/iamkaaze
    https://www.youtube.com/channel/UC4YCVy0ggUoFd2NVU2z04WA

    Adeline Gray – Cold Void

    Italian alternative groove metal act Adeline Gray will release its new album ‘Portrait of Our Descent’ on February 6, 2026.

    As the title suggests, itโ€™s written as a portrait, a descent into the human abyss, and the long climb back out. The songs carry anger and restlessness, with lyrics that lean dark and melancholic, but each one leaves room for hope and rebirth. The core message is simple: you can get back up, even from the bottom.

    ‘Portrait of Our Descent’ Tracklist

    'Portrait of Our Descent' cover.
    ‘Portrait of Our Descent’ cover.
    1. Beyond the Roomโ€‹
    2. Cold Voidโ€‹
    3. Falling Leavesโ€‹
    4. Mindโ€‹
    5. Smoldering Depths

    About Adeline Gray

    Adeline Gray is an Italian alternative/groove metal band forged in the middle of Italy.

    The band develops its sound by blending each component’s musical background, stemming from a multi-coloured musical palette and their uncompromising love for all the metal scene. The songs weave together meditative, melodic and introspective parts with bursts of anger and groovy riffs.

    SOURCE: Official Bio

    LINKS:
    https://www.facebook.com/profile.php?id=61578511246380
    https://www.instagram.com/adelinegray.band/
    https://open.spotify.com/artist/4RP2iD2ElroBUpaW1I8Xb9
    https://music.apple.com/it/artist/adeline-gray/1848205827
    https://youtube.com/@adelinegray_band

    Every Us – B-Train

    Every Us
    Every Us

    Every Us have today released their new single titled ‘B-Train’. Electronic soul with an atmosphere as this song slowly gives it’s muse to the masses. This is an almost gospel song in execution, with hints of Motown and electro-pop in the glitches.

    Every Us is a vocal heavy group. This, to me, guides the music they create. This makes their music splashes of emotion. ‘B-Train’ continues and expands this. Never letting up but never letting you down, the song glides along by taking it slow with a subtle crescendo and a soulful breakdown, and it all comes together in a solid form that gives you that slow groove in your seat while you wait for the day to end.

    About ‘B-Train’

    Led by Chynna Sherrodโ€™s expressive vocals, the song blends lush harmonies, understated drums, and sample-forward textures crafted by producer Ryan Jones. The result is a cinematic, emotionally driven soundscape, one that transforms heartbreak into reunion and solitude into communion. โ€œโ€˜B-Trainโ€™ is basically a love letter to the friends you keep going back to. Think that โ€˜grab a bottle of cheap wineโ€™ kind of love,โ€ Jones explains. โ€œWe wanted to poke fun at the idea that real love only belongs to romance, and instead celebrate the people who show up when the nightโ€™s messy and the people are right. This track is all about Chynnaโ€™s voice, giving it space while sneaking in the Every Us crew quietly in the background.โ€

    With lyrics like โ€œWine until we canโ€™t stand, drag each other home, tell me that’s not true love,โ€ โ€œB-Trainโ€ reframes the rituals of friendship as profound acts of connection. Written and produced by Ryan Jones and mixed and mastered by Ian Kimmel, โ€œB-Trainโ€ expands Every Usโ€™s sonic universe, drawing on soul, alt-pop, and the projectโ€™s signature collage of samples and group vocals. For fans of Jungle, Dijon, Dominic Fike, and Mt. Joy, the song offers a snapshot of the tender, chaotic, and deeply human moments that define the modern New York City community.

    Every Us is a New Yorkโ€“based music collective creating songs that capture the moments we feel a part of something larger than ourselves. What began as Ryan Jonesโ€™s global journey, living in Brooklyn, London, Shanghai, Chiang Mai, and Pittsburgh, has evolved into a project shaped by worldwide experiences of connection, culture, and community. Following their recent single, โ€œThe Motions,โ€ and their latest release, โ€œB-Train,โ€ Every Us continues to expand their world of shared identity, communal storytelling, and genre-blending production. Both tracks serve as singles off the groupโ€™s upcoming debut EP, introducing the next chapter of their sound. Since forming in NYC, Every Us has grown into a music collective anchored in community building.

    Their live events have brought together more than 500 people, with curated lineups spanning folk, R&B, jazz, and electronic, always with an emphasis on uplifting emerging voices while sharing their own expanding universe of music and visuals. The collectiveโ€™s past collaborators include Olivia Reid, Michael Tighe (Jeff Buckley, Adele, Mark Ronson), Charlie Klasfield (Clean Bandit, Branchez), guitarist Dan Sagher (Charlie Burg), and Latin Grammy-winner Soular. Visual collaborators include filmmakers Talia Light Rake (Sundance, Tribeca Festival) and Frank Sun (Peloton, The Olympics). The group has received praise from notable press outlets like Grimy Goods, NYS Music, Jammerzine, and Wolf in a Suit. At its core, Every Us is an exploration of what it truly sounds like to find โ€œyour people.โ€ More than a singular artist, they operate as a shared voice and a community sound, creating music, events, and stories for all of us.

    About Every Us

    Every Us is a music collective based in NYC, creating music that captures the moments we feel a part of something greater than ourselves. With one single out today and three more to come, Every Us is on track to release an EP in the spring and a new video series in the summer.

    Ryan Jones, the artist to start this group has lived around the world. Experiencing firsthand the many ways music can bring people together, Ryan has brought this goal back to New York. As Every Us, they are focused on using music to open up a wider world of creativity. Through their community live events in 2022, they have accumulated over 200 people curating a lineup of artists in the NYC & Brooklyn area from Folk to R&B to Jazz to DJs. They tend to uplift other new voices while also sharing their music, brand, and creating a larger community.

    Past acts and collaborators include Olivia Reid, Michael Tighe (Jeff Buckley, Adele, Mark Ronson) and Charlie Klasfield (Clean Bandit, Branchez) and guitarist Dan Sagher (Charlie Burg). Mixed by Latin Grammy winner, Soular and mastered by Kia Shavon. Filmmakers include Talia Light Rake (Sundance, Tribeca Festival) and Frank Sun (Peloton, The Olympics).

    Exploring what it actually sounds like to find โ€œyour people,โ€ this multi-media collective and community creates music for us. One can describe them as a community sound or style, more than just a singular figure.

    LINKS:
    https://www.everyus.world/
    https://www.instagram.com/everyusmusic/
    https://www.tiktok.com/@everyusmusic
    https://open.spotify.com/artist/4m1WBYnUpGLg5x2m5kk7aC

    Sonic Punter – Cloud Indigo

    Sonic Punter
    Sonic Punter

    The self-reliant, boundary-pushing post-punk trio Sonic Punter has released a new single, Cloud Indigo. The track is a striking example of its genre, where magical guitar textures and dark, resonant vocals create a powerful and hypnotic atmosphere.

    Alongside the single, Sonic Punter is releasing a live performance video of Cloud Indigo on YouTube. The video was captured in June at Kuudes Linja in Helsinki and offers a glimpse into the bandโ€™s intense, gritty and tightly focused live energy. More live footage from the same show will be released in January.

    The band will also appear live later this year at their single release show on 20 December at Maanalainen in Tampere.

    Sonic Punter is currently preparing for the release of their second album. Cloud Indigo, however, is a special Christmas gift for fans and will not appear on the upcoming full-length, which is set for release next spring.

    SOURCE: Official Bio

    LINKS:
    https://www.facebook.com/sonicpunter
    https://www.instagram.com/sonicpunter/
    https://open.spotify.com/artist/6jfTWkhDD3RDXV3z0NGeA7

    Lord Elephant – Gigantia

    Lord Elephant
    Lord Elephant

    Lord Elephant have today released their new single titled ‘Gigantia’, from their upcoming album ‘Ultra Soul’, dropping January 30th via Heavy Psych Sounds.

    If I had to describe this in two words, it wouldn’t be ‘it’s good’, it would be ‘holy shit’. This is a sucker punch to the face via the pee hole and through the gut. Bits of Sabbath filtered through straight prog and doom metal, when doom metal felt original, with a jam band attitude and 70s metal gratitude, Lord Elephant feels the art and emotes the muse in ways most bands never learn and most idols have forgotten.

    About ‘Ultra Soul’

    On ‘Ultra Soul’, the crushing trio fuses their jam-packed blend of bluesy doom and heavy psychedelia into a potent acid-drenched concoction, channeling the spirits of the 70s, 90s, and 00s into a sound that is both towering and trip-inducing, while keeping it classy at all times. “Ultra Soul” finds Lord Elephant expanding their vision beyond the cages with their most soulful and captivating work to date. Fans of the likes of Earthless, Belzebong, Church of Misery or Black Bombaim should love this.

    “Ultra Soul” was recorded, mixed and mastered at Studio 73, Ravenna, by Riccardo Pasini (Nero Di Marte, Ephel Duath, Ottone Pesante), with an artwork and layout by JJ Farfante ArtLab (Melvins, Mudhoney, Ufomammut). Stream the debut single Black River Blues!

    About Lord Elephant

    Since their formation in 2016, Italy’s Lord Elephant has been carefully brewing their potent sonic cocktail, and their 2022 debut album “Cosmic Awakening” (Heavy Psych Sounds) served it up just right: its thunderous dose of psychedelia, stoner, doom, and blues hit the scene hard to critical acclaim.

    Theyโ€™ve since earned their scars on the road, sharing the stage with heavyweights such as Eyehategod, Church Of Misery, Nebula or Bongzilla, and storming across Europe in the summer of ’23 with the one-and-only Weedeater. From the packed rooms of Desertfest to Rock In Bourlon and Heavy Psych Sound Fest, their live show is a true force of nature.

    Their next mammoth step is imminent. In January 2025, Lord Elephant teamed up with renowned producer Riccardo โ€œPasoโ€ Pasini in Ravenna to lay down their second album. This new chapter captures a band locked in and levelling up, with a raw, intuitive connection that promises to push their sound into even heavier and more expansive territory.

    LINKS:
    https://lordelephant.bandcamp.com/
    https://www.instagram.com/lordelephant_official
    https://www.facebook.com/RandomnRoll/

    Charm of Finches – Meteor

    Blazing a trail of future music to come, โ€œMeteorโ€ is the first of a series of planned releases from the Australian folk-pop duo due to impact in the coming months that will form their highly anticipated fifth album.

    Inspired by the powerful forces of nature that reflect a tumultuous inner world, the track was recorded by the ocean in Victoria, Australia, and mixed in Canada. Of this sensual, string-laden new single, Charm of Finches say:

    โ€œThis song came out of a bit of a turbulent time, and contemplates the sometimes fraught relationship with the self. Weโ€™ve visited many dramatic landscapes this year – we hiked up an active volcano in New Zealand and visited the oldest rainforest in the world up in Northern Queensland. We think that witnessing the power and grandeur of nature really influenced the writing of this song.โ€

    Directed and edited by Charm of Finches, the track is accompanied by a bewitching official video featuring elegant choreography and shamanic feathered costumes hand-crafted by the band. Of the visuals, the band add:

    โ€œWe love to create music videos that are sort of like mini short films. We drew aesthetic inspiration from Yellow Jackets with a sprinkle of Narnia. We got out the glue guns and handcrafted elven twig crowns and feathered costume pieces, and even painted an animal skull mask. We collaborated with our incredible friends who helped us design and put together the costumes, source props as well as dance and act in it! We wanted to capture a magical, powerful, natural world and incorporate the beauty of the Australian landscape.โ€

    A taster of whatโ€™s to come, Charm of Finches invite you to help them create their next album via the Australian Cultural Fund.

    As they map out the course of their next long-player, sisters Mabel and Ivy Windred-Wornes will return to the UK for a stretch of intimate shows and scenic songwriting sessions. Kicking-off at Londonโ€™s The Grace on 18th February and concluding at Glasgowโ€™s Glad Cafe on 4th March, the run will see them play at towns and cities everywhere in-between on this fourteen-date tour. Expressing their excitement for the upcoming visit, Charm of Finches add:

    “On our last UK tour, we connected with so many people and we canโ€™t wait to visit again – singing in old churches, stuffing ourselves with English breakfast and patting highland cows. Then we’ll be writing songs by the windswept coasts and rugged mountains of Scotland, creating our fifth record.”

    Charm of Finches create intricate folk-pop that is simultaneously graceful and darkly complex. Their seamless blood harmonies traverse melancholy and wonder in equal measure. Winners of the Australian Folk Music Awards Best Folk Album (2022) and Music Victoria Best Folk Act (2021), the band have also been nominated twice for the Australian Music Prize.

    With four acclaimed studio albums released to date, their most recent was 2024โ€™s โ€˜Marlinchen In The Snowโ€™. Recorded in rural Nova Scotia with acclaimed Canadian producer Daniel Ledwell (Jenn Grant, Good Lovelies), it was inspired by the frozen beauty of the landscape, Grimm Fairy Tales from their childhood, and their transient life on the road with their music.

    SOURCE: Official Bio

    LINK:
    https://charmoffinchesband.com/

    To Die On Ice – Baccanale + Exclusive Q&A

    To Die On Ice
    To Die On Ice

    To Die On Ice has today premiered their new single titled ‘Baccanale’, releasing this Friday, from their upcoming album ‘Panoramica Degli Abissi’ (translated as Pan of the Abyss), dropping February 6th via Italian label Subsound Records and Norwegian label Gymnocal Industries.

    Doom with gaze in a style that crosses those dark post modern bands from the glory days with bits of David Lynch, Leonard Cohen and other bits of dark surrealness and under the radar that stays in the fringes where true originality and sheer coolness resides. ‘Baccanale’ is a dark exploration of the avant-garde through the eyes of the disenfranchised. The soul of the track is almost jazz in execution and delivery with dystopian flare and that feeling of dread that we all secretly long for.

    This is the perfect introduction for what is to come with ‘Panoramica Degli Abissi’ in that it feels as much of an experience as it does a deep and interesting listen.

    ‘Baccanale’ officially drops this Friday.

    Q&A

    How did To Die On Ice form and how did you come up with the name and what is it’s meaning?

    To Die On Ice was born from the demise or the dusk of other musical projects each of us had before To Die On Ice. Even though the initial intention was to transpose the more minimalist jazz/blues side of the Lynchian dimension into a disturbing and sexy doom abyss, the fact that none of us had the faintest idea of what that actually meant created the conditions for something immediate and sincere, where ideas that we hadnโ€™t even imagined at first naturally converged โ€” such as the hints of soul and the screamo parts. As for the origin and meaning of the name, it might be far more interesting if it remains unexplained, open to free interpretation.

    How would you describe ‘Baccanale’ to someone who has never heard it?

    Baccanale is part of ‘Panoramica Degli Abissi’, an album that moves along a narrative flow, arbitrarily choosing which passages to translate from the story it chases (rather than follows). The track describes the moment when the two protagonists enter a venue where a party is taking place, which progressively turns into an orgy of violence and unleashed, furious instincts. Not by chance, the subtitle is โ€˜Where Paul Saves Bacall at a Party of Wolves and Crows.โ€™ Musically, I believe there is an atmospheric first part that, in intention โ€” especially through the sax โ€” evokes lascivious situations and vaguely Ethiopian suggestions (mostly because at that time we were listening to that stuff), followed by a second part that plunges into a granite, noisy post-blues.

    How would you describe your โ€œopen workshopโ€ approach for To Die On Ice?

    The idea is simply that there should be a shared vision and that anyone who wants to manipulate it with their own language has full freedom to do so. In this specific case, with ‘Panoramica Degli Abissi’, we managed to combine the music with a literary and, Iโ€™d say, graphic component (together with the album, a short story written by me and illustrated by Vitt Moretta โ€” a comic artist who has also collaborated with Simon Hanselmann, that you may know โ€” will be released by Edizioni Fantasma), and with a video projection in the form of a visual album directed by photographer Lulรน Withheld, which develops a fragment of the aforementioned story to bring to life a semi-combinatory editing experiment (the editing is by Alessandro, who plays the drums) as long as the album itself.

    And speaking of the record, the cover is the result of a reinterpretation by Caterina Birolo, who also designed the artwork for ‘Una Specie Di Ferita’ (2022) and laid out the book. In short, I like to think of To Die On Ice as a collective that produces things, rather than limiting it to four people playing a genre that doesnโ€™t exist and that, for convenience, they called Lynch Core.

    What would you say is the best aspect of โ€œPanoramica Degli Abissiโ€ and when will the album be released?

    As far as Iโ€™m concerned, perhaps the most interesting aspect of ‘Panoramica Degli Abissi’ was facing the challenge of following a story both musically and lyrically. It seems to me that the result is a nocturnal and dreamlike album that allowed space for humble sonic citations of the Italian 1960s (Iโ€™m thinking of crooner Fred Bongusto) and wasnโ€™t afraid to experiment with collaborations featuring female voices (Vespertina in Lโ€™INSONNIA and Francesca Bono in TEMPESTE DI SABBIA) and moments theoretically totally insane, like a kind of screamo gospel. Another interesting thing, on the record-label side, was managing to bring together two labels with no previous connection, from two countries at opposite ends: Italy (Subsound Records) and Norway (Gymnocal Industries).

    What are your next plans after โ€œPanoramica Degli Abissi’ drops and do you plan to tour?

    As I mentioned, ‘Panoramica Degli Abissi’ is a multifaceted project, so weโ€™ll try to give life also to its literary and video-artistic dimensions. As for the strictly musical and live aspects, yes, we are planning the dates that will follow the albumโ€™s release, scheduled for February 6, when, by pure coincidence, the Winter Olympics will begin in Italy. The most spectacular moment To Die On Ice.

    About To Die On Ice & ‘Panoramica Degli Abissi’

    To Die On Ice is a band with an artistic collective vocation, founded in 2021 and composed of former members of action dead mouse, ominoacidi, what contemporary means and oracle. Conceived as an open workshop that reflects on music and beyond, it brings together people with different musical styles in the name of โ€œLynch Coreโ€, a genre defined by the author on the edge of sentimental pornography and at the crossroads between the sensual and unsettling imagery of the Black Lodge and Club Silencio, with an anti-technical, minimalist yet atmospheric noir jazz, blues and soul dilations, crooner voices that tear open and turn into screams.

    ‘Panoramica Degli Abissi’, is an album intended as an alternative narrative of a namesake story written by Filippo Dionisi, illustrated by comic book artist Vitt Moretta, and published in a bilingual book in Italian and English by Edizioni Fantasma. A novel set in a surreal post-New Year’s Eve, where the two protagonists, Paul and Bacall, happen to cross paths, along with their respective destinies and secret fears, on the parapets of an overpass, to find themselves in a race aboard a car that becomes a glowing submarine hurled toward the unknown. Each of the 13 tracks that compose the album is a sort of musical formulation of a moment in the story. The band does not consider the record as a soundtrack commenting on the story, but as the manipulation of the same material, the story, with a different medium, music.

    The project also includes a video section: a visual album written by Filippo Dionisi and directed by Lulรน Withheld, which expands on a minor detail from the story – an ice-skating performance glimpsed while channel-surfing – to produce an experiment in combinatory editing focused on the relationship between music and images. The visual album, available on VHS, was obtained by combining a more or less fixed and predetermined number of video fragments in as many different ways as there are tracks.

    The sounds and atmospheres of the new album revisit and deepen those of the first record ‘Una Specie Di Ferita’ (2022), adding even more diverse ambiences โ€”a cappella gospel-screamo moment featuring Vespertina, a dark duet with Francesca Bono of Bono-Burattini / Ofelia Dorme and a touch of Fred Bongusto doom-style – to the Lynch Core born with the first publication. Recorded and mixed by Enrico Baraldi and mastered by Claudio Adamo, ‘Panoramica Degli Abissi’ was performed live by Filippo Dionisi (guitar/vocals), Andrea Pedone (saxophone), Alessandro Vitali (drums), and Marco Senin (bass), who replaced Simone Ferri. In an ideal reference to the imagery of the visual, the vinyl will be released in a limited edition in ice blue with blood red center label, and in a standard black edition.

    The first single from the album is ‘Baccanale’, due for release on 19 December 2025. The band describes it like this: โ€œEntry into the vaporous fog rising from sweaty skin and a headlong dive into the animal hunger of base instincts, ‘Baccanale’ is a wave that breaks down into an orgy, amid distorted dilations and post-blues from the dark depths of a saxophonic ocean of bodily fluids. The third track of ‘Panoramica Degli Abissi’, itโ€™s where Paul rescues Bacall at a party of wolves and crows. Whatever thatโ€™s supposed to mean.โ€

    The second single from the album is ‘Un’estate’, due for release on 13 January 2026. The band describes it like this: โ€œ’Un’estate’ is the indictment of a season that doesnโ€™t live up to its promises. The soul-tinged shades of bass and sax coil around the distorted tremolo of a guitar reaching for vertigo, with a โ€™60s-style crooning that puts a hood over Fred Bongusto only to unleash him into a doom dimension, where a sudden screamo outburst gives way to a rhythmic finale with disguised Motown inspiration. The ninth track of ‘Panoramica Degli Abissi’, itโ€™s where Bacall lets Paul in. Whatever that may mean.โ€

    LINKS:
    https://www.facebook.com/todieonice
    https://www.instagram.com/to.die.on.ice/
    https://open.spotify.com/artist/2O3luJCKANMPljhBbFbvIj
    https://www.youtube.com/@todieonice3793
    https://todieonice.bandcamp.com

    Dhรคrรค – A Place In Time, (the entities, divided)

    Progressive rock quartet Dhรคrรค return with their expansive new single โ€œA Place In Time, (the entities, divided)โ€, offering the next glimpse into their forthcoming full-length album Elemental Four, arriving January 11, 2026.

    Known for their immersive instrumental storytelling and dynamic compositions, Dhรคrรค continue to push beyond strict genre boundaries on โ€œA Place In Time, (the entities, divided).โ€ The track unfolds with patience and atmosphere before erupting into driving rhythms, soaring guitar interplay, and a powerful sense of momentumโ€”highlighting the bandโ€™s signature balance between precision, emotion, and scale.

    The band shares: “This is the opening of our concept album Elemental Four. “A Place In Time, (the entities, divided)” introduces many themes that are heard throughout the album. This album is also a concert movie that features five ballerinas who perform modern lyrical dance to the music. Elemental Four is a journey of four entities whose world is shaken by a meteor which threatens their existence. They are separated by a great earthquake, and the only path to saving the planet and themselves is to unify and summon The Conduit, whose power can hopefully vanquish the threat.”

    ‘Elemental Four’ Tracklist

    'Elemental Four' cover.
    ‘Elemental Four’ cover.
    1. The Conduit
    2. A Place in Time, [the Entities, Divided].
    3. One Hell of a Drug [untethered]
    4. Horse Tranqs & Tonic, [old Bonds, Unbroken]
    5. Yuri Gargantuan, [tethered]
    6. Volar Como Globos
    7. Sigmund Fraud, [cityscape]
    8. Put a Bird on It, [wreckage : Guilt: Despair]
    9. Unity, [the Fire Ritual]
    10. Kill the Superego, [at the Precipice]
    11. Someday This Will Be a Distant Memory
    12. The Conduit (Reprise)

    About Dhรคrรค

    Since forming in 2015, Dhรคrรค have been steadily carving out a distinct voice within progressive and instrumental rock. Based in Long Island, New York, the band has released an EP, standalone singles, eclectic music videos, and even a coordinated custom light showโ€”embracing a fully DIY ethos from recording and production to visuals and live presentation. This new single marks another step forward in what the band describes as only the beginning.

    Dhรคrรค is comprised of four distinct creative voices whose differences fuel their sound: Chris Rodriguez (drums), Austin Sandick (guitar), Kay Tyagi (guitar), and Ryan DiPietrantonio (bass). Together, they focus on building immersive atmospheres while always serving the songโ€”embracing instrumental music as a limitless medium for exploration and expression.

    SOURCE: Official Bio

    LINKS:
    https://www.dharamusic.com/
    https://linktr.ee/dharamusic
    https://dhara.bandcamp.com/
    https://www.youtube.com/@Dharamusicny
    https://www.instagram.com/dharamusicny/
    https://www.facebook.com/dharamusicny

    Tigers In Cairo – as told by…

    Tigers In Cairo
    Tigers In Cairo

    Tigers In Cairo have today released their new 2 song EP titled ‘as told by…’, featuring the covers ‘Do You Still Hate Me?’, from Jawbreaker‘s 1994 classic ’24 Hour Revenge Therapy’, and ‘That’s How I Escaped My Certain Fate’, originally from Mission Of Burma‘s 1982 album ‘Vs’.

    Retroactive and post heyday tributes from two different eras by a band steeped in musical feeling and knowledge of what they do best, ‘as told by…’ is all too short but oh so sweet in ways that only connoisseurs of pure indie music can ever understand.

    This mix is massive and the guitars fill out the rhythm and bass in such a way as to demand the earbuds go into the trash before that first listen. This is a massive stereo system pair of tracks.

    About Tigers In Cairo

    Blending alt rock sounds of the past and present into a vivid tapestry, San Diego’s Tigers In Cairo attack each song with their melodic brutality. Today, the five-piece delivers a holiday gift for their fans, and fans of punk rock history, releasing as told byโ€ฆ, featuring covers of songs by Jawbreaker and Mission of Burma.

    Leading off the pack is a blistering version of “Do You Still Hate Me?,” a highlight from Jawbreaker’s 1994 classic 24 Hour Revenge Therapy. Tigers In Cairo’s take on the song keeps the original’s ramshackle energy, but buffs the charging groove into an impressive sheen, emphasizing dynamics in the composition that the proudly DIY Jawbreaker were happy to steamroll with distortion, without sacrificing its intensity. Vocalist David Martin applies his muscular bravado to Blake Schwarzenbach’s melody, emphasizing the anthemic aspects and adding his own guttural screams. The band first covered the song during a Halloween show, in which they performed a set of Jawbreaker covers.

    Second, Tigers In Cairo take aim at “That’s How I Escaped My Certain Fate,” originally by Mission Of Burma and featured on their massively acclaimed 1982 album Vs. As a tribute to original songwriter Clint Conley, who played bass in Mission of Burma, Tigers In Cairo beef up the low end, as bassist Ren Volpi locks in with drummer Matt Yansch to provide a bedrock for guitarists Gavin Rhodes and Paul Skura to drill into with their piercing guitars. Tigers In Cairo begin the song with a signature, Mission Of Burma-esque scrawl of tape noise, before launching headfirst into the bite-sized banger.

    Drummer Matt Yansch had this to say about the two songs: “Weโ€™re deep in writing mode for our next round of singles, but we didnโ€™t want to let the year end without getting these out. The Jawbreaker track comes from a Halloween tribute show we did, but the Mission of Burma song has a deeper history for us. Our guitarist Gavin actually covered it years ago in a band that opened for Pegboy, right when Pegboy released their own Mission of Burma cover. When we got the invite to open for Pegboy on their tour this year, bringing that song back felt like the perfect full-circle moment to mark the occasion.”

    as told byโ€ฆ concludes Tigers In Cairo’s eventful first full year as a band. They have released four singles, each one offering a different shade of the group’s intensely heavy but melodic sound. Earlier this year, Tigers In Cairo recruited Tobias Grave, frontman of Chicago post-punk outfit Soft Kill, to deliver the atmospheric “In Our Fields.” Last year, the group made a strong first impression with their debut single, “Always Adored,” and follow-up “Wavy Eyes.” All three of the first singles are now available on a limited edition 7โ€. Over the summer, TIC followed that early troika with the soaring “My Saving Face.” In early October, Tigers In Cairo rocked the stage at Furnace Fest in Birmingham, AL.

    With a band name inspired by the Cure’s โ€œFire In Cairoโ€ and aspiring to embody the ferocity of an apex predator, Tigers In Cairo combines earworm-riffs and progressions with a sharp sense of arrangement into a sound that evokes the ethos of 90’s alt groups like Jawbreaker with the melodic intensity of modern groups like Militarie Gun and the detail-rich soundscapes of bands like The Cure.

    With much more music on the way, Tigers In Cairo close 2025 as one of San Diego’s most exciting post-punk groups. Stay tuned for more from the band soon.

    Featured image by Chad Kelco.

    LINKS:
    https://www.facebook.com/tigers.in.cairo
    https://www.instagram.com/tigers_in_cairo
    https://linktr.ee/tigersincairo

    The Rat Utopia Experiment – Leviathan

    The Rat Utopia Experiment
    The Rat Utopia Experiment

    The Rat Utopia Experimentโ€™s new single “Leviathan”, is as lead singer Phi Lane explains, “The commander of envy. In a world where there is always someone that is more popular, smarter, or better-looking, the lyrics of innocent jealousy turn to resentment and rage, and the listener is left wondering how far it will go.”

    Musically “Leviathan” is a riot grrrl rollercoaster and Evan, the bandโ€™s drummer, seems to be challenging the rest of the band to keep up. They certainly do, but it is a wild ride!

    About The Rat Utopia Experiment

    The Rat Utopia Experiment, AKA T.R.U.E

    the gerbil society trials? the mouse utopia experience? the rat utopia experiment?

    Phia (vocals), Francis (bass), Maddox (guitar), Casey (guitar), and Evan (drums)

    from Bellingham to Seattle to Tacoma to Olympia, PNW alternative circus act!!!!!!

    The band performed in SoundOff! 2024, the premier 21-and-under music showcase in the Pacific Northwest, has been the KISW 99.9 Loud and Local Band of The Week, while receiving airplay on KEXP and KISW, and is currently featured in a commercial for Puget Sound Energy. In 2025 the group started by playing Treefort Music Fest in Boise Idaho in March and to celebrate the release of their album No Hit Wonders. In May 2025 their new single Creature Comfort came out and in July the band played the prestigious Pioneer Square Fest! Their final release of 2025 is Leviathan.

    Fatured image by Joey Dentinger.

    SOURCE: Official Bio

    LINKS:
    https://theratutopiaexperiment.com
    https://www.instagram.com/theratutopiaexperiment/
    https://www.tiktok.com/@theratutopiaexperiment
    https://www.facebook.com/theratutopiaexperiment
    https://linktr.ee/theratutopiaexperiment
    https://www.youtube.com/@TheRatUtopiaExperiment
    https://theratutopiaexperiment.bandcamp.com
    https://music.apple.com/us/artist/the-rat-utopia-experiment/1659256959
    https://tidal.com/artist/36105966/u
    https://open.spotify.com/artist/3JyFf0L4m9YDuka462BWKa

    Kat Robichaud – M

    Kat Robichaud has dropped her new single and video titled ‘M’. Quasi modern tinges with art pop on the fringe and an almost future nostalgic feel throughout, ‘M’ is one of those tracks that puts a smile on your face and glitter in your ear with the reverence of a modern day poet teamed with a pair of optimistic songwriters.

    Hints of everything that made rock good and radio rock memorable, there is more to it than that with Kat’s quirky beautiful style and anthemic tone.

    About ‘M’

    A true art pop neo-wave upbeat bop, โ€œMโ€ is a mesmerizing track that explores the chilling terrain of self-sabotage, positioning the inner critic as the ultimate horror movie villain. Drawing inspiration from classic horror movie tropes and taking its evocative title from the shadowy world of pre-code film noir, the single offers a darkly poetic yet highly danceable commentary on being your own worst enemy.

    โ€œMโ€ boasts a powerful and infectious 80s synth vibe that perfectly balances pop exhilaration with dark, atmospheric depth. Listeners will immediately recognize the track’s homage to the iconic sounds of the past, channeling the innocent pop energy of Tiffanyโ€™s โ€œI Think Weโ€™re Alone Nowโ€, the sophisticated emotional depth of Annie Lennox, and the cool, commanding presence of Siouxsie Sioux. The result is a song that is both instantly catchy and hauntingly resonant.

    โ€œโ€™Mโ€™ is the soundtrack to chasing yourself down a hallwayโ€”itโ€™s thrilling, a little scary, and ultimately, you realize the monster is just your reflection,โ€ says Robichaud. โ€œI wanted to make something that lets you dance through the anxiety and embrace the theatricality of your own mind.โ€

    About Kat Robichaud

    Kat Robichaud is an Oakland-based singer, songwriter, and performance artist whose work has garnered critical acclaim for its theatricality, raw energy, and distinctive musical style. Her elaborate live shows and compelling storytelling have cultivated a devoted following, solidifying her reputation as one of the most exciting and fearless voices in independent music.

    Robichaud prowls around the stage- a hellcat unleashed, furious to have been confined in southern 90s suburbia stasis. With various wigs and rock warrior whimsy, she shrieks catharsis that at once stops and rushes the blood of anyone within earshot of her siren song. Part Janis, part Bette, part Mama Cass- Robichaud writes murder ballads, Broadway pop songs about anxiety, and neo-wave rock and roll on anything from alien sex to gaslighting puppeteers.

    Existing in many forms- sometimes host of her hit musical variety show Misfit Cabaret, sometimes drag artist twirling her pearls in the spotlight of gay sex clubs, Robichaud feels most at home among her fellow queerdos, rattling off current hyperfixations and sipping whiskey with the stunning underground Bay Area artists who survived the gorging promises of corporations in late-stage capitalism. She’s a hell of a show woman and has had 20 years of stage time to prove it.

    It doesn’t matter if she’s singing in a southern chain chicken joint, a 1,500 seat theater in Times Square, a painted plywood speakeasy, or in front of 15 million people watching her on The Voice- she will get your attention and hold it like she’ll die if she chooses to let go. And you hope she never will.

    Featured image by Bryan Hewitt.

    LINKS:
    https://www.facebook.com/katrowbeeshow/
    https://www.instagram.com/katrowbeeshow
    https://katrobichaud.bandcamp.com/
    https://www.patreon.com/katrobichaud
    https://www.youtube.com/katrobichaud
    https://music.apple.com/us/artist/kat-robichaud/711873783
    https://open.spotify.com/artist/03uXnIDdVABccqomdqGxE9

    Rina Rain – Om Tare Tuttare Ture

    Rina Rain is a Bay Area-based meditation trainer with over twenty years of experience in mindfulness, career and personal development. She is also a mantra artist (Rina Rain) and meditation guide sharing peace, devotion, and healing through music. Blending soulful vocals and ancient mantras and modern soundscapes, she creates songs that inspire inner stillness and connection. Her voice carries the essence of tranquility, each chant unfolding like a soft prayer, a return to presence. Rooted in sacred repetition and silence between the notes, Rinaโ€™s voice invites listeners to slow down, breathe, and come home to themselves. Through simple, spacious sound and guidance, she channels frequencies of peace, remembrance, and quiet transformation. Her sound is not performance, it is a threshold.

    Her debut track โ€œLokah Samastah Sukhino Bhavantuโ€ serves as the first glimpse of her forthcoming album Whispers of Rain, an album created for contemplation and deep peace. She shares, โ€œโ€˜Lokah Samastah Sukhino Bhavantuโ€™ was the mantra that opened my voice and my heart. This track is my prayer to help ease suffering in our minds, in our hearts, and for all beings everywhere, at all times. My wish is for this mantra to soften what feels heavy and awaken a deeper sense of belonging in everyone who listens. May we remember that we are all connected, and none of us are walking this journey alone.โ€

    Her latest track “Om Tare Tuttare Ture Soha” is a prayer for liberation from suffering and protection from fear. The Buddhist Mantra in Sanskrit invokes feminine Green Tara, the embodiment of compassion in action. Good to practice when seeking protection from fears, inner or outer, and a path toward freedom. Rina shares, “‘Om Tare Tuttare Ture Soha’ is an invitation to return to the gentle nature within all of us. As I recorded it, I felt as though I were being carried by soft waves of compassion – held, soothed, and opened by the repetition of the mantra. It awakened a softness in me I didnโ€™t know I was holding. Though the chant moves with a quicker rhythm, its purpose is deeply healing: to cut through fear, illusion, and inner struggle, and reveal the quiet path to freedom within. My hope is that, as you listen, the sound carries you to the far corners of your heart and mind, shining light where itโ€™s needed most in the moment. May it offer a moment of ease and guide you to meet yourself with gratitude, love, and compassion.โ€

    For over two decades, Rina has held space for healing through mindfulness, coaching, and creative expression. Her music is a meditation. Itโ€™s an invitation to slow down, breathe, and return to the heart.

    SOURCE: Official Bio

    LINKS:
    https://rinarain.com
    https://www.instagram.com/therinarain