Voxtrot – Fighting Back + Tour Dates & New Album Announcement

    Voxtrot have today released their new video and single titled ‘Fighting Back’ from their first album in 19 years titled ‘Dreamers in Exile’, dropping February 27th, 2026, via their own label Cult Hero Records.

    Picking up right where they left off, musically, with their self titled debut, Voxtrot never skip the beat or leave anything unturned with this sweet preview of things to come this February. With such a sparse catalog, Voxtrot’s impression on the indie music scene is even more impressive in that they have that uncanny ability to leave a dark mark within all of that white noise.

    With ‘Fighting Back’, we get that signature sound of anthemic hooks and original musical personality with the style and bravado of legends and purveyors of the sonic arts.

    ‘Dreamers in Exile’ Tracklist

    'Dreamers in Exile' cover.
    ‘Dreamers in Exile’ cover.
    1. Another Fire
    2. Fighting Back
    3. New World Romance
    4. Dreamers in Exile
    5. The Times
    6. Esprit de Cล“ur
    7. Quiet Noise
    8. My Peace
    9. Change
    10. Rock & Roll Jesus
    11. Babylone

    About ‘Fighting Back’

    After more than a decade apart, Voxtrot has reconvened with a renewed sense of purpose. Dreamers in Exile is the bandโ€™s first full-length in nearly twenty years. Written and self-recorded in Lockhart, Texas at bassist Jason Chronisโ€™ Haunted Air Studio, and mixed by Dean Reid (Lana Del Rey, James Blake), the album captures a group both wiser and bolder.

    Where the early records chronicled the wide-eyed tumult of youth, Dreamers in Exile is an album of reckoning and renewal, tracing the passage of time, the distance between past and present, and the hope of connection that endures through it all. It is at once a continuation and a reinventionโ€”the sound of Voxtrot returning not to reclaim their legacy, but to expand it.

    Today the band is also announcing a North American tour in support of Dreamers in Exile. The tour will include shows in Los Angeles, San Francisco, Seattle, Chicago, Toronto, Brooklyn, Washington, D.C. and more. The Bandsintown pre-sale begins today, followed by venue pre-sales tomorrow; the general on-sale is this Friday.

    To mark the albumโ€™s release, the band is sharing its new single โ€œFighting Backโ€ along with a Super 8โ€“shot video directed by longtime collaborator Annie Gunn, with cinematography by Peter Simonite. Inspired by Ramesh Srivastavaโ€™s time spent living in Los Angeles, the song transforms a period of uncertainty into something defiant and cinematic, capturing the albumโ€™s core themes of self-reckoning, survival, and hard-won joy.

    On the song the band’s Ramesh Srivastava says:

    “I moved to Los Angeles in 2015. Voxtrot had been broken up for a few years by that point, so I decided to throw myself headfirst into the entertainment industry and see what Tinseltown had to offer. On the drive from Texas to California, I caught wind of a room for rent on Rosemont Street in Echo Park and agreed to move in, sight unseen.

    My three roommates were musicians as well: two were in an indie band called Cold Violets (who opened for Voxtrot at the Regent Theater during our 2022 reunion tour), and the third was a bluegrass musician who plays in a band called The Hillbenders.

    For a few weeks I worked for a courier company. It was early spring, so a big part of my job was picking up haute couture from boutiques on Beverly Hillsโ€™ Rodeo Drive and delivering it to actors and musicians to try on ahead of the Oscars and Grammys. Having had a bustling career myself not long before, a job like this was obviously a significant blow to my ego, but it catalyzed a long process of coming back to myself.

    In general, those days were bizarrely shapeless. Often I would wake up at 5 a.m. and wander the streets of Los Angeles, stopping in coffee shops to write poetry and stare into infinity. But with that directionlessness came a certain levity, and I relished the nights hanging out with my roommates โ€“ drinking, singing, playing acoustic guitar, and listening to records. It was a freedom I hadnโ€™t felt in a long time.

    Musically, ‘Fighting Back’ echoes the catchy propulsiveness of early Voxtrot, but my favorite element is the cornucopia of synths peppered throughout. Jason and I borrowed a Juno and went to town! I love the dark โ€™80s atmosphere, and whenever I hear it, I picture the crimson-lit bar scenes in American Gigolo, which were filmed at the Beverly Hills Hotelโ€ฆ where I distinctly remember the doorman shouting that I had ten minutes to make my delivery before he was gonna tow my car.

    The video for โ€œFighting Backโ€ was directed and filmed by our longtime friend and artistic collaborator Annie Gunn. Sheโ€™s taken many pictures of us over the years, including the majority of our record covers, but this is our first time working with her on a video. Cinematography was by Annieโ€™s partner, Peter Simonite, with whom she previously co-directed Explosions in the Skyโ€™s โ€œPostcards from 1952.โ€ Peter also brings a deep feature-film background, including second-unit and additional photography work within Terrence Malickโ€™s filmmaking world (including The Tree of Life, To the Wonder, and Song to Song), and he has also directed music video work for Spoon.”

    On the video, Annie Gunn adds:

    “Iโ€™ve been collaborating with the band since the early 2000s on stills for album artwork. The visuals Iโ€™ve made for the band have always been in the analog black and white world so it felt fitting that the video for ‘Fighting Back’ also be shot on film. I wanted to bring some of the grainy, textural, imperfect nature of the stills weโ€™ve done into motion. Peter Simonite as cinematographer brought his 1960s super8 camera and we shot on different film stocks, embracing all the organic the fame lines, light leaks, grain and imperfections we could. I hope the result feels like a moving collage of the bandโ€™s performance and I love how it ties into the visual world weโ€™ve been creating for the last 20+ years.”

    About Voxtrot

    In 2022, more than a decade after disbanding, indie heroes Voxtrot reunited. Formed in 2003, the Texas group quickly earned global attention with their EPs Raised By Wolves and Mothers, Sisters, Daughters & Wives, released on their own Cult Hero Records. The band, vocalist/guitarist Ramesh Srivastava, guitarist Mitch Calvert, bassist Jason Chronis, keyboardist Jared van Fleet, and drummer Matt Simon, rode the momentum of the 2000s blog-era to chart success, with 2006โ€™s Your Biggest Fan debuting at #3 on Billboardโ€™s Hot Singles Sales chart and their 2007 self-titled LP reaching #14 on Heatseekers.

    Their 2022 return, including the Early Music EP reissue, the Cut From The Stone rarities collection, and their first tour in over ten years, was met with overwhelming enthusiasm. Energized by that response, the band committed to making new music. โ€œIn the green room before the last show of the reunion tour, we decided to make a new album,โ€ says Srivastava. By January 2023, they were recording Dreamers in Exile at Chronisโ€™ Haunted Air Studio in Lockhart, Texas, later mixed by Dean Reid (Lana Del Rey, James Blake).

    The resulting 11-song album feels both like a continuation of Voxtrotโ€™s 2000s sound and an evolution shaped by time. Opener โ€œAnother Fireโ€ sets the tone with a gorgeous, wistful rumination on time and historyโ€”both personal and politicalโ€”itโ€™s a wonderful expression of how the past is a constant influence on the present. Songs like โ€œFighting Back,โ€ โ€œNew World Romance,โ€ and the anthemic title track explore hope, disillusionment, and resilience; โ€œEsprit de Cล“urโ€ and โ€œRock & Roll Jesusโ€ deliver pointed social commentary without sacrificing melody; and closer โ€œBabylone,โ€ inspired by Yves Saint Laurent and Pierre Bergรฉ as well as Srivastavaโ€™s own past relationship, ends the album on a haunting, cinematic note.

    Though all five original members contribute, Dreamers in Exile centers around the creative core of Srivastava, Chronis, and Simon, recapturing Voxtrotโ€™s chemistry while expanding their legacy. โ€œThereโ€™s so much optimismโ€”this bright, happy qualityโ€”on this record,โ€ says Srivastava, โ€œand I think the reason is because we’ve learned from everything weโ€™ve experienced in the past. And the most important thing we learned is that we are the people who bring the energy into the room. You canโ€™t wait for it to appearโ€”or for other people in the industry to give you permission. Thatโ€™s why weโ€™re putting this out on Cult Heroโ€”when you bring your own enthusiasm into the world, itโ€™s truly magnetic. Because it’s absolutely real.โ€

    Featured image by Annie Gunn.

    LINKS:
    https://www.facebook.com/voxtrot/
    https://www.instagram.com/voxtrot_atx
    https://www.youtube.com/channel/UCZKqnZs7q39yo8teu55iXng

    Modenine & Black Intelligence featuring Maka – My Skin is Black Remix

    UK based Nigerian Hip-Hop legend Modenine, soulful vocalist Maka and visionary producer Black Intelligence join forces for “Thereafter” โ€” a collaborative album built on reflection, resilience and rebirth. Blending razor-sharp lyricism, emotive melodies and lush experimental production, Thereafter delivers a timeless listening experience that transcends trends and speaks to struggle, healing, endings and new beginnings.

    On their latest single and video for โ€œMy Skin Is Black (Remix),โ€ Modenine delivers sharp, reflective verses about identity, resilience and pride in Black heritage. Maka adds a smooth, emotive vocal layer that deepens the songโ€™s introspective feel, while Black Intelligence contributes production that blends mellow jazz-soul elements with classic boom-bap. The remix elevates the original with richer harmonies and a more polished, atmospheric sound, turning it into a powerful anthem of self-affirmation and cultural pride.

    SOURCE: Official Bio

    LINKS:
    https://instagram.com/modenine_polimaf
    https://instagram.com/intel360
    https://instagram.com/theofficialmaka

    The Zenith Passage – Fleshbound Reliquary + Tour Dates

    The Zenith Passage have today released their new video and single titled ‘Fleshbound Reliquary’ via Metal Blade Records. Old school metal mixed with modern day precision and timing, ‘Fleshbound Reliquary’ that creates musicians and dominates the ear space.

    Everything done with angst and grace with each note in it’s proper place, The Zenith Passage develop perfection with the awe and grandeur of those types of musicians that we all want to elevate towards, no matter the genre.

    About The Zenith Passage

    Progressive death metallers The Zenith Passage today present their latest single, โ€œFleshbound Reliquary.โ€ Mixed and mastered by Dave Otero (Cattle Decapitation, Allegaeon, Archspire, Cephalic Carnage) with artwork by Shindy Reehal (Psycroptic, Lamb Of God, Kreator, Angelmaker), the track serves as the bandโ€™s first new output since 2023โ€™s critically adored and chart topping Datalysium full-length as well as the first song drummer Max Sepulveda appears on.

    Comments vocalist Derek Rydquist, โ€œโ€˜Fleshbound Reliquaryโ€™ depicts a world and existence where resources have been so ravaged that we are forced to look towards ourselves as the means of production for what comes next.โ€

    Adds guitarist Justin McKinney, โ€œMusically, the track features a series of tightly interlocked rhythmic motifs executed with laser precision, all within a traditional song structure. The piece is primarily in 3, culminating in a grand, climactic resolution of the main motif that transitions into a powerful 4 feel for an epic close.โ€

    The Zenith Passage is currently wrapping up a successful North American tour which began October 30th supporting labelmates Entheos. โ€œWeโ€™re honored to be part of Entheosโ€™ first headlining tour,โ€ offers Rydquist, โ€œOur bands go back over twenty years in some form or another [Derek has been playing shows with Entheos drummer Navene [Koperweis] since high school!] and it’s awesome to continue to be part of each otherโ€™s success. Weโ€™re playing the new song on this run, our brothers in Fallujah are bringing the shred, and our new friends in Tracheotomy are bringing the heavy, so be sure to show up early and get a taste of everything metal can give you in 2025.โ€ See all remaining dates below.

    Hailing from Los Angeles, California, The Zenith Passage features Justin McKinney (ex-The Faceless), Brandon Giffin (ex-The Faceless, Cynic), Derek Rydquist (ex-The Faceless, John Frum), Christopher Beattie, and Maximilian Sepulveda. Formed in 2012 by McKinney as a small recording project, the band began turning heads after the release of their debut EP, Cosmic Dissonance and ultimately became a full touring outfit.

    Featured image by Vince Edwards.

    LINKS:
    https://www.instagram.com/thezenithpassage
    https://www.facebook.com/TheZenithPassage
    https://x.com/ZenithPassage
    http://www.youtube.com/user/TheZenithPassage
    https://www.metalblade.com
    https://www.facebook.com/metalbladerecords
    https://www.instagram.com/metalbladerecords
    https://x.com/MetalBlade
    https://www.metalblade.com/museum

    Solarrio – Toxicology + Q&A

    Solarrio
    Solarrio

    Berlin-based artist Solarrio returns with his highly anticipated sophomore album โ€˜Toxicologyโ€™. A funk-laced, emotionally charged exploration of love, addiction, and the darker sides of human connection. Built around the haunting concept โ€œLove is dead โ€” this album is the toxicology report,โ€ the record delves into the seductive pull of toxic relationships and self-destructive habits, all wrapped in Solarrioโ€™s unmistakable blend of synthpop, funk, and hip-hop.

    Following his acclaimed debut โ€˜All the Wrong Placesโ€™ in 2024, โ€˜Toxicologyโ€™ pushes Solarrioโ€™s artistry into bolder, more introspective territory. โ€œThis album is about accountability,โ€ he shares. โ€œItโ€™s me dissecting my own toxicity and the ways itโ€™s shaped my life โ€” but still keeping it funky.โ€

    Solarrioโ€™s global rise continues to gather momentum. His breakout single โ€œB the 1โ€ earned MTV airplay in the U.S., while โ€œNLFโ€ featuring Holland Izz appeared on BET Jams. His sound has also struck a chord in Latin America, where heโ€™s received extensive radio play and interviews across Mexico City and Guadalajara. To celebrate the release, Solarrio will embark on a Japan tour in November 2025, followed by a showcase performance at SXSW 2026. With โ€˜Toxicologyโ€™, he cements his place as one of the most forward-thinking artists in modern funk-pop, turning personal chaos into sonic clarity.

    The albumโ€™s lead single, โ€˜Under My Spellโ€™, sets the tone: a hypnotic, funk-driven track that feels both chilled and intoxicating. Co-produced with longtime collaborator Alhassan Sakho and written by Solarrio himself, the song captures the tension between allure and danger. Told from the perspective of the substance, or even fame itself, itโ€™s a haunting reflection on obsession, dependency, and seduction. โ€œI saw you fall so deep, into my twisted game, your heart began to weep, but you called out my name.โ€

    โ€œThis song is written from the perspective of the drug, or fame itself, speaking to the person whoโ€™s become addicted. Itโ€™s about obsession, dependency, and how something seductive can slowly take control of your life. I wanted it to feel alluring and dangerous at the same time, like a toxic relationship you canโ€™t walk away from.โ€

    Bridging alt-pop and funk-pop, โ€˜Under My Spellโ€™ is a mesmerising introduction to Toxicology, an album that proves Solarrio is not only evolving, but mastering his sound with precision and purpose.

    Q&A

    What was going on in your life that led you to writing from a darker place?

    There was a lot of turmoil in my personal life. Relationships with certain people, family problems, business issues, it all took me to a dark place. I started writing songs for this album before the first one even came out and it helped me deal with a lot of these issues and make sense of it. It was definitely therapeutic and also forced me to do some shadow work and start taking accountability for the role that I played in these situations.

    Was there pressure with getting your second album done compared to your first?

    Most definitely, mostly internal. I felt like I was on a roll and knew that writer’s block could hit anytime so I started writing as I was mixing and mastering the first album. I decided I wanted to record at least twice as many songs as I would put on the final album but I actually ended up with 30-40 songs, of which 10 made the cut.

    How are you accountable in the face of toxic relationships and tough life decisions? What songs best exemplify this?

    A lot of times, there are patterns that I may have decided to ignore. A lot of the bad situations could have been avoided because I should have known better, but I might have acted in a moment of desperation, which cost me dearly later down the line. So instead of solely placing the blame on everybody else, it was important to accept the role that I played in putting myself in these positions.

    As far as what songs best exemplify this I would say “Goners”, “Under My Spell”, “See It Burn”.

    You’ve had a lot of world wide critical acclaim, how have you both handled and celebrated this?

    There’s still such a long way to go. I really feel like I’m just getting started. I put out my first full length project in 2024, and everything I did before that was more of an experiment to find my musical identity and my sound. So I don’t really stop to celebrate because I feel there’s way too much work left to do before I can pat myself on the back.

    Besides my own music I have an indie record label, I’m responsible for other artists, I have a recording studio with my business partner in LA, so it’s hard for me to stop and really let it all sink in, even though every once in a while it’s healthy to take a step back and see things from a little distance.

    What are some all time funk and dance records that influenced you the most on this?

    The Gap Band II-IV albums, MJ’s “Off the Wall”, SOS Band’s first few albums, Cherelle’s “Fragile” and of course anything Prince worked on between ’78 and ’92.

    Any touring plans for the 2nd half of 2026 after SXSW and Japan?

    Definitely trying to put something together, just wrapped up the tour in Japan, it was a lot of fun and a great experience, so hoping to maybe put another one together for the 2nd half of 2026, hoping to play some shows in Latin America as well. I love hitting the road and performing these songs for the people and getting real reactions and a real connection, this online shit is cool but it feels good being out in the real world with it.

    LINKS:
    https://facebook.com/solarrio
    https://instagram.com/solarrio
    https://tiktok.com/@solarrio
    https://open.spotify.com/artist/1GqwMM1E15gniqofxJg1A3
    https://youtube.com/@solarrio

    Fenra – Delusional

    Fenra
    Fenra

    Emerging Portland-based producer Fenra released his debut EP, Delusional via 6x Records. The previously-released singles off the EP, โ€˜Coffeeโ€™ and โ€˜Deepcutโ€™ received support from revered tastemaker publications Magnetic Magazine and CLASH Magazine.

    The EP focus track โ€˜Chicago, which premiered on tastemaker outlet Electronic Groove, is a footwork-inspired atmospheric breakbeat number that will ensnare fans of Fred again.., Bicep, and Catching Flies. The EP was mastered by Aneek Thapar, whose heavyweight credits include Rival Consoles and Max Cooper.

    About Fenra

    Born in Santa Rosa, California and now based in Portland, Oregon, Fenra is the electronic moniker of producer B Laws, who grew up surrounded by art and first fell in love with harmony while listening to hymns in church with his grandmother. After teaching himself guitar at the age of 14 and later experimenting with synths, vocals, and drums in bands that toured across the US, Europe, and Asia, he is now channeling his experience into a new artistic chapter.

    Drawing inspiration from pioneers like Caribou, Four Tet, Floating Points, Bonobo, and DJ Koze, as well as the minimalist elegance of Philip Glass and the soulful resonance of artists like Gloria Ann Taylor, Fenra crafts music that bridges the cinematic with the deeply personal. With his debut EP, he offers a compelling slice of his genre-blurring sound, sure to resonate with fans of those whom he listed as his inspirations.

    From the restless, kinetic slow-burn shuffling house of opener โ€˜Deepcutโ€™ to the dreamy dulcimer-laced ambient downtempo of โ€˜Coffeeโ€™ to the upbeat yet chill euphoria of closer โ€˜Freeโ€™, Delusional is a stunning debut project showcasing Fenraโ€™s finesse in crafting atmospheric sound design and production bathed in feeling.

    Focus track โ€˜Chicagoโ€™ is anchored by a shuffling broken beat and a minimal, hopeful synth line, adorned with pads and organic textures that twinkle and soar as heavenly choral vocal samples lift the track into the stratosphere – a perfect slice of FENRAโ€™s flair that exemplifies the expansive emotionality of the EP as a whole.

    Speaking on the EP, Fenra divulged: โ€œI knew from the beginning that I wanted to explore dance music in my own way, weaving in found sounds, ASMR textures, and strings. I started each song from that place, building an atmosphere and mood with a pallet of sounds collected from everyday life. From there I went into the studio with drum machines and synths and the songs grew more dramatic than I first expected.โ€

    SOURCE: Official Bio

    LINKS:
    https://fenra.world/
    https://instagram.com/fenra.music
    https://facebook.com/fenra.official
    https://tiktok.com/@fenra.music
    https://www.youtube.com/@fenra.official
    https://open.spotify.com/artist/59rqf24QkruinQuOKtTtGc

    Jeff ‘The Fish’ Leroy – The New Religion

    Jeff 'The Fish' Leroy
    Jeff 'The Fish' Leroy

    The New Religion is a song about AI and it’s catastrophic impact on art, entertainment and music. It was sold to us as an infallible tool that would do all the work and allow us time and energy to create and live a life of leisure, but it is already showing itself not to be as accurate or intelligent as we are led to believe and so far it is looking like the original promise is the inverseโ€ฆ soon we will all be working in low paid jobs while AI sings to usโ€ฆ I hope you like it.

    Cheers, Jeff

    A little bit about me

    I’m an independent artist (no label etc). I’m Irish but now based in France and I would describe my sound as contemporary Blues, but with a lot of other influences ranging from Pop Rock, Northern Soul, Country and Rhythm and Blues and I am inspired by a broad selection of artists such as Tony Joe White, JJ Cale, Jimi Hendrix, The Small Faces, Traffic, Fleetwood Mac, Doctor Feelgood, Sly and The Family Stone, Ian Dury and The Blockheads, Luther Allison, Freddie Kingโ€ฆ the list goes on, it’s a broad sound all wrapped up in my own unique style, an accessible mix of Blues, Rock, Soul, and Funk.

    I have been a Musician and songwriter for quite a long time, but until now always as part of a group. I’ve played Guitar and Harmonica for numerous bands over the years (I was a member of famous Mod Revival band Long Tall Shorty in their Rhythm and Blues period and produced their 2006 album “Women and Trouble”) but “Jeff ‘The Fish’ Lefroy & His Missadventures”, my album which came out in 2023 was my first totally solo project in which I played 80% of the parts myself. Now it’s time for new music and this time instead of an album I will be releasing a single every six weeks for the entirety of 2025 (so stand by!).

    I’ve got some great musicians on board, Matt Cowley on Drums, Bennett Holland on keyboards, Isabelle Durel on backing vocals, and boy, they sound good. I’m totally excited and we are having a lot of fun.

    SOURCE: Jeff ‘The Fish’ Leroy

    LINKS:
    https://inouiedistribution.pro/jeff-the-fish/
    https://www.facebook.com/JeffTheFishLefroyMusic/
    https://www.facebook.com/JeffTheFishLefroy/
    https://www.facebook.com/jeff.thefish/
    https://www.youtube.com/@jeffthefish
    https://www.instagram.com/jeff.thefish/
    https://www.tiktok.com/@jeff.the.fish.lef
    https://jeff-the-fish.bsky.social

    Pink Stiletto – Do It For Me

    Pink Stiletto
    Pink Stiletto

    Pink Stiletto is an analogue synth-driven project fusing 80s new wave, Italo disco, post-punk, and early EBM aesthetics with bilingual lyrics and a seductive, magnetic edge. Fronted by Valery Kvochkova, the project channels the eccentric energy of ZE Records and Eastern Bloc disco, merging glamour, grit, and bold experimentation of European electronica.

    Pink Stiletto has performed sold-out shows with members of The Units, Tuxedomoon, and Los Microwaves, earning praise as one of San Francisco’s most exciting new acts, with a west coast tour ahead and new music in the works!

    Featured image by Felix Denomme.

    SOURCE: Official Bio

    LINKS:
    https://www.instagram.com/itspinkstiletto/
    https://linktr.ee/pinkstiletto
    https://www.youtube.com/@PINKSTILETTO
    https://pinkstiletto.bandcamp.com
    https://music.apple.com/us/artist/pink-stiletto/1721870732
    https://open.spotify.com/artist/5X7aA68MU4iTPy5k2PwJq5

    Chapters of Forever – Lady Moon + Q&A

    Chapters of Forever
    Chapters of Forever

    Chapters of Forever have today released their new single titled ‘Lady Moon’. After years of creative evolution, Chapters of Forever, the visionary project founded by Alex Pazos and Pedro Martรญnez, unveil their long-awaited new single, โ€˜Lady Moonโ€™. The track stands as a striking testament to the duoโ€™s artistic bond, originally written in early 2020 and finally brought to life after five years of persistence, distance, and rediscovery.

    Formed in late 2019 in Puebla, Mexico, while both were studying at music school, Alex and Pedroโ€™s musical partnership blossomed from an impromptu end-of-term project into a shared creative journey. Their first composition together, โ€˜Lady Moonโ€™, marked the inception of Chapters of Forever, but as the pandemic swept across the globe, the song was set aside while both musicians were forced apart. Even during that separation, Alex continued writing and dreaming of the day their music would return to center stage.

    By 2022, the world – and the duo – found their rhythm again. Reuniting in Puebla, they went on to release two singles, โ€˜Wonderingโ€™ and โ€˜Mary-Annโ€™, introducing audiences to their cinematic approach to songwriting. While Pedro later pursued other creative paths after graduating, he continued to advise and collaborate with Alex, who now leads Chapters of Forever as a solo performer, carrying the projectโ€™s vision forward with heart and dedication.

    Now, โ€˜Lady Moonโ€™ finally sees the light of day. Recorded in June 2025 in Puebla and produced by Javi Machine, the track features Alex Pazos on lead vocals and piano, Guillermo Espinosa on acoustic and electric guitars, and Javi Machine on drums and percussion. Mastering was handled by Rafael Calderรณn, rounding out a meticulous three-month post-production process that refined the songโ€™s intricate textures and layered arrangements.

    Musically, โ€˜Lady Moonโ€™ is an epic journey through avant-garde and progressive rock, rich in modal harmonies, shifting tempos, and theatrical grandeur. With its dynamic transitions and emotive delivery, the song captures the timeless wonder and introspection that have defined Chapters of Forever since its inception.

    โ€œโ€˜Lady Moonโ€™ is a song that feels timeless, itโ€™s almost as if it had existed for centuries. I think about the night that I wrote it, as a songwriter to be, with the fearlessness and rawness of one who meets his โ€˜opera primaโ€™, and I just remember looking upโ€ฆ staring at Lady Moon, as the words fell into place.โ€

    With โ€˜Lady Moonโ€™, Chapters of Forever invite listeners into a world of emotion, experimentation, and sonic storytelling, an unforgettable offering that bridges the past and the future of rock.

    Q&A

    Was the gap in time from writing to release due to COVID?

    It was. In fact, even though the song was pretty much finished all the way back in early 2020, the gap was so large and so much happened in our lives and in the world since then (including the pandemic), that while revising the song this year, we found out that even our music tastes were not quite the same as the ones of those kids in 2019-2020, so we ended up making a number of changes to the lyrics and the structure of the song in order to achieve the version that you can currently listen to.

    How does it feel to have such a gap in release, does the meaning of the song feel different to you?

    For sure, actually, I think the songโ€™s meaning to me has enriched through time; itโ€™s almost as if the words that I wrote in 2019 have deepened and acquired more layers. Still, I donโ€™t think that the overall message or theme of the song has changed; I believe that the words and music, dare I say, have a timelessness to them.

    Do you feel being Mexican plays a role in your music, as opposed to being another American rock band/project?

    Thatโ€™s an interesting question. I believe that being Mexican has had a major impact not only on my songwriting, but also on my overall music taste. I carry my Mexican heritage with an enormous amount of respect and appreciation, my culture has informed every lyric that Iโ€™ve ever written, and every sound that Iโ€™ve gravitated towards. And yeahโ€ฆ even though my lyrics are in English, mostly because itโ€™s the language where I find myself most comfortable writing in, Spanish is my first language; and I donโ€™t think thereโ€™s ever a bad moment to say that I have a profound love towards not only my language, but obviously my country and my people.

    This track is really grand and creative. Who are some of your favorite artists that are more progressive or off the beaten path?

    Thank you! Well, actually, a few months ago I started listening to an up-and-coming band called โ€œPacificaโ€, they are from Argentina, and they are amazing. I wouldnโ€™t call their music โ€œprog-rockโ€, itโ€™s more like an alternative rock groupโ€ฆ but they are just SO good; their single โ€œFixer Upperโ€ might just be one of the best songs Iโ€™ve ever listened to.

    Any plans to play out live?

    Absolutely. Iโ€™ve been performing solo for a little while, but Iโ€™m actively searching for musicians whoโ€™d like to become a part of the Chapters of Forever project; that way weโ€™d have a fuller sound live and weโ€™d be able to perform more complex material, like โ€œLady Moonโ€.

    Do you have new music in the works that we can expect after this?

    Yeah! As a matter of fact, I have a lot of lyrics that are waiting for just the right moment to be recorded. We are incredibly excited to see the response of the people towards โ€œLady Moonโ€, and if all goes well, I trust that theyโ€™ll help us get the momentum we need to keep recording and โ€œmake some new chaptersโ€.

    LINKS:
    https://www.instagram.com/chaptersofforever
    https://www.tiktok.com/@chaptersofforever
    https://youtube.com/@chaptersofforever

    TRAITRS – I Was Ill, You Were Wrong + Tour Dates

    TRAITRS
    TRAITRS

    Following their comeback after a near four year hiatus with Septemberโ€™s explosive single “Burn In Heaven”, Toronto coldwave duo TRAITRS return today with their new single “i was ill, you were wrong”, available everywhere now. The track arrives alongside the announcement of their highly anticipated fourth album Possessor, set for release on Friday, March 13th, 2026, and the reveal of their full European and North American Possessor Tour for Spring 2026.

    A melancholic meditation wrapped in gothic electronics, “i was ill, you were wrong” finds TRAITRS exploring their most vulnerable terrain to date. Echoing synths form a spectral foundation beneath surging guitars, while brooding vocals push through the darkness with stark emotional power, recalling the introspective weight of The Cureโ€™s most haunted moments. It is a track that holds the listener close in the cold, balancing raw intimacy with a sweeping cinematic scale. The single deepens the duoโ€™s position as essential voices within modern post punk.

    The song confronts one of humanityโ€™s most universal truths. It examines our denial of mortality and the complicated structures we build to distract ourselves from the fear of the inevitable. Within its hypnotic pulse,”i was ill, you were wrong” reflects on the fear of isolation, the illusion of an endless future, and the fragile bubbles we create to shield ourselves from the reality that unites us all.

    โ€œI felt that song connected me to everything and everyone, it is the one thing we all share and have in common,โ€ says vocalist and guitarist Shawn Tucker. โ€œIt is also a wake up call to live the life you want to live. We only have one chance at this so go dance in the rain.โ€

    The single provides a haunting gateway into Possessor, which Tucker describes as โ€œthe most personal record I have ever written.โ€ The album was created during Torontoโ€™s coldest winter months, shaped by storm battered days and a heavy emotional landscape. TRAITRS focused on capturing precise moods, with lyrics serving as the central force while the surrounding soundscapes grew to mirror the bleak beauty of the writing process.

    Formed in Toronto, TRAITRS have built an international following through relentless touring and a discography that blends classic coldwave influences with a modern cinematic edge. Their work has been described by critics as evocative and deeply human, driven by themes of grief, isolation, ecstatic release, and the darker corners of the subconscious.

    To support Possessor, TRAITRS will embark on an extensive European and North American tour throughout spring 2026. The run includes headline shows along with select dates supporting She Past Away, Lebanon Hanover, and Ultra Sunn.

    ‘Possessor’ Tracklist

    'Possessor' cover.
    ‘Possessor’ cover.
    1. Burn in Heaven
    2. I was Ill, you were wrong
    3. Seven Fictions
    4. Cold skin
    5. Selfish Hunger
    6. Prayer Taker
    7. Dream Drowning
    8. Mourn
    9. Japanese Picture Pony
    10. Crawl

    About TRAITRS

    With their cinematic blend of horror-based imagery, anthemic choruses, motorik drum loops, atmospheric synths and angular guitars, Canadian cold wave duo TRAITRS stare unflinchingly at our dystopian present while paying homage to artists from the post-punk past. In the decade since their debut record to now, the Toronto-based TRAITRS went from bedroom artists selling cassette tapes on a small boutique record label to accumulating millions of streams worldwide and performing hundreds of shows on massive stages across multiple continents.

    With their much-anticipated new album Possessor, produced by long-time collaborator Josh Korody (The Beaches, The Dirty Nil, Japandroids, Tanya Taqaq, F*cked Up) and mastered by Matt Colton (The Cure, Depeche Mode, Fontaines D.C., Wet Leg, Dua Lipa, Blur etc), TRAITRS continue to develop their melancholic sound and imagery with the emotional follow up to 2021โ€™s critically acclaimed LP Horses in the Abattoir.

    Featured image by Daniel Cherney.

    SOURCE: Official Bio

    LINKS:
    https://www.instagram.com/traitrsofficial/
    https://www.facebook.com/traitrs/
    https://traitrs.bandcamp.com/
    https://open.spotify.com/artist/3r7VhSKMedZrOa3zCD3e7X
    https://www.tiktok.com/@traitrs
    https://www.youtube.com/@TraitrsOfficial

    An Exclusive Interview With Season To Risk + Tour Dates & Rerelease of โ€˜In a Perfect Worldโ€™ย for Record Store Day

    Tomorrow, alt icons Season To Risk will rerelease their 1994 album ‘In a Perfect World’ for Record Store Day November tomorrow. Originally released via Columbia Records and released in all of its enhanced glory with extras tomorrow via Spartan Records, ‘In a Perfect World’ retains its relevance and reserves the right to gain an all new fanbase with their accompanying tour, which also starts tomorrow in Kansas City, Missouri with sisters.

    ‘In a Perfect World’ has a bit of personal history with me. You will hear about it in the zoom interview above, as I talk with Duane Trower and Steve Tulipana, the original members and torch bearers of all things Season To Risk.

    In this interview, we talk with Steve and Duane about the longevity and work involved in keeping Season To Risk both strong and relevant as well as the contrasts between the industry then and now as well as the release and the tour (dates and ticket info below).

    Now remastered by Duane Trower (Weights & Measures Soundlab), the 2025 reissue of ‘In a Perfect World’ gains new clarity without losing its raw urgency. The package includes:

    • 12โ€ x 12โ€ handwritten lyric insert
    • New line drawings by Derek Hess
    • Remastered audio and reworked artwork

    Limited edition of 1,500 copies is set for a Record Store Day November 2025. Get more information on Spartan Records HERE.

    About Season To Risk

    In 1994, Season to Risk had been on tour for the past four years, playing as a young opening band on legendary shows with Killdozer, Unsane, Neurosis, Prong and Killing Joke. Their first album had sold well with songs charting on radio and getting music video airtime on MTV and Canada’s Much Music. There was an opportunity to take advantage of the popular wave of alt rock and nu metal dominating the airwaves. Being signed unexpectedly to major label Columbia Records put them in the position that they had amazing support as artists, but also someone to answer to and the machine must be fed.

    Season to Risk decided instead to work with Martin Bisi (producer of Sonic Youth, Foetus, Swans, Cop Shoot Cop) and use their major label money to deliver a punishing post hardcore masterpiece of crushing noise rock. Coming from the first wave post-hardcore bands, Season To Risk have only gotten weirder over the years. Season To Risk decided instead to work with Martin Bisi (producer of Sonic Youth, Foetus, Swans, Cop Shoot Cop) and use their major label money to deliver a punishing post hardcore masterpiece of crushing noise rock. โ€œThe experience of living with Martin Bisi for an entire Summer while making this record was an opportunity of a lifetimeโ€ โ€“ reflects Season To Risk singer Steve Tulipana. Over the course of the past 30 years, some of the songs off โ€˜In A Perfect Worldโ€™ became mainstays in live shows.

    โ€œWeโ€™re hoping to bring back a few gems that we havenโ€™t done in quite some time, maybe โ€˜Terrain Vagueโ€™, โ€˜Absolutionโ€™, or โ€˜Vertical Driveโ€™. Bisi, not only a true musical mastermind but also a prolific noise rock historian, brought knowledge to the band putting together what would become one of the 90โ€™s cult classics.

    This is the first appearance of the Paul Malinowski and Jason Gerken rhythm section, who both went on to join Shiner, also from Kansas City. Exploring a darker and more mysterious realm, singer Steve Tulipana mood swings between distorted screams and whispered dreams. Guitarist Duane Trower plays melodies with harmonics and feedback as much as standard guitar, usually favoring more dissonant almost-jazz chords. Discussing the recording process, Duane notices: “Bisi’s studio, which was previously a civil war munitions warehouse back in the day, was a welcome cacophonic room that helped shaped the sound. As was the wool clad ghost that we saw, helping us put the finishing touches and mood of this record.”

    Martin Bisiโ€™s gigantic subterranean studio allowed their more-industrial-than-metal vision to be realized. The band lived in New York City for the Summer of 1994 creating this record, before Gerken had to return to the midwest for Molly McGuire. Artist Derek Hess was hired for the iconic dystopian artwork, a longtime friend who had booked and made posters for many shows in Cleveland. The band recruited a new full-time drummer David Silver and began touring the music of “In A Perfect World” for the last months of 1994.


    LINKS:
    https://www.facebook.com/SeasonToRisk/
    https://www.instagram.com/seasontorisk/
    https://robotswin.com/
    https://www.youtube.com/user/SeasonToRisk
    https://open.spotify.com/artist/78B864EG41ixMzgvDgVNTA

    Rich Hope – Live At The Anza Club

    Rich Hope
    Rich Hope

    It seems the rock and roll gods are looking out for us after all. Canadaโ€™s own Rich Hope delivers Live At The ANZA Club, a raw and electrifying testament to the power of a band at full throttle. Out now via Planned Obsolescence Recording & Novelty Inc., the record follows the release of two singles – โ€œIt Come Aliveโ€ (Sept. 19) and โ€œLooking For Lewis And Clarkโ€ (Oct. 17) – that set the stage for a release steeped in sweat, soul, and the reckless joy of live performance.

    โ€œI have always been at my best live, and we wanted to capture what this version of the band is doing,โ€ Rich explains. โ€œSince we didnโ€™t have the luxury of extended touring and recording every show, we decided on finding the best venue and taking two nights to capture lightning in a bottle. The ANZA is a venue where I played some of my first shows in a neighborhood where I lived for many years, so I feel a personal connection to the club.โ€

    Recorded over two sold-out nights in April at Vancouverโ€™s beloved ANZA Club, the album showcases Hope and his powerhouse band – Leon Power and Erik Nielsen (City and Colour), Scott Smith on electric and pedal steel guitars, and Darryl Havers on keyboards – with production handled by Nielsen and the legendary Howard Redekopp (Tegan and Sara, The New Pornographers).

    The setlist spans Hopeโ€™s career, from early John Ford days (โ€œ3 Minute Songโ€) to his solo staples (โ€œWhip It On Ya,โ€ โ€œThe Ballad of Black Eyed Suzy,โ€ โ€œCanโ€™t Get No Lovinโ€™โ€), all culminating in a searing take on The Long Rydersโ€™ โ€œLooking For Lewis And Clark.โ€

    As Gordie Johnson of Big Sugar puts it:

    โ€œSome would call Richโ€™s original compositions โ€˜rootsโ€™ music but these live performances are the full green branches laden with blues, country, punk rock and soul. The audience devoured the fruit that night. Hearing this record makes us wish we were there.โ€

    Live At The ANZA Club isnโ€™t just a live record – itโ€™s a reminder of what makes Rich Hope one of Canadaโ€™s most potent live performers. From his Edmonton beginnings in the Taxicrabs to sharing stages with The Black Crowes, The Flaminโ€™ Groovies, and the Jon Spencer Blues Explosion, Hope has built a reputation for shows that are loose, joyful, and just dangerous enough to make you feel alive.

    โ€œIโ€™m just the same guy playing music that I have always been,โ€ he says. โ€œI donโ€™t know if I have undergone any real musical evolution. I have always loved playing live and putting on a show with my friends. So I guess that doing this live album is where I am in the evolutionary process. My main goal was to capture something like Jerry Lee Lewisโ€™s Live At The Star Club – loose, reckless and joyful.โ€

    For over two decades, Rich Hope has been Canadaโ€™s best-kept rock โ€™nโ€™ roll secret – a preacher of garage gospel and rhythm โ€™nโ€™ blues revival whose live shows leave sweat on the ceiling and converts in the aisles. In a country known for restraint, Hope delivers pure, unfiltered catharsis – a soulful roar cut from the same cloth as The Jon Spencer Blues Explosion, The Flaminโ€™ Groovies, and Big Sugar, with the grit and groove of a roadhouse sermon.

    Based in Vancouver but forged on stages across North America, Hope has become a legend in Canadaโ€™s underground rock scene. His incendiary performances have made him a trusted opener for acts such as The Black Crowes, Social Distortion, Charles Bradley, Reverend Horton Heat, and The Sadies – earning him a reputation as one of the countryโ€™s most electrifying frontmen.

    Born and raised in Edmonton, Alberta, Hope formed his first band, The Taxicrabs, christened by Country Dick Montana of The Beat Farmers, before moving west to Vancouver. His debut solo album Good To Go (1998) led to a stint with cult garage outfit John Ford, followed by a string of blistering solo releases that cemented his standing as a modern torchbearer for vintage rock โ€™nโ€™ soul.

    His most recent studio album, Iโ€™m All Yours (2018), released on Planned Obsolescence Recording & Novelty Inc., captured that high-octane mix of rhythm and grit – the sound of a true believer who never left the stage.

    SOURCE: Official Bio

    LINKS:
    https://richhope.bandcamp.com
    https://www.instagram.com/richmhope/
    https://www.facebook.com/richhopemusic
    https://www.youtube.com/@richhope1985
    https://open.spotify.com/artist/2kq6DHIxgfLbFauI1RM2Oc
    https://www.richhope.ca/

    Koncept – Under They Skin

    Koncept has today dropped his new video and single titled ‘Under They Skin’, from his upcoming album ‘Flight’, releasing January 9th, 2026 via Silver Side Productions & Virgin Records.

    Lyrical geniuosity flavored with conceptual originality, Koncept gives another sneak peek at what is to come this January with a poetic assault rifle aimed at the senses and penetrating the soul.

    Living life on your own terms is hard, but possible. Koncept has just created an anthem for just that. While the beat lays the ground work the words give an atmospheric view of what is versus what could be. Letting them know where your existence truly lay: under they skin.

    About Koncept & ‘Under They Skin’

    With โ€œUnder They Skin,โ€ Koncept sharpens his edge and delivers his most unapologetic track yet. The record is a fiery statement of confidence, control, and authenticity โ€” the sound of an artist who knows his worth and refuses to shrink for anyone.

    Written, Produced, and performed entirely by Koncept, โ€œUnder They Skinโ€ blends hard-hitting lyricism with slick, immersive production. Itโ€™s a song that walks the line between cool composure and raw intensity โ€” revealing how success, focus, and self-belief can rattle those watching from the sidelines.

    Following โ€œThe Greatest Bounce Backโ€ and โ€œPut It On,โ€ this marks the third single from Konceptโ€™s upcoming album โ€” Flight โ€” a powerful body of work exploring his upbringing, change, journey, and evolution. Where the first two singles celebrated resilience and self-expression, โ€œUnder They Skinโ€ taps into a deeper confidence: the moment when growth starts to make noise, and everyone takes notice.

    LINKS:
    https://www.iamkoncept.com
    https://www.instagram.com/champagnekonny
    https://x.com/koncept
    https://www.facebook.com/champagnekonny
    https://www.youtube.com/c/Konceptcinemas

    Morenike – Nobody Knows My Name

    Morenike
    Morenike

    Emerging Italo-Nigerian artist Morenike announces her captivating debut single ‘Nobody Knows My Name’, out November 26th via cult French independent label Kwaidan Records, home to acclaimed band Nouvelle Vague. The track marks the arrival of a singular voice weaving together folk, soul, jazz, and electronic elements into a deeply spiritual and culturally hybrid sound.

    Born in Ireland 24 years ago and raised in Rome, Morenike Vincent brings a unique artistic perspective shaped by diverse cultural roots and rigorous musical training. Classically trained in piano for ten years and cello, she later studied jazz vocals at the conservatory before embarking on a deeply personal artistic journey rooted in cultural hybridity and existential displacement.

    Unable to find the musical space she was looking for in Italy, Morenike relocated to Paris, where she is developing her musical project in collaboration with producer Marc Collin. Drawing comparisons to FKA Twigs, Nina Simone, Ego Ella May, and Greentea Peng, her art attempts to hold together opposing forces: the urge to never be caged by anything or anyone, and the deep desire to belong and feel lost entirely.

    “We can say that the song is divided into two distinct parts,” Morenike explains. “The first is mainly shaped by the voice: its melody draws inspiration from Arabic harmonies and blues chants, marked by rich melismas and a circular structure. It was originally composed while playing on a single guitar string, which was later replaced by a keyboard line, preserving that same hypnotic, minimal energy.”

    “In the second part, the tempo shifts, the rhythm accelerates, and hand-played percussion comes in, bringing a more physical, almost ritualistic dimension to the piece. The song then returns to its initial pace in the second verse, creating a sensation of oscillation, like a wave moving back and forth between introspection and release.”

    ‘Nobody Knows My Name’ explores the idea of freedom within anonymity, in a world that places immense value on visibility and fame. Not finding a single genre to anchor herself in, Morenike weaves together oriental and African percussion, the raw textures of grunge, the haunting depth of trip-hop, and the spiritual resonance of religious and folk chants.

    “Conceptually, the track explores the idea of freedom within anonymity, in a world that places immense value on visibility and fame,” she continues. “I believe there’s a unique kind of liberation in remaining unknown: when we’re not confined by the versions of ourselves that others remember, we can move, transform, and express ourselves more freely. The song also reflects the experience of finally finding a space, both inner and external, where we can exist and create in complete authenticity.”

    Music becomes, for Morenike, a fragile yet vital refuge where contradictions are allowed to coexist, and where identity is something fluid, intimate, and free. Her artistic journey unfolds as a continuous search for desire, resonance, and belonging.

    Featured image by Sibel Kavadarli.

    SOURCE: Official Bio

    LINKS:
    https://www.instagram.com/morenikevt/
    https://www.tiktok.com/@morenikevincent

    Natalie Wildgoose – In The North

    Natalie Wildgoose
    Natalie Wildgoose

    Natalie Wildgoose has today released her new single titled ‘In The North’ via state51 Distribution. Beautifully signature that highlights both a style with substance and an audio atmosphere filled with vivid color and subtle nuance, Natalie Wildgoose feels at home with her style and shows that her music lives in a magical place filled with love and creativity.

    While ‘In The North’ never builds to a crescendo, it does fit comfortable in its skin and takes you for an introspective ride that you will come to endear.

    About Natalie Wildgoose

    Living between London and the moors of North Yorkshire, Natalie Wildgoose spends her time scouring for pianos in remote corners of the Yorkshire Dales, finding them in Victorian mills, grade II listed village halls and isolated chapels, and capturing her music in these unique, historical spaces,

    Recording straight to an Akai reel-to-reel tape recorder inherited from her grandfather, Natalieโ€™s ghostly take on the folk tradition carries the powerful, rarefied qualities of an unearthed archive recording, capturing all the hisses, scratches, and atmospheres of where she records. Slowing down the frantic pace of modern life, her music seeks to uncover the past, to reconnect with and capture the environments of the places and communities that hold her.

    Since entirely self-releasing her Come Into The Garden EP in March 2025, Natalie has won a handsome share of admirers. From sold-out London headlines and Broadside Hacks-promoted shows; from nationwide tours with Jake Xerxes Fussell, to a slot at Green Man Festival, she has also earnt widespread adulation from the likes of Emily Pilbeam (BBC Radio 6Music), CLASH, The Line of Best Fit, Far Out, Songlines, Shindig!, KLOF, Hard of Hearing, Folk London and When The Horn Blows, earning comparisons to the likes of Molly Drake, Sibylle Baier and Jessica Pratt for her trembling melodies and spectral power.

    Coming off the back of a sold-out headline show at St Pancras Old Church last week, Natalie rounds off a breakout 2025 with new single โ€˜In The Northโ€™, recorded with backing from the PRS for Women fund.

    Released today (25th November) via state51 Distribution, the track was recorded in a remote Yorkshire chapel of huge personal significance to Natalie.Offering more on trackโ€™s hopeful reflection on loss, as well the unique location of its recording, she says:

    “My motherโ€™s side of the family is from Yorkshire, and I spent lots of time playing in the dales at the foot of the gigantic hills near our house. We had a tremendous amount of freedom because, as a child, youโ€™re never in danger there, swimming in the rivers and hiding in the woods. The song was recorded nearby, in a chapel, which has been the location for friendsโ€™ weddings and funerals. I wrote it while reflecting on the loss of my grandad; its sentiment is that those we love are never truly gone, their presence lingers in the heather, on the moors, in the rolling fog.

    On the recording, the land occasionally makes itself known, the waterfall that runs below the church grounds, or an RAF plane tearing through the sky, a regular occurrence in the Dales. It was recorded in late spring on the chapelโ€™s old grand piano, with just the engineer Matt, myself, and Geoff, the organist and caretaker, quietly reading his paper at the back.โ€

    Featured image by Nina Allmoslechner.

    LINKS:
    https://www.instagram.com/nataliewildgoose/
    https://www.youtube.com/channel/UCL4_iqmU1kzgozk9nDmdPKg
    https://open.spotify.com/artist/6IAyiIhAv2JHGDRzAXllFl

    Michael Monroe – Disconnected + Tour Dates

    โ€˜Disconnectedโ€™ speaks of something that Michael Monroe feels passionately about: that live music is a rare and vital space for people to find each other in the moment.

    โ€œTechnology was supposed to bring people closer together, when, in fact, people are more disconnected than ever. They’re looking at their phones and their computers and downloading stuffโ€ comments Michael Monroe. โ€œAnd, you know, the Internet can’t take away the experience of being at a live show. You’re on stage, and you communicate with the audience who are there, in that moment. That’s where the magic really happens, and absolutely no program or device or computer can reproduce that!โ€

    The new album Outerstellar, is an experience as much as a collection of great songs, a sweet smelling, leathery, glitter-shimmered, sweat-soaked raunch and punch wrapped in one of the great voices in rock โ€˜nโ€™ roll. The harmonies and vibes roll effortlessly in silk scarves, lounging in leather pants with liquor and a smile on a beat-up sofa in those small AM hours. And the sheer attitude, which screams carefree (not careless!) confidence (not arrogance!), a cocksure sense of self-bathed in the sheer joy of playing real rock โ€˜nโ€™ roll the right way.

    The recently released first video and single, โ€˜Rockinโ€™ Horseโ€™, is a defiant blast against critics and judges and comes with one of the craziest Michael Monroe videos youโ€™ve ever seen. โ€œI am who I am and I’m not going to edit myself for your benefit,โ€ Michael says unequivocally for anyone who might doubt that fact.

    From loud crashing guitars to harmonicas, to gorgeous acoustic moments, youโ€™ll sing, youโ€™ll dance, youโ€™ll shiver, youโ€™ll shake, and youโ€™ll smell this wonderful exhilarating record in all its weathered biker jacket incense-coated glory and youโ€™ll also realize that whatever the hell is going on in the world right now, when you put this album on, itโ€™s an instant escape to carefree days and an emancipation from worries, fears and woes.

    Outerstellar will see a whole burst of life onstage when Michael Monroe and the band bring it to stages internationally over the next year. It is EXACTLY what rock โ€˜nโ€™ roll in its truest sense is meant to be, in fact, just stop reading this, get off your โ€˜Rockinโ€™ Horseโ€™ and go see Michael Monroe on tour at your first opportunity! In support of the release of Outerstellar, Michael Monroe and band will embark on a UK co-headline tour with Buckcherry, kicking off in Southampton on February 24th.

    SOURCE: Official Bio

    LINKS:
    https://facebook.com/michaelmonroeofficial
    https://instagram.com/michaelmonroeofficial
    https://michaelmonroe.com
    https://tiktok.com/@officialmichaelmonroe

    First Day Of Spring – Partyzeit!

    First Day Of Spring has today released their new video and single titled ‘Partyzeit!’. Straight from the mind of Samuel Jones, ‘Partyzeit!’ is one of those quirky tracks that mesmerizes itself into your memory and puts the groove into the pocket and just lets you ride the train into the station.

    An anthem for slackers and an ode to kitsch, ‘Partyzeit!’ is a track that brings back the summer if only for a few moments. Retrotastic memories from that era when MTV dictated musical policy and alternative was still the alternative, First Day Of Spring feel like a blast from the past as much as a peek into the future.

    About First Day Of Spring & ‘Partyzeit!’

    Returning with their first single in over 12 months, London-based project First Day of Spring announce single series Human Flesh, and share intoxicating psych-disco cut โ€˜Partyzeit!’.

    Comprising an ever-shifting live line-up, revolving around the songwriting of London-via-Southendโ€™s Samuel Jones, โ€˜Partyzeit!โ€™ marks a revitalized new era for the group. With addictive basslines, electro-funk grooves, wailing saxophones and retrograde synths, itโ€™s First Day of Spring, but with the rain clouds parted, and made over in psychedelic day-glo colors.

    Featuring a vocal cameo from Rebecca Gillerion of The Plan, โ€˜Partyzeit!โ€™ is the first of four cuts set to make up Human Flesh, set for completion in 2026.

    Offering further insight into the track, Samuel says: โ€œThe first Volume from the Human Flesh series is โ€˜Partyzeit!โ€™, a look at the re-learning process and personal growth that can follow from piecing the blocks back together after lengthy periods being disconnected from ‘keeping it in the dayโ€™ and how that disconnect had prevented external action.” Partyzeit! is a representation of that authentic, humbling, energizing and uplifting process. It is an energy I wanted to translate into the musicโ€™s aesthetic, an aesthetic that The Planโ€™s queen, Rebecca Gillerion, helped Fully Realizeโ€.

    Following up a brace of EP releases in recent years, the announcement of Human flesh follows a spate of press acclaim from the likes of CLASH, The Line of Best Fit, Wonderland, Far Out, Brooklyn Vegan, Under The Radar, Earmilk and Clunk, as well as radio play from BBC Radio 6Music (Emily Pilbeam) and BBC introducing.

    Featured image by Elliot Davies.

    LINK:
    https://www.instagram.com/firstdayofspringband

    Destroy The Moon – Hyde

    Destroy the Moon detonates another blast of pure volatility with Hyde, a gritty, high-speed eruption forged from the darkest corners of Alt Rock, Grunge, and Hard Rock. Fueled by the bandโ€™s signature venom-laced attitude, the track rips forward with feral urgency, channeling the energy of a mind pushed past its breaking point.

    With lyrics that swing between Jekyll-calm and Hyde-chaos, the song captures the exhausting cycle of dealing with a two-faced presence who thrives on turmoil. Every verse spits frustration, every chorus snaps under the pressure of emotional whiplash, and the entire track becomes a cathartic purge of resentment, burnout, and long-overdue confrontation.

    Drawing from the raw, unfiltered aggression of the New York punk movement of the late 70s and early 80s, Destroy the Moon fuses that rebellious spirit with the heaviness and grit of modern alternative rock. Hyde shreds forward at breakneck pace, soaked in distortion, adrenaline, and the bandโ€™s unmistakable edge, a sound thatโ€™s instantly recognizable as Destroy the Moon and no one else.

    This is the moment where the mask slips, the patience snaps, and the truth hits like a brick to the teeth. Hyde is fast, furious, and carved straight from the nerve-endings of real-world frustration.

    About Destroy The Moon

    After a long-awaited return, Destroy the Moon is finally back with their first new music since 2021. Their latest single, โ€˜The Midwestโ€™, is a sharp, sarcastic take on the struggles of growing up in post-Y2K America, wrapped in the bandโ€™s signature blend of hard-hitting instrumentals and unpredictable time signature shifts. Drenched in tongue-in-cheek nuance, โ€˜The Midwestโ€™ captures the widening cultural and political divide that has shaped a generation. The track pairs relentless, driving rhythms with moments of unexpected softness, creating a dynamic and immersive experience that highlights Destroy the Moonโ€™s unmistakable sound. Whether youโ€™re drawn in by the biting social commentary or the unique sonic twists, โ€˜The Midwestโ€™ is proof that Destroy the Moon hasnโ€™t lost their edgeโ€”theyโ€™ve only sharpened it.

    SOURCE: Official Bio

    LINKS:
    https://www.instagram.com/destroythemoon_band/
    https://www.facebook.com/DestroytheMoonBand
    https://www.youtube.com/channel/UCBKktqUnv31qqSoHMt-Y9VQ
    https://www.tiktok.com/@destroythemoonband

    Steel & Velvet – People Just Float

    Steel & Velvet
    Steel & Velvet

    Steel & Velvet is a folk-rock band born in 2021 from the friendship of Johann Le Roux (vocals) and Romuald Ballet-Baz (guitar), Breton musicians who both benefited from solid classical training. Soon joined by another guitarist friend (also Breton), Jean-Alain Larreur, more rooted in blues-rock, they offer a collection of songs recorded in a spirit similar to that of Johnny Cashโ€™s American Recordings. Acoustic guitars and vocals. Their sound is minimalist, stripped-down, and authentic. Most of their repertoire consists of covers of North American artists from the worlds of folk, rock or grunge. Nevertheless, they also dabble in composition, releasing their first single, ยซPoppy Fieldยป (Song for the Armistice), in May 2022.

    One of the bandโ€™s distinctive features is that they favor concert venues that allow singer Johann Le Roux to remain unamplified, thus maintaining a more organic and intimate connection with the audience. They also attach importance to the visual aspect of their artistic universe, collaborating closely with Brest-based photographer and videographer Loรฏc Moyou, who shapes their visual identity through his photos and videos, as well as the logo he created for Steel & Velvet.

    ‘Waiting for Some Warmth’ was released in May 2023. This four-track EP is a tribute to Mark Lanegan, who “really loved this type of music, when someone can take a guitar or light instrumentation and a beautiful voice and can transport me somewhere.”

    In October 2025, Steel & Velvet returned with a new artistic offering: ‘People Just Float’, two works in one: a six-track EP and a short film directed by Loรฏc Moyou.

    The six songs were carefully selected to form the soundtrack for a dreamlike western. Together, they tell the story of Joshua, a man living in seclusion in a cabin who, while hunting, discovers a frightened woman in the forest. Musically, the band maintains the continuity of its previous output: stripped-down acoustic versions with an authentic sound. Some songs remain close to the original versions, while others have been reworked. This is particularly the case for ยซOrphanโ€™s Lamentยป (Robbie Basho), originally played on piano by the American artist and which benefits from a brilliant guitar adaptation by Romuald (Ballet-Baz). A small novelty, however: Johann Le Rouxโ€™s daughter, Jade, sings on two tracks.

    SOURCE: Official Bio

    LINKS:
    https://www.facebook.com/steel.and.velvet
    https://www.instagram.com/steelandvelvet2021/
    https://open.spotify.com/artist/7i4aH86wr4aynpZ0Eh44Jz
    https://www.tiktok.com/@steel.velvet
    https://www.youtube.com/@steel-and-velvet/

    Belle Morte – Jorลgumo (ft. Hisashi, Reigen Fujii, Souzan Kato)

    Gothic folk metal act Belle Morte is proud to announce the release of the official music video for their latest single, “Jorลgumo.” A masterful blend of dark, heavy metal and traditional Japanese music, the track features an extraordinary collaboration with three highly acclaimed Japanese artists: Hisashi (koto, arrangement of Japanese instrument parts), Reigen Fujii (shamisen), and Souzan Kato (shakuhachi).

    Inspired by Japanese folklore, Jorลgumo tells the tale of the spider demon who lures her prey with beauty and deception. Featuring traditional instruments such as koto, shamisen, and shakuhachi, arranged and directed by Hisashi, the track fuses gothic and industrial metal with haunting Japanese textures.

    This track takes listeners on a journey through twisted forests and shadowy realms, weaving a tale of temptation, entrapment, and dark enchantment.

    About Hisashi

    Hisashi is a professional koto player and composer based in Japan.

    He has built a wealth of experience playing the koto, both in Japan and overseas. His music career has allowed him to work with clients all over the world, including Japan, the U.S., the UK, Canada, Germany, Norway, and Portugal. He has taken part in several recording sessions for music composers, producers, record labels, an award-nominated composer, and a prize-winning composer.

    As a composer, he specializes in a mixed style of modern music and traditional Japanese music. He has composed music for singers, dance projects, promotion videos, art projects, etc. In the 2022 Petrichor International Music Competition, he was selected as a semi-finalist.

    His music style was established through his own unique music career. He has been familiar with traditional Japanese music since he was born because his mother is a koto teacher. He also started playing the piano when he was 6, and he started playing the drums in a rock band when he was 13. He has been a member of many rock/metal bands as a drummer and composer. He also has a passion for electronic music and experiments with modern sound-making by sampling traditional Japanese instruments.

    About eigen FUJII

    A pioneer who established his own shamisen chord theory and adopted new performance techniques to develop innovative approaches to Western music.

    In 2012, he won the 5th champion of the national shamisen competition and became the youngest winner ever. He promotes shamisen by holding workshops around the world and has led many students to become prize winners.

    Currently, he also often appears on TV shows and radio programs, and collaborates with various artists.

    About Souzan KATO

    Souzan KATO is a professional shakuhachi player based in Japan. He is a certified master of the Tozanryu Shakuhachi Foundation. He graduated from the Traditional Japanese Music Course at Nagoya College of Music and completed the master’s program in the Graduate School of Music at the same university.

    He was awarded the Gold Prize at the Tozanryu Honkyoku National Competition in 2015, 2018, and 2021. Also, he received the Minister of Education Award and the Sankei Newspaper Award.

    He engages in performance activities both domestically and internationally, including lectures and performances at universities in Asia, Europe, and North
    America.

    About Belle Morte

    Formed in Minsk, Belle Morte combines dark symphonic metal with gothic, progressive, and melancholic elements. After their 2018 EP Game On, the band signed with Wormholedeath in 2021 to release Crime of Passion, a conceptual album inspired by John Fowlesโ€™s The Collector. Their second album continues this global approach, delivering unique symphonic metal experiences for fans seeking something different.

    SOURCE: Official Bio

    LINKS:
    https://facebook.com/bellemortemusic
    https://instagram.com/bellemorteofficial
    https://youtube.com/@bellemortemusic
    https://bellemorte.bandcamp.com
    https://bellemortemusic.com

    De La Soul – Cabin in the Sky + Tour Dates

    De La Soul - Cabin in the Sky
    De La Soul - Cabin in the Sky

    De La Soul has today dropped their first album in almost a decade titled ‘Cabin in the Sky’ via Mass Appeal. After that first set of satisfactions since their last album, ‘And the Anonymous Nobodyโ€ฆ’, ‘Cabin in the Sky’ is both a true return to form and a proper eulogy to Trugoy The Dove and features the talent of Nas, Black Thought, Killer Mike, Common and Little Dragonโ€™s Yukimi Nagano, as well as production from DJ Premier, Pete Rock and Supa Dave West, but this is truly a De La Soul release in proper and glorious form.

    And, while this album features The Dove, in a way, I am saddened and wondering if this will be the last we hear from him. While this is a closing of a chapter for De La Soul, I hope it’s not the end of the story. ‘Cabin in the Sky’ feels like a new beginning in their next evolution of revolution.

    About โ€˜Cabin in The Skyโ€™

    โ€˜Day in the Sun (Gettinโ€™ Wit U)โ€™ marks a major reunion of sorts as the first time De La Soul and Q-Tip link up on a studio single in years, reviving the spirit of their partnership dating back to the early days of the Native Tongues collective. That original alliance helped define an era of fearless, expressive, boundary-pushing hip-hop.

    This single is the follow-up to their current release โ€œThe Package,โ€ produced by Pete Rock. Both singles live on the groupโ€™s forthcoming album Cabin in the Sky, De La Soulโ€™s 10th studio album and their first full-length project in nine years, set for release November 21 via Mass Appeal as part of the independent labelโ€™s โ€œLegend Has Itโ€ album release series. The album is the sixth release in Mass Appealโ€™s Legend Has It campaign, celebrating seven iconic artistsโ€”all releasing new musicโ€”including Slick Rick, Raekwon, Ghostface Killah, Mobb Deep, Big L, De La Soul, and Nas/DJ Premier.

    Cabin in the Sky embraces the groupโ€™s enduring legacy and features a roster of high-caliber producers and collaborators who reflect both respect for the past and a drive toward fresh creative territory. With โ€œDay in The Sun,โ€ The group blends timeless lyricism with forward-thinking production, by Supa Dave West.

    โ€œThis record is about gratitude, joy, and rebirth,โ€ says Posdnuos. โ€œWeโ€™ve been through storms, and now itโ€™s time to stand back in the sun.โ€



    About De La Soul

    De La Soul is a New York-based trio composed of Posdnuos, Trugoy, and Maseo, who created the hip-hop masterpiece 3 Feet High and Rising, initially released on March 3, 1989. Renowned for their eclectic and innovative sampling, quirky lyrics, and contributions to jazz rap and alternative hip-hop subgenres, the group garnered acclaim, including a Grammy win for Best Pop Vocal Collaboration for their song โ€œFeel Good Inc.โ€ with The Gorillaz in 2005.

    In 2015, De La Soul raised over $600,000 on Kickstarter to independently release their album โ€œAnd the Anonymous Nobodyโ€ฆ,โ€ which topped the Rap Albums chart and earned a nomination for Best Rap Album at the Grammy Awards.

    Featured image by Robert Adam Mayer.

    LINKS:
    https://www.wearedelasoul.com/
    https://www.tiktok.com/@wearedelasoul
    https://www.instagram.com/wearedelasoul/
    https://www.youtube.com/user/DeLaSolarSystem
    https://open.spotify.com/artist/1Z8ODXyhEBi3WynYw0Rya6

    Benjamino – Cucino

    Benjamino
    Benjamino

    Benjamino has today released his new album titled ‘Cucino’. I never thought I would say this, but, there is now a concept album based on my other hobby: cooking. How odd is that? Not that much, actually. In fact, Benjamino breaks it down into the core elements, and in doing so, shows the similarities there are between the ritual of cooking and the process of making music. You make something that, hopefully, others will love.

    A lot of ‘Cucino’ (similar to cincina, or kitchen in Italian) brings me back to the days of AM radio and pre MTV pop, in a good way. Lazy hooks and cheeky takes on the chorus. Memorable and dancable all in one shot.

    โ€œThe idea for attaching a concept to the album was born out of the sheer magnitude of the task. Writing, producing and mixing all of this myself was both fun and daunting, so having a structure in place with the ‘Italian Menu’ idea helped to compartmentalize everything.”
    Benjamino

    About ‘Cucino’

    โ€˜Cucinoโ€™ is a concept album built around the rhythm and ritual of cooking. Taking its name from the Italian word for โ€œI cookโ€, the record unfolds like a menu, moving through the courses of a meal. It opens with the light and playful ‘Antipasto’, moves through the richness of ‘Primo’ and ‘Secondo’, and ends with a sweet finale under ‘Dolce’. Each section offers a distinct flavour and mood, mirroring how music, like food, can shift to suit the time of day or the feeling in the room.

    Across โ€˜Cucinoโ€™, Benjamino folds together the precision of a studio craftsman with the instinct of a live performer. The result is a sound that feels both familiar and fresh, laced with vintage textures and anchored by rhythm. Keys, bass and guitar intertwine with warm synths and grooves that shimmer with movement, while his vocals glide between soulful falsetto and conversational ease. Thereโ€™s a looseness to the record that keeps it human, a sense of spontaneity beneath the polish that invites each track to breathe.

    Elegantly executed disco bursts with confidence, meeting meditative synths that bloom into shimmering jazz. Lively keys and buoyant basslines carry the charm of 1970s anthems, while piano-led ballads draw the dynamics inward for moments of introspection. Funk grooves and subtle percussion keep everything in motion with flashes of pop flair tying the record together into a vivid, immersive world of sound.

    Benjamino leans into the freedom of modern artistry, releasing music in an era where fluidity between genres is celebrated rather than constrained. His love for diverse sounds underpins the albumโ€™s range, moving between styles with a self-described โ€œpoly-Jamorousโ€ spirit. By framing the record within the concept of a meal, he was able to bring cohesion to its many flavors, allowing each track to complement the next like courses in a shared feast.

    About Benjamino

    Benjamino is the genre-bending project of Sydney-based artist, producer, and multi-instrumentalist Benjamin Cauduro. Known for their rich blend of alt-R&B, nu-disco and dream pop, Benjamino crafts tracks that are both deeply introspective and made to move. Their music is packed with groove, wit, and a cinematic sense of emotion โ€“ blending intricate production with bold, heartfelt storytelling.

    A seasoned audio engineer and lifelong musician, Benjamino has spent the past decade in the studio and on the stage, working with local and international artists and performing all across Australia. After years of writing and producing for others, Benjamino began releasing solo material in 2020, gradually establishing a sound thatโ€™s playful, polished, and unmistakably their own.

    After collaborating with fellow alt-R&B artist meadowhip for On Repeat, they set sail on an East Coast tour of Australia, selling out shows in Brisbane, Melbourne and their hometown of Wollongong. The two also united for collaboration shows at the Coldplay event at Sydney Olympic Park in November 2024.

    In 2025, they launched their most ambitious project yet: a series of monthly singles leading up to their debut album Cucino, due out in November. Named after the Italian word for โ€œI cook,โ€ the record is a lovingly crafted sonic meal โ€“ layered with lush production, playful storytelling, and emotional depth.

    LINKS:
    https://www.benjamino.com.au/
    https://open.spotify.com/artist/1eaNiZWQ6kgoqtQT0VsVY0
    https://www.facebook.com/benjaminomusic
    https://www.instagram.com/benjamino.music/
    https://www.tiktok.com/@benjamino_music
    https://www.youtube.com/channel/UCfY3cFOevOCSbSOUIbcXeTQ

    mรฏus – Noteworthy (ft. Halosara)

    mรฏus
    mรฏus

    Producer and multi-disciplinary artist mรฏus is returning with his latest single โ€˜Worthyโ€™ featuring the ethereal vocals of HALOSARA, out 21 November 2025 via Thรฉque Records.

    Over six albums, mรฏus, the live audio-visual project of Gergely รlmos, has become a mainstay in the European electronic scene, earning acclaim from tastemaker publications such as Mixmag, CLASH Magazine, Vice, DJ Mag Spain, Faze Mag, and When We Dip, alongside airplay on BBC Radio 6, Rinse FM, and KCRW to name a few. Boasting over a million streams on Spotify alone, his highly-praised catalogue has attracted remixes from Brandt Brauer Frick, Vessels, and Robot Koch. With releases on major labels such as Sonar Kollektiv, mรฏus has also landed editorial selection spots on Bandcamp, Spotifyโ€™s TOP 50 UK and TOP 50 GERMANY, and a premiere on Mixmagโ€™s YouTube channel for the video of his track โ€˜Strobe and Noiseโ€™.

    The creative vision of architect and film set designer Gergely รlmos, mรฏus blends electronic precision with a visual designerโ€™s sense of structure and detail. Rooted in Budapestโ€™s vibrant art scene, the multi-modal artistโ€™s project merges sound, design, and visual storytelling into a cohesive multi-sensory experience. With a style that would entice fans of the atmospheric electronica of Bonobo, Moderat, and Jon Hopkins, mรฏus crafts compositions that are cinematic and emotionally layered, deftly finding a meticulous balance between organic warmth and digital intricacy.

    โ€˜Worthyโ€™ is anchored by soft broken downtempo beats and airy synths, interplaying delicately with minimal piano phrases that buoy HALOSARAโ€™s dreamy vocals. The track swells with gentle intensity, rising to a pinnacle that is soothing yet euphoric.

    mรฏus shared: “When Sara sent the phone recording of her playing on the piano and singing, its simplicity immediately inspired me. I loved the original draft so much that I kept the phone-recorded chords in the background at the beginning of the song.”

    HALOSARA added: โ€œThis song is basically an apology to myself for treating myself badly for such a long period. The song came together in such an organic way โ€” it almost wrote itself. I had this little voice memo recording โ€œin the drawerโ€ that I sent to Geri. He took the song to a completely different and interesting level than I had initially thought.”

    Featured image by Gergo Palmai.

    SOURCE: Official Bio

    LINKS:
    https://www.instagram.com/miusband/
    https://www.facebook.com/miusband
    https://www.youtube.com/user/miusband
    https://open.spotify.com/artist/6kMWhsg2AbACDG6G5CAtAh

    Nonthewiser – Injustice For All

    Nonthewiser
    Nonthewiser

    Nonthewiser have today released their new EP titled ‘Injustice For All’. Punk is alive and well in the form of Nonthewiser, showing that it’s the only genre that can go commercial and come back unscathed and unharmed. Nonthewiser return to the roots with raucous rebel anthemic bangers filled with fire and fueled with fury.

    Just tamed enough to lure in the posers, ‘Injustice For All’ is an air guitar nightmare in the guise of that perfect dream with that girl you wished you talked to all those years ago. Well, the chicken switch remains unpressed, so, go for it.

    About Nonthewiser

    Nonthewiser takes everything they love from the Californian punk rock scene of the โ€™90s and mixes it with their Scandinavian heritage. The result is fast, fierce, and melodic punk rock that makes you sing along and move your body.

    The gloomy lyrical themes paired with melodies that stick for days earned the band great reviews when their self-titled debut album dropped in 2023. The intensity of their songs translates directly to the stage, where Nonthewiser truly shines.

    Following several shows alongside heavyweights of the genre in their home country of Sweden, the band toured Scandinavia in the winter of โ€™23 and embarked on an extensive European tour in the fall of โ€™24.

    Now, Nonthewiser returns stronger than ever with their latest release โ€œInjustice for All,โ€ out November 20th, 2025 โ€” a fierce statement against the growing darkness in the world. The four-track EP showcases the bandโ€™s signature mix of speed, melody, and emotion while pushing their sound to new heights. Work on their sophomore full-length album is already underway, proving that the force is still strong with this one as the wheels keep turning at the speed of light in a world that keeps getting darker.

    LINKS:
    https://www.facebook.com/Nonthewiser/
    https://melodicpunkrecords.bandcamp.com/

    The Ineffectuals – National Tragedy

    The Ineffectuals
    The Ineffectuals

    The Ineffectuals crash back onto the scene with National Tragedy, a sharp-edged Indie Rock / Alt Rock crossover that blends pop-punk grit with melodic hooks and a wicked sense of humor. As both the title track and lead single from their new album, National Tragedy captures the absurdity, frustration, and dark comedy of living in a world that never stops spiraling.

    Driven by anthemic guitars, cinematic rises, and lyrics that cut straight to the bone, the track turns cynicism into catharsis. The chorus hits like a rallying cry from someone whoโ€™s been through the fire and somehow walked out grinning. Itโ€™s rebellious, reflective, and surprisingly hopeful beneath the ashes.

    With biting wit and layered instrumentation, The Ineffectuals transform societal collapse into a soundtrack you can shout along to. National Tragedy feels like scrolling doom-news at 3 a.m only this time, the soundtrack absolutely slaps.

    Perfect for fans who crave high-energy rock with brains, attitude, and fearless honesty, National Tragedy proves The Ineffectuals arenโ€™t just observing the chaosโ€ฆ they’re framing it in neon lights.

    About The Ineffectuals

    The Ineffectuals are a powerhouse melodic rock band with a sound that hits hard and leaves a mark. Formed by two strangers who have yet to meet in person, their music defies physical distance, proving that creativity knows no boundaries. Fueled by the raw energy of grunge and punk, they dive deep into themes of extreme personalities and the universal need to be understood. With driving riffs, sharp melodies, and an undercurrent of unfiltered emotion, The Ineffectuals channel rebellion into every note, forging a connection that transcends miles and speaks directly to the soul.

    SOURCE: Official Bio

    LINKS:
    https://www.tiktok.com/@kyfifermusic
    https://www.instagram.com/the_ineffectuals/
    https://www.facebook.com/profile.php?id=61579903559648
    https://kyfifer.com/the-ineffectuals
    https://www.youtube.com/channel/UCYpcPdC8uKul03itLBQsXOg

    Slรธtface – For The Boys + Tour Dates

    Slรธtface
    Slรธtface

    Slรธtface (pronounced Slutface) have today released their new single titled ‘For The Boys’ via their own label, Dagen er รธdelagt (the day is ruined).

    Slรธtface’s evolution of revolution continues with that next chapter of rรธck and pรธp with equal parts meaning giving an internal evolution and spiritual shoutouts taking frontwoman Haley Shea’s vocals into a new emotional high. This song is a catapult, to me, in that it feels fresh while giving Slรธtface a chance to take a chance with a slight change in direction and a subtle shift in focus.

    While remaining close to style and true to form, Slรธtface veer slightly off the road with a track that melds emotions and modifies the mold.

    About ‘For The Boys’

    ‘For The Boys’ lyrics reflect the shifting phases of the men in Sheaโ€™s life โ€“ as they become fathers, start going to therapy, grow, change, and struggle. The title says it all โ€“ this oneโ€™s ‘For The Boys’.

    ‘For The Boys’ was produced and written with some of Slรธtfaceโ€™s own boys โ€“ Simen Fรธlstad Nilsen (Aiming For Enrike, Jaga Jazzist) produced and co-wrote, alongside Tobias Osland (Hammok) and Nils Jรธrgen Nilsen (Honningbarna). The 4-minute track builds through post-rock guitars and Twin Peaks-esque sections, culminating in a massive sonic wall of sound with Sheaโ€™s voice teetering on the edge. This one is sure to become a highlight in Slรธtfaceโ€™s already energetic and emotionally charged live sets when they return to the UK for three UK shows in February.


    Check out our exclusive interview with Slรธtface’s Haley Shea.


    As if the song wasnโ€™t already wholesome enough, drummer Nilsen has this to say about it: โ€œI just want to say that what this song makes me feel is that Haley sees me where I am and cheers me on. Sheโ€™s a friend whoโ€™s with us in the challenges along the way while celebrating how far weโ€™ve come.โ€

    If that didnโ€™t make you want to listen to it while you cry friendship tears, I donโ€™t know what will.

    ‘For The Boys’ is the second single from Slรธtface’s upcoming series of releases on their own label over the next year. The vision is a quick turnaround from idea to release, offering a fresh creative start for an unfiltered, energized Slรธtface.

    Featured image by Trym Dyrnes Gulla.

    LINKS:
    https://www.slotface.no
    https://www.instagram.com/slotfaceofficial
    https://www.facebook.com/slotfaceofficial