From Double Six-signed groove funk trio All We Are to Transgressive Records’ rock & rollers Circa Waves through to surf-pop Domino signees We Are Catchers; Tim Burgess-affiliated electro duo D R O H N E, XL Recordings hype star Låpsley, swaggering Heavenly Recordings’ slouchers Hooton Tennis Club and Wire Magazine-endorsed enigma Esa Shields; emerging soul-pop diva Roxanne Jones, Finders Keepers-signed cosmic singer-songwriter Jane Weaver, swirling UK buzz band Gulf, Skeleton Key Records’ revellers Sundowners and neo-soul rising star Xam Volo – this year’s GIT Award shortlist represents a kaleidoscopic musical picture few cities in the world could match.
This year’s shortlist was selected by national industry figureheads consisting of Bella Union Records’ Simon Raymonde, The Quietus editor John Doran, Heavenly Recordings’ boss Jeff Barrett, UK Music’s Dot Levine, author and journalist Simon Price, 4AD Records’ Rich Walker, Clash Magazine editor Robin Murray, Jarri Van der Haegen, editor of Belgian buzz blog Disco Naivete, XFM Head of Music Mike Walsh and Amazing Radio DJ Shell Zenner.
The judging panel was completed by respected Merseyside music players including Liverpool Music Week director Mike Deane, Arts Club manager Victoria Smith, Sound City and Club EVOL promoter Steve Miller, Liverpool International Music Festival curator Yaw Owusu, Bido Lito! editor Christopher Torpey – and GIT Award founder and Liverpool Echo journalist, Peter Guy.
Reflecting on this year’s shortlist, Dot Levine, from UK Music, said: “It was a huge honour to be a GIT Award judge. The standard in Merseyside is exceptionally high and we have heard some incredible music. It was a very difficult task choosing the shortlist – but boy did I enjoy the debates!
“The whole process for the Award has been brilliant. As a national judge, who attended an evening of debate in Liverpool, just being surrounded by some of the most engaging and inspiring music lovers based in the north west was a great moment for me.”
Dubbed ‘the Scouse Mercury Prize,’ backed by Yoko Ono and the cornerstones of Merseyside’s flourishing cultural community, the winner of the GIT Award 2015 will be revealed on Saturday 4 April 2015 at The Kazimier inWolstenholme Square. Like previous years, the winner will receive a specially commissioned trophy and cheque for £1,000.
Having relaunched for the fourth year at Liverpool Music Week in November 2014 up until the closing date at the end of January 2015, the GIT Award judges met on six occasions, discussing more than 330 eligible artists and bands, before carefully whittling them down to just 12.
Those 12 will now feature at the industry showcase on Saturday 4 April 2015 and will include performances from the shortlisted artists plus a dramatic aftershow featuring live music, DJs and specially produced set piece spectacles.
This year, a specially commissioned Merseyside team will transform the unique setting of the Kazimier into an Aztec Jungle while 50 lucky souls will also have the chance to log on to the Kazimier website and obtain a pass to this once-in-a-lifetime occasion.
Also on the night, a special Inspiration Award, recognising services to Liverpool’s music industry will also be presented. Previous recipients are Africa Oye (2014),Hillsborough Justice Collective (2013) and The Kazimier (2012).
Bella Union boss and GIT Award judge Simon Raymonde, added: “The waiting is almost over. The GIT Award shortlist is now finalised – and what a near-impossible job that was! You have 12 outstanding talents, all equally deserving of the Award. Quite how we will whittle this down to one I don’t know but the good news is that whoever does win will be a beacon of light for all future artists from the area. April 4, The Kazimier – enter it into your phone now.”
All awards on the night plus unique commemorative mementoes for all 12 nominees will be created by Liverpool design agency ArchiPhonic who have overseen projects in the Baltic Triangle
GIT Award founder and chair of judges, Peter Guy, said:“The GIT Award 2015 shortlist represents a new phase in Liverpool and the wider region’s artistic development; these artists are creating new sounds quite unlike any other and surpassing most other cities in the world. This year there’s 10 brand new names on the shortlist selected by judges who travelled from all corners of the UK to Liverpool to listen to them and deliver the final shortlist – it proves what a vital time in Merseyside music’s history this truly is. Saturday April 4 at the Kazimier is set to be another monumental occasion.”
Limited tickets & event link: http://www.wegottickets.com/event/308044
For all other details: www.getintothis.co.uk
All We Are
All We Are is Norwegian bassist Guro Gikling, Irish drummer Richard O’Flynn and Brazilian guitarist Luis Santos who formed in 2011 while studying in Liverpool at LIPA. The trio’s rhythmic grooves and irresistible pop melodies earned them UK and international praise resulting in a record deal with Domino Records’ imprint Double Six. Following festival slots, blanket radio and print press plus tours alongside Warpaint, Everything Everything and London Grammar they released their self-titled debut solo album in February 2015.
In a little over 12 months, Kieran Shudall, Sian Plummer, Sam Rourke and Joe Falconer, aka Circa Waves have become a UK music sensation. From the bedroom demos of singer/guitarist Shudall to being championed by Radio 1’s Zane Lowe as the hottest band in the world, life’s been a whirlwind for this Liverpool quartet. One online track secured a deal with Transgressive Records (Foals) before European tour dates, national press and a prize slot on the NME Awards Tour supporting Interpol followed. 2014 saw support slots with The Libertines followed by a world tour with the 1975 in Australia and Japan swiftly followed by a nomination for Best New Band in the NME Awards. Their astonishing rise continues with the release of their debut album Young Chasers on 30 March 2015.
D R O H N E
Richard Craddock and Luke McCulloch are Merseyside electronic duo D R O H N E. Fusing textured electronic dissonance, warped vocals, treated guitar and subversive mystique, the duo supported DFA industrial dance all-stars Factory Floor for their debut gig. Quickly snapped up by Charlatans frontman Tim Burgess for his independent label O Genesis Recordings they released their 2014 Parasite EP to widespread acclaim. Adept at juggling live instrumentation or raising the roof with their club shows across the North West, the duo have made a name for themselves from Brighton to Birmingham and Sound City to Festival No. 6. They are currently working on their next EP.
Gulf’s quintet of Mark Jones (vocals, synth, guitar), Jake Brown (bass), Joshua Gorman (drums), Thomas Murray (guitar) and Femi Fadero (guitar) specialise in light-as-a-feather cosmic pop that has marked them out in the music industry as one of the more enticing acts operating today. They burst out the blocks with debut track Emitter garnering blanket print and online press with NME and The Guardian selecting them as ones to watch. With just a handful of gigs under their belt, zero pictures of themselves available and harnessing a sound locked into that Liverpudlian tradition of melancholic dreaminess, Gulf have the UK record industry in the palm of their hands.
Hooton Tennis Club
Dyed in the wool friendships that date back to primary school are as much a part of the fabric of Hooton Tennis Club as their hooky melodies and swaggering lo-fi warmth. Hailing from the Chester end of the Wirral train line, Ryan Murphy, James Madden, Callum McFadden and Harry Chalmers are mates first, a band second. First picked up by The Label Recordings, a project at Edge Hill University in Ormskirk, by former bassist of The Farm Carl Hunter, the quartet soon attracted the attention of Heavenly Recordings. National press, festival slots and a mini UK tour followed. Their double a-side single Jasper/Standing Knees, recorded at Parr Street Studios, will be their first release with Heavenly on February 23.
Roxanne L Jones
Roxanne L Jones is a Liverpool singer/songwriter fusing vintage soul with contemporary sassy pop. Discovered in a talent competition, she quickly forged a deal with management agency rolA productions before securing a resident spot at Liverpool’s Baltic Social as well as playing the O2 Academy. Having survived pleurisy, the family-driven, 22-year-old vocalist entered the studio to record her debut album In My Words. Overcoming her debilitating illness, she’s toured the country and is ready to launch opening single I’m A Woman on March 16.
The rise of 18-year-old Holly Låpsley Fletcher is little short of phenomenal. While studying for her A-levels, a collection of her online demos went global, garnering more than 200k plays. A sellout debut gig in Liverpool in February 2014 saw school friends mix with industry A&R. She soon signed to the team behind Adele, received national airplay, a PRS-endorsed Momentum Fund plus blanket national press. In April 2014 she received the inaugural GIT Award 2014 One To Watch prize before signing to XL Recordings in October. In November she headlined the GIT Award 2015 launch at 24 Kitchen Street. In January she released her debut EP, won the Blog Sound 2015, was named in the BBC Sound Poll and has already played festivals across Europe. She is currently studying at university in London.
Esa Shields is a pop polymath who has been part of Liverpool’s murky, experimental underground for over a decade. Nurtured in the fertile Korova scene of the mid-noughties, Esa developed a penchant for the weirder ends of the music spectrum and obscure Polish film soundtracks. His 2014 album Ovum Caper took around seven years to piece together, and was noted by The Wire magazine for its uncanny ability to be both dark and pop. Recorded in a haunted Victorian townhouse and released on German label Gagarin Records, Ovum Caper has resulted in a renewed interest in Esa, who has always stayed busy with collaborative side projects: Legends Of Flight (an improvisational jazz outfit) and Songs About Death (cassette collages). Unique is an oft-used word in music, Esa Shields is that most rare a talent.
Wirral’s summery revivalists The Sundowners have been steadily on the rise since they formed in 2010 as precocious youngsters. They’ve now crystallised their hip-shaking Scousedelic sound, which is led by the dual vocals of Niamh Rowe and Fiona Skelly. The five-piece is completed by Alfie Skelly (guitar), Tim Cunningham (bass) and Jim Sharrock (drums). Their debut, self-titled album was recorded at Parr Street Studios, and released in February 2015 by Skeleton Key Records – the label run by former Coral songwriter James Skelly. With slots at Glastonbury (BBC Introducing Stage) and This Feeling festivals behind them, March 2015 sees them supporting Paul Weller for a handful of dates around their own headline tour.
Sam Folorunsho, aka Xam Volo, is Liverpool’s fastest rising soul star. The 21-year-old, originally from London, moved to the city to study but has been creating his own sonic cauldron of hip-hop, pop and neo-soul-jazz for the last 18 months in his musical hideaway. His self-produced Binary In Blue EP, dropped nine months ago online, caught the attention of industry heads with Liverpool International Music Festival selecting him for their development Academy. Features in the national press, a handful of intimate gigs, including the LIMF Sefton Palm House showcase, have set him up for his biggest year yet – Xam Volo is ready to step out of the shadows.
Born in Liverpool but raised in Widnes, Jane Weaver has latterly been nurtured by the collective around the cult Finders Keepers label in Manchester. Having previously done Britpop (Kill Laura) and folktronica (Misty Dixon), Weaver went solo with the release of her first album in 2002. Her sixth album, 2014’s The Silver Globe, saw her traversing celestial psych pop with a touch of krautrock, with the help of Twisted Nerve Records founder and husband Andy Votel on production. The record was named by Piccadilly Records as their album of the year for 2014. Weaver has been announced to play a string of festivals in 2015, including Liverpool Sound City, Green Man and End Of The Road.
We Are Catchers
We Are Catchers is the project of Peter Jackson, a melancholic Scouse troubadour in the mould of Mick Head or Ian McCulloch. His piano ballads are steeped in longing and hope in the same majestic way that Brian Wilson and Art Garfunkel managed in their heyday. Jackson’s efforts were captured by friend and producer Bill Ryder-Jones at Elevator Studios, and released by Domino Records as a self-titled LP in 2014. Favourable notices for the record came from Clash and NME, which were followed by a rare live outing at Green Man festival in 2014. Having made a rare live appearance at the Epstein Theatre in late 2014 We Are Catchers are now working on their second album.
Jeff Barrett has been submerged in music all of his life. A radio / chart obsession as a kid set him off on the road to discovery via record shops and gigs in the mid-Seventies, to working in record shops in the early 80’s. From there he promoted gigs and club nights in the West Country. After putting on shows by early Creation bands including Primal Scream and JAMC, his enthusiasm was spotted by Alan McGee who offered him a job which he took up in the summer of 1985. This led to a short but eventful life as a publicist, representing, amongst others Factory Records (Happy Mondays, New Order), the KLF, MBV, which in turn led to him starting his own label, Heavenly Recordings, in 1990. Heavenly will be celebrating its 25th birthday in 2015.
Mike Deane is founder and director of Liverpool Music Week – which has just celebrated its 10th Anniversary Edition in November. The city’s annual festival attracts 30,000 every year, has played host to over 2,000 acts since 2003 from Kasabian to The Chemical Brothers. Mike is also a European Agent at talent agency Elastic Artists – his roster includes Liars, Evian Christ, Forest Swords, and The Haxan Cloak and is working with labels such as Warp, Mute, Ninja Tune and Hyperdub.
John Doran is the co-founder and editor of The Quietus website. He lives in Hackney, London, with his girlfriend and three year old son and has written for the BBC, The Guardian, the WIRE, Metal Hammer, The Stool Pigeon and VICE. He co-runs the Quietus Phonographic Corporation record label – which he helped set up to promote the music of East India Youth and Grumbling Fur – and the Quietus Lithographic Corporation publishing venture. His first book Jolly Lad is being published by Strange Attractor Press. He has just completed a spoken word recording project with musicians from Manic Street Preachers, British Sea Power and Factory Floor as well as Eccentronic Research Council, GNOD and Teeth Of The Sea.
Peter Guy is a journalist and multi-media editor at the Liverpool Echo. For seven years Peter’s blog, Getintothis, has charted the highs and lows of music on a national scale. In 2011 he founded the GIT Award which champions the finest new music from Merseyside. Peter has contributed to NME, MOJO and various music publications and is media partner with Liverpool Sound City, Liverpool Music Week and Liverpool International Music Festival.
Dot Levine is Head of Campaigns and Communications at UK Music. She has been with the company since 2010, where she started as Events and Website Manager. UK Music is the umbrella organisation which represents the collective interests of the UK’s commercial music industry – from musicians, songwriters and composers, to record labels, managers, publishers, studio producers and licensing organisations. At UK Music Dorothy works on research and events, which promote and celebrate the UK music industry. In 2013 she was named in Music Week’s ’30 under 30’ which listed the top young music executives working in the industry.
Steve Miller, better known as ‘Revo’, has booked Liverpool’s EVOL club night for the last 12 years, which grew from humble beginnings at EBGBs, spent a year at the O2 Academy and later formed into the legendary Korova venue booking everyone from Arctic Monkeys to The xx. Since 2008 Revo has curated all 8 editions of Sound City festival booking hundreds of acts from Florence & The Machine to Jake Bugg. He has also contributed to the programming of Liverpool Music Week which saw Evol shows from Caribou, The Antlers and Wild Beasts.
Robin Murray joined Clash Magazine as an intern in 2007, helping on the launch of their web platform ClashMusic.com. Since then, he has risen to become Deputy Online Editor. Now reaching more than a half million readers per month, it’s award winning style makes it the first destination for an intensely loyal reader base. Robin is a Mod/Northern Soul DJ, while also playing an active role in the grime scene.
Yaw Owusu is the Creative Director of youth culture organisation URBEATZ, Director at creative solutions company the playmaker group and Nothin But The Music and the Music Curator for Liverpool International Music Festival. Yaw has worked with a number of world leading brands, organisations and artists including MTV, Nike, AEG, Sony, Universal Records, Jockey Club Live, BBC Radio 1/1Xtra, BET, Damian Marley and Wiley.
Simon Price is an award-winning music journalist with three decades’ experience, and also a DJ, club promoter and radio presenter. His CV includes nine years at Melody Maker, twelve as Rock & Pop Critic for the Independent On Sunday, and acclaimed rock biography ‘Everything (A Book About Manic Street Preachers)’.
Simon Raymonde owns and runs the independent record label Bella Union. Prior to its creation in 1997, Simon was in a band called Cocteau Twins from 1983-97 signed to 4AD Records. He also contributed to the first two albums by This Mortal Coil. For Bella Union, Raymonde has signed artists including Flaming Lips, Fleet Foxes, The Walkmen, Explosions in the Sky, Midlake, John Grant, Dirty Three and Radiohead’s Philip Selway. The label has won the coveted Independent Record Label of The Year here in UK in 2010, 2012 and 2014, as awarded by Music Week. His more recent output includes a new recording project called Snowbird.
Victoria Smith is manager of The Arts Club in Liverpool – one of the city’s leading venues. She has 12 years experience in the industry, working in a wide scope of venues, including O2 Academy Oxford, Liverpool Empire, Edinburgh Playhouse and Newcastle Arena, as well as festivals including Download, V, Hard Rock Calling and Wireless. Victoria has overseen gigs including Paul Weller, Foals, Ozzy Osbourne and Morrissey while the Arts Club hosts Circus and Chibuku featuring the likes of Fat Boy Slim, Annie Mac and Disclosure.
Chris Torpey, a self-confessed magazine geek, is editor of pink music monthly Bido Lito!, having been part of the publication since June 2010. Christopher can often be skulking in the shadows of gigs across Liverpool, and occasionally doing a passable impersonation of Franz Beckenbauer on the football pitch. Chilean drones, Brazilian beats, Acid Arab compilations, and the back catalogue of Blur and Beach Skulls make up his record collection, but he’s always got his ear to the ground for something new.
Jarri Van der Haugen runs Disco Naïveté, an eclectic so-called “buzz blog” which focuses on exciting new music set to win over many hearts worldwide. Plenty of A&R’s keep a close eye on Disco Naïveté, as it’s proven to be a first-on source for many of today’s most exciting artists and bands such as Lana Del Rey, London Grammar and Haim. He also curates the POP-playlist on 22tracks Brussels and writes for The Wild Magazine.
Rich Walker hails from Chester, is an avid Toffee, and is General Manager of esteemed label 4AD, home to Ariel Pink, Bon Iver, Daughter, Grimes and The National, with the likes of Cocteau Twins, Pixies and Throwing Muses before them. Rich started his musical career while studying at Manchester University, working for label Twisted Nerve. In 2001, Rich found himself a dream job at the almost peerless Beggars Group, working his way up from a regional plugger to Head of Press before moving to work full time for one of the Group’s figurehead companies, 4AD, a label that inspired him to want to work in music in the first place.
Mike Walsh was born and raised in Liverpool, Mike has over 20 years’ experience in music and media. From college radio in both the UK and US to working promotions at the Parlophone label with the likes of Coldplay and Blur. Mike has also programmed various radio formats for Capital Radio Group, Chrysalis and now Global Radio where he has been part of the management of iconic radio brand Xfm for 9 years. Regular judge for the Sony Radio Awards, Music Week Awards and AIM Awards; devised and edited a best-selling Xfm book, and staged gigs with everyone from Noel Gallagher and Kings of Leon to Mumford & Sons and Kasabian. Mike lives in Cheshire with wife and baby daughter, and spends too much time on trains.
Shell Zenner is a vintage dress wearing, cupcake making, vinyl junkie and new music obsessive. Living and breathing Manchester, Salford and the North West, she gets her kicks from obscure instruments, flea markets, festivals, gigs and digging around the back of venues for embryonic new talent she can showcase on her Amazing Radio show. A deliciously chatty interviewer for touring bands, Shell treats her shows as a mutual appreciation society between musicians, labels and listeners. She also writes, blogs and social networks and was rewarded with the award of ‘Festival Blogger of the year’ from the Association of Independent Festivals.
About the GIT Award:
- National coverage – for four years the Award has been featured consistently on Radio 6 Music, NME, Music Week, MTV, The Guardian, The Skinny, Vice Magazine, Q Magazine, The Quietus, BBC TV, Financial Times, BBC news online, MOBO Awards, PRS Foundation, UK Music, Music Week, CMU Daily, The Unsigned Guide.
- Partnerships with Liverpool Sound City, Liverpool Music Week, FACT, Liverpool City Council, Liverpool Vision, ACME, The Bluecoat plus around 90 businesses within Liverpool.
- The GIT Award & Getintothis has hosted a stage for six consecutive years at Liverpool Sound City and four years at Liverpool Music Week – plus a two year partnership with Liverpool International Music Festival.
- The GIT Award has provided artists to play The Grand National at Aintree for three consecutive years.
- The GIT Award held a special celebration of Merseyside musician’s pop videos in conjunction with FACT’s the Art of the Pop Video.
- The winner of the 2013 GIT Award was asked to support Yoko Ono at her 80th Birthday Meltdown festival curated by Yoko at London’s Southbank Centre.
- The GIT Award has held launch parties at Leaf on Bold St, Oh Me Oh My on Water Street and 24 Kitchen St.
- 2012: Bang On, Ex-Easter Island-Head, Forest Swords, Loved Ones, Miss Stylie, Mugstar, Ninetails, Outfit, Bill Ryder-Jones, Stealing Sheep, Tea Street Band and Esco Williams.
- 2013: Baltic Fleet, Barberos, By The Sea, Nadine Carina, Clinic, Conan, Dan Croll, John Heckle, Jetta, Tyler Mensah, Stealing Sheep and Wave Machines. Tyler Mensah picked up the People’s Choice Award
- 2014: All We Are, Circa Waves, Dan Croll, Evian Christ, Ex-Easter Island Head, Forest Swords, Mad Brains, Ninetails, Outfit, Bill Ryder-Jones, Tea Street Band and VEYU.The GIT Award nominees 2012-2014
Press & Music industry praise for the GIT Award:
“The GIT Award is a highlight of the city’s music calendar. It shows the strength Merseyside music has to offer, raises the profile of the city’s music scene and attracts vast national press,” Kevin McManus, Liverpool Vision
“The GIT Award is a fantastic celebration of the music from the greatest city on earth,” David Pichilingi, CEO Liverpool Sound City
“The GIT Award is a fantastic breath of fresh air for Merseyside music giving new artists a brilliant platform to showcase their music to a national audience,” Paul Rogers, Liverpool Football Club
“The GIT Award artists draw on Liverpool’s musical heritage without living in the past – proving that even with its world-beating history, Liverpool continues to forge ahead.” Andrew Harrison, former editor of Q Magazine
“The GIT Award is a superb showcase for the city’s diverse music scene. The Echo is delighted to promote new talent and champion the city’s rising stars,” Andrew Campbell, Liverpool Echo executive editor
“The GIT Award showcases the rich diversity of music talent Liverpool has to offer providing a pivotal platform for new emerging artists while capturing the national media’s attention,” Wendy Simon, Liverpool Cabinet member for Culture and Tourism
“Musically speaking, Liverpool has long since stepped out of the huge shadow cast by the Beatles. It takes something as good as the GIT Award to let the rest of the country pay attention,” John Doran, The Quietus
“The GIT Award shows there’s no shortage of new Merseyside music – we doff our cap to all involved,” Shell Zenner, The 405
“Liverpool’s musical heritage is great but Liverpool’s future is more interesting. I love GIT for the glimpse it gives of Liverpool’s musical future,” Paul Du Noyer, author of Liverpool Wondrous Place and music journalist.