The Narcotix has today released their new single titled ‘The Lovers’ from their upcoming album ‘Dying’ dropping on March 1st.

Almost as if entering another world where 4/4 time is frowned upon, ‘The Lovers’ offer an alternative to the alternative with a preview of the universe that is alive and well within ‘Dying’.

Beautifully constructed and full of sonic imagination and reverence, ‘The Lovers’ is one of those songs that demand a second and third listen just to hear everything that is going on. Think of a canvas that was blank and is now constantly and consistently changing and evolving in ways you could never imagine. This is how wonderfully creative and original ‘The Lovers’ is. This song sets a high bar of what is coming on March 1st.

About The Narcotix & ‘Dying’

Composers and multi-instrumentalists Esther Quansah and Becky Foinchas return with their debut album Dying, an excavation of the ego in 12/8 time. It’s an audio collage, an amalgam of moods, genres, and hysterics that flips formal songwriting structure on its head. The songwriting duo of Foinchas and Quansah has always had a knack for subverting expectations, and this new release bears witness to staggering growth and deliberate abandon.

Working closely with producer/engineer Colin Monachs out of GB’s Juke Joint in Long Island City, the pair’s sonic identity has matured, incorporating stately piano and string arrangements into their trademark polyrhythmic brew. This album is about the creative risk and reward of maintaining pure vulnerability while creating. It investigates themes of meditation, esotericism, and surrealism in daily life to address existential questions about the innermost self. Woven within the fibers of the music is a deeply spiritual aesthetic that challenges time and sonic reality through a formless usage of surroundings.

The record was conceived in voice memos, written across oceans, and fleshed out in rehearsals with rhythm section Adam Turay (guitar), Jesse Heasly (bass guitar), and Matt Bent (drum set). Quansah and Foinchas sent updated files back and forth, starting fresh ideas while working out existing ones. As a result, the album has a searching, restless spirit and a consciously fragmented nature, elegantly flitting between styles and moods. It is as much a departure from the more traditional, song-oriented style of the previous album Mommy Issues as it is the breathless anticipation of something new.

Mommy Issues was recorded in a quarantine fugue state and released in June 2021. It received favorable coverage in outlets like Pitchfork, NPR, and Earmilk, introducing the Narcotix to new audiences while affirming their place in Brooklyn’s thriving DIY and experimental rock scenes. Following the release of Mommy Issues, the band cut their teeth playing numerous shows in NYC, Philly, and upstate New York, sharing the stage with artists as talented and varied as Laraaji, Fievel is Glauque, Flanafi, the Deli Girls, Beshken/Ex-Wiish, St. Mela, Godcaster and countless others.

Quansah and Foinchas met in an elementary school chorus class in the ghostly woodlands of Woodbridge, Virginia. The daughters of African immigrants (from Cote D’Ivoire and Cameroon respectively), they soaked up influences as far-flung and varied as choral symphonies, math rock, soukous, and highlife, distilling them through a unique lens. The Narcotix was born in the front seat of a Toyota Corolla and has been described at various times as “a joke gone too far.”

While attending the University of Virginia, Foinchas and Quansah met Sierra Leonean guitarist Adam Turay, showing him their compositions and bonding over a shared love of both avant-pop music like early Grizzly Bear and Stereolab and African music like the intricate soukous guitar rhythms of Koffi Olomide and the pulsing chimurenga of Thomas Mapfumo. They became interested in applying these ideas to popular Western forms, using unconventional ways to arrive at accessibility. The nascent Narcotix found a home in Charlottesville and Richmond’s DIY venues and house shows, merging meticulous, vocal-driven arrangements with raucous performances.

Quansah, Foinchas, and Turay relocated to Brooklyn in 2017, developing their West African-inspired psych-folk concept and playing at various clubs and DIY spaces in the city. Galvanized by these live experiences, The Narcotix embarked on tours from Brooklyn to SXSW, driving through the American South in the midst of significant political upheaval and touring the Bay Area and L.A. a year later.

The full ensemble came together after a few years in the city. The Narcotix met New England Conservatory alum Jesse Heasly in Brooklyn’s “weird rock scene,” and his pocket bass playing and avant-garde sensibilities provide an ideal complement to the music. Rounding out the rhythm section is Matt Bent, a virtuosic jazz drummer, DJ, and producer who has as much love for Tony Williams and Wayne Shorter as he does for Aphex Twin and SOPHIE.