Fea is one of those bands who will get what they work for based on the caliber of their music. I can say this because it is evident all over the exclusive interview above. Formed by friends who developed into a family, Fea is one of those tight bands that are lockstep in sound and unified in ambition.
And, in this interview, we get the entire band! With the perspectives of all four, we get the story behind the band, their new album titled ‘No Novelties’, their upcoming video for ‘Girlband’ and, importantly, the methods and meaning behind the music. Fea shows they are not only a band that will last but will thrive.
Fea’s latest album, ‘No Novelties’, is out now via Blackheart Records.
San Antonio-based band Fea embodies one of the most vital tenets of punk: total and unapologetic freedom fearlessly expressed with both fury and joy. Produced by Chicana punk legend Alice Bag, their sophomore album No Novelties finds Fea following their instincts into entirely unexpected directions (e.g., covering an early-’90s pop anthem from Mexican superstar Gloria Trevi, trash-talking en Français on a yé-yé-inspired track called “Merde”). But even in its most playful moments, No Novelties channels a classic-punk ferocity, endlessly backing Fea’s sticky melodies with breakneck rhythms, blistering guitar riffs, and boldly nuanced vocal work.
The follow-up to their self-titled debut –a 2016 release that prompted Iggy Pop to praise Fea in the pages of Rolling Stone, with the Village Voice ranking “No Hablo Espanol” among the year’s best protest songs—No Novelties takes its title from the album-closing “Girl Band.” “It’s referring to that stereotype of how female bands are some kind of novelty with no real talent,” says Lopez. “But that’s not us at all: we know how to play our instruments, we know how to write great songs. So ‘Girl Band’ is basically a middle finger to anyone who underestimates us.”
Recording at Sonic Ranch (a studio in the Texas border town of Tornillo), Fea brought both raw intensity and greater complexity to the making of ‘No Novelties’, composing more intricately layered arrangements and pushing into heavier emotional terrain than ever before. On lead single “Let Me Down,” the band offsets their frenetic energy with graceful three-part harmonies, their lyrics speaking to social media’s constant enabling of self-absorption. “Social media is a great platform that could potentially be used in a lot of positive ways, but it’s become this weird thing where everyone just puts themselves on display because they’re so obsessed with getting attention,” says Martinez of the song’s inspiration.
This Friday in San Antonio ! pic.twitter.com/W4e3DewKNm
About 6 days ago from FEA210's Twitter via Twitter for iPhone
Stoked to announce we are on the lineup for Punk Rock Bowling !! Get your tickets now !! pic.twitter.com/ju3aJ5sJm9
Last week from FEA210's Twitter via Twitter for iPhone
Coming to San Fran in between touring with L7 ! Doors at 8! pic.twitter.com/vkHLzQW81Z
About a month ago from FEA210's Twitter via Twitter for iPhone
Tonight Madison, WI at Mickeys Tavern ! Show starts at 10 pic.twitter.com/MdUxUkse8o
About 2 months ago from FEA210's Twitter via Twitter for iPhone
Here we goooooo ! Meeting up with L7 today in Chicago . We have two dates on our own Oct 16th in Madison at Mickeys Tavern and Oct 26th in San Francisco at The Knockout . All tour dates with L7 below . See y’all soon !! pic.twitter.com/WQvG390DEn
With No Novelties driven by Fea’s naturalistic use of bilingual lyrics, “Ya Se” injects Spanish-sung gang vocals into a cathartic middle-class anthem. “It’s about living paycheck-to-paycheck, and getting caught in that cycle where you don’t make enough money but you spend too much on things you don’t need, just to get some relief from reality,” says Martinez. “It also came from thinking about how a lot of people in our generation are in a worse financial place than our parents, and how sometimes that makes us feel like failures—even though I don’t think it’s necessarily true that we’ve failed.” Elsewhere on the album, Fea turns confessional on songs like “ICU” (a darkly charged portrait of a toxic relationship) and takes on a celebratory mood on such tracks as “Itch” (a surf-punk-leaning look at the scuzzy glory of touring). “We don’t glamorize touring in ‘Itch,’ because for us it’s never glamorous,” Martinez points out. “It’s dirty and smelly and uncomfortable and we love it—we always embrace the dirty.”
Born from the ashes of Diaz and Alva’s beloved former band Girl in a Coma, Fea got together in 2015 and soon carved out a kinetic sound shaped by the eclecticism of their homeland. “We all listen to punk and post-punk and riot grrrl music, and we grew up on oldies and Latin music stars and so many other things—so there’s this whole melting-pot effect that definitely comes out in the songs we write,” says Diaz. After putting out their self-titled debut—an album co-produced by Alice Bag, Against Me!’s Laura Jane Grace, and Babes in Toyland’s Lori Barbero—Fea earned acclaim from such outlets as NPR (who hailed the band as “Latina punk at its finest”), and soon began taking their rambunctious live show to venues across the country.
Over the past few years, Fea has toured with both Against Me! and Babes in Toyland, as well as with punk icons Agent Orange. And as their audience continues to expand, the band aims to instill every show with the same sense of solidarity, purpose, and irrepressible fun found in their albums. “We’re serious girls, but there’s a lot of humor involved in everything we do,” says Alva. “We try to put on a really rowdy show; we’re always moving around a lot and always smiling at each other. I think everyone in the crowd can tell we’re having a blast, and hopefully, that vibe and energy get transferred onto them. Our favorite shows are the ones where we can really feel that community between us and the audience.”
SOURCE: Blackheart Records Official Bio