Harry Stafford drops his new track titled ‘She Just Blew Me Away’. If you like the music of Nick Cave, Tom Waits, and other artists of that rural blues staggard swagger, then Harry Stafford is the type of #indie for you. Harry has his own voice, however, and that voice is powerful. An almost quirky blend of gritty guitar and raspy horns underlying the slightly gritty vocal stylings of Harry himself, ‘She Just Blew Me Away’ gives a dark stompy serenade for the disenchanted.

As of February 7, the lead track ‘She Just Blew Me Away’ will be available as a digital single. The full ‘Gothic Urban Blues’ album will be released on March 27 via Black Lagoon Records on both vinyl and CD. It will also be available digitally everywhere, including iTunes and Spotify. It can be pre-ordered via the artist’s Bandcamp.

About Harry Stafford

“She Just Blew Me Away’ is dedicated to Jim the singer, who would tell me stories of his love affairs. He would begin with. “I mean, she just blew me away”. And how did it end? I would ask. “Ah well, she just blew me away,” says Harry Stafford.

Mixed and engineered by Ding Archer (The Fall, PJ Harvey) at his 6Db Studio in Salford, this album was co-produced by Archer and Harry Stafford.

Led by Harry Stafford, best known as the founder, guitarist, and vocalist of post-punk gothic rockers Inca Babies, the band’s core includes drummer Rob Haynes (The Membranes, Inca Babies), trumpeter Kevin Davy (Lamb, Cymande), guitarist Andy Mills, and Vincent O’Brien on Weisseborn slide guitar.

Formed in the early 1980s, Inca Babies released four albums and multiple singles and Peel sessions. Much of his musical career has been spent with Inca Babies, playing across Europe and the world but in 2015, after 35 years with Inca Babies, Stafford decided to release untamed solo material that echoes his love of blues piano and barroom ballads.

The new album ‘Gothic Urban Blues’ and debut solo album ‘Guitar Shaped Hammers’, released in December 2017, are the inevitable result, reflecting a multitude of ideas around a driving yet lilting punk-piano blues. The idea was for Stafford to leave his noisy electric guitar behind – abandoning everything he held and cherished – to make some new music with a piano and a head full of ideas.

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The new album, out in March 2020, features a more defined sound of a band finding its stride. The band is henceforth called Guitar Shaped Hammers to reflect this cohesion of musical unity – with more guitars from Vincent O’Brien, and an additional layered sonic blast from Nick Brown (The Membranes). With intense percussion from Rob Haynes and a truly masterful trumpet contribution from jazz supremo Kevin Davy, the result is very much the soundtrack of a basement radio station stumbling across a new genre they’ve tagged Gothic Urban Blues.

“It was important to reassemble these musicians again as there was a lot of ground we hadn’t covered. I had about fourteen songs and selected ten to be on the record. They were songs I had been playing around the bars of Manchester in order to hone into a neat arrangement,” says Harry Stafford.

“I rehearsed with Rob and Vincent and we laid down a foundation, allowing Nick and Kevin to add their unique elements. Their parts were there to compete and yet complement each other. Kevin is a hugely in-demand jazz musician, who graces the funk of Cymande and the smooth grooves of Lamb, not to mention his jazz workshops in London. I wanted Kevin to radiate his love of Miles Davis and send a wave of goosebumps and steely soul through the spine of this sound. Nick, with a guitar born of jagged punk and sinister drones, was to create a brittle edge to balance the beauty.”

Photos by Richard Davis.