The City Gates release their new single titled ‘Siegfried 1969’ on July 22, 2020. What we get is darkgaze refined with hints of the Cold War in an almost zeitgeist fashion with that classic monotone wave and electronica fresh from the era with a new 21st-century filter. Almost from another era, like a ghost reminding us of the mistakes from the past, ‘Siegfried 1969’ stays in character yet breaks the mold with retro-futuristic ‘knowstalgia’ and an almost branded sound.
As of July 22, ‘Siegfried 1969’ will be available via online stores such as Apple Music and streaming platforms such as Spotify. Until then, it can be pre-ordered directly from the band via their Bandcamp page.
Montreal-based post-punk shoegaze band The City Gates present their new single ‘Siegfried 1969’ via their own imprint Velouria Recordz. This is a hard-hitting track that surrounds Cold War thematics about the stark contrast and juxtapositional realities between East and West during that time.
This single previews the collective’s next album, which is expected to be released in autumn of 2020. This newest offering thematically follows up singles ‘Checkpoint Charlie’ and ‘Cape of Good Hope’, the latter of which will also appear on their forthcoming long-play and was released in 2019 on ‘Zeitgeist vol. 10’, released via Cold Transmission, and on ‘Northern Noise Vol. I’ (Velouria Recordz).
This new collaboration features vocals and lyrics by Alexander Donat of German alternative music outfits Vlimmer, Whole, and Fir Cone Children (and also the owner of Blackjack Illuminist Records).
@SmithStefan1 Thanks so much ! 🔥🙏🎸
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Excited to play in Liège, Belgium, with the amazing German post-punk goth and label mate @goldenapes_band on October 10 at Le Garage. 🔥🎸🇧🇪
#ageofresilienceeuropeantour #postpunk #darkwave #goth #gothmusic #shoegaze #musictour pic.twitter.com/PSQVbi5NzF
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Well known for heaping on the reverb, fuzz, and delay, The City Gates can be described as a modern answer to Phil Spector’s infamous “Wall of Sound. Their music is intense, powerful, melodic, moody, textured, and raw. With a sound esthetic and lyrics deeply rooted in the cold war era, they sway between dark melancholic guitars and glimmers of nostalgia.
“I have German ancestors and have much love for the Neue Deutsche Welle, and German 80’s post-punk/darkwave/coldwave music scene, such as Xmal Deutschland D.A.F., Grauzone (actually from Switzerland) and Asmodi Bizarr. I took a German language course at university back in the day, but it’s not really good enough for a full song in German. So I asked my German friend Alexander Leonard Donat of Vlimmer to give me a hand with this,” says Maxime Wingender.
“The lyrics are about my grandfather who was one of the most famous pianists in the German Democratic Republic (GDR) during the Cold War era. In the song, I compare the Berlin Wall with his personal life. He recognizes that he tries to shut out people, similar to what the Socialist Unity Party of Germany (SED – the only party option in the GDR) did,” says Alexander Donat.
“People from the GDR were not allowed to go to Western territories. The Berlin Wall was heavily guarded. People who tried to flee were shot. For artists like my grandfather, it was easier to travel the world. He played in Syria, Australia, and many more places. Most Eastern European people were not able to travel to Western countries. They could only travel to Eastern destinations like Romania, Bulgaria, and Russia.”
The City Gates acknowledges the financial support of FACTOR, the Government of Canada, and Canada’s private radio broadcasters.
Written and produced by The City Gates
Lyrics and back vocals by Alexander Leonard Donat
Mixed by François Marsan
Mastered by Harris Newman at Grey Market Mastering (Montreal)
Cover artwork by Geneviève Trottier Longpré
The City Gates acknowledges the financial support of FACTOR, the Government of Canada, and Canada’s private radio broadcasters. Ce projet an été rendu en partie possible en partie grâce au government du Canada
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