Katie Burden releases her new video titled ‘Little Annie’ right here on Jammerzine. Honestly, she had me at that growl right at the beginning (press play to hear what I mean), but what I love about this track is the sincere snarkiness of the song sonically. That is brilliant on so many levels to me. This is what I love. Music with a subtle attitude.

Visually, the artistic direction is dead on for what the music sounds and feels like. The dancers/actors give credence to the tension set by the music in ways that only a true theater can. This makes the video a visual track to the song rather than a song giving a soundtrack to the video. And that enhances everything.


Katie Burden’s atmospheric art rock has an ineffable, visceral quality to it. Her taste for the theatrical and shamanistic delivery often conjures up the ghost of Jim Morrison but in a modern context, her sound falls somewhere between Perfume Genius and CocoRosie.

After being raised in a small hippy town in Colorado, Burden spent her formative years bouncing around NYC and San Francisco. In 2012 she moved to LA, and after attending a meditation retreat, synchronistically fell in with a group of blue-chip musicians including Jennylee and drummer/producer Norm Block (L7, Jennylee, Ghost Recon Breakpoint) who became the catalyst behind her future output. Together they recorded Burden’s 2014 debut EP My Blind Eye and the 2016’s full-length KP Strange Moon, which garnered overwhelmingly positive press from tastemakers such as Magnet, Noisey, Nylon and Flaunt.

In 2017 Burden moved to Long Beach, composing new material in a house behind a periwinkle fence while studying to become an art therapist. The songs that would eventually come to make up the Edge of Sleep EP were initially inspired by dreams, liberally taking unexpected twists and turns without needing to conform to songwriting norms. “There’s that ancient Toltec wisdom that describes our conscious life as a waking dream that we sort of project into the world,” Burden reflects. “Edge of Sleep’ refers to an occurrence that shakes one from their waking dream and brings about a new perspective or way of seeing.”

Back in the studio with Norm, the two artists began the process of committing this collection of versatile and inventive songs to tape, looping field recordings, playing handmade bells, and sifting through a sea of tones to find the correct colors to flesh out the songs. The final recordings are like insulated worlds, pregnant with moody little moments and cathartic performances, dark and unusual, brave and innovative. “People tell me that when they listen, it stirs something inside them that they can’t quite put their finger on,” says Burden. “I love the idea that this music is soliciting a hard to define pang of emotion for people.”

Featured image by Anna Azarov Photography.