To make it on your own terms while reinterpreting select pieces of music into a totally new reimagination is a feat in and of itself. To do this consistently and keep an ever-growing audience not only interested but enthralled, is another feat altogether. That is exactly part of what rapper and producer Andy Cooper has done, and more. Andy melds music from all genres and molds them with his own in a creative fusion worthy of becoming a ‘beatastic’ soundtrack to your life.
Today we talk to Andy about his new album titled ‘The Layered Effect’, his beginnings in the 90s, and deconstructing his creative process.
‘The Layered Effect‘ is set to release on January 26, 2018, on Rocafort Records.
‘The Layered Effect’ cover.
About Andy Cooper & ‘The Layered Effect’
‘The Layered Effect’ by US rapper/producer Andy Cooper offers a punchy reminder of the creative fun to be had in digging for breaks, stringing up loops and layering up strata of sound. Brimming full of delightful inflections from the world of Jazz, Easy Listening, Film Soundtracks and Hollywood voices, it’s a perfectly stitched sound patchwork that pays loving homage to the classic, funky days of early rap. A touching testimony to the joys of Hip Hop then and now.
More than just the skinny white dude who’s into old school beats, Andy Cooper has won his stripes after a twenty year stint with Hip Hop trio Ugly Duckling, then a couple more hanging out with The Allergies, not to mention the recent release of eight 7” singles, an EP and now his second solo LP. What is utterly charming is how enamored and respectful he is how it was at the beginning AND of how it still should be. Far from being the “old timer/delusional revivalist” he describes in ‘Last of the Dying Breed’, Cooper cares not about color or age, but that rap stays fresh, exciting, competitive, similar to a precious martial art.
For Andy, rap is a noble form. He’s a wordsmith extraordinaire, snappy and audacious, tipping his hat “to all the microphoners who still bring that dedication and expertise to their craft” and choosing to work with equally rapid sparring partners like Blabbermouf and MC Abdominal. Ownership of the genre is a constant theme throughout the LP. Like a contact sport, you punch and fight your way to the mic and once there “no one can take it from me”. Reverance is constantly being paid to the dons that went before, overtly Rick Rubin & the Def Jam crew, but covertly the Reggae sound systems and jazzers of old.
Not a sloppy note or shabby rhyme here. It’s an album that pops and fizzes with quirky beats and funky rhythms from start to finish. With production lines neater and sharper than a pair of sta press trousers, it’s impossible not to be seduced by the sheer buoyancy of the lyrics, beats, and intention. A refreshingly entire body of work with no low points, only head-nodding highs. It’s good to stumble across a Hip Hop album that has you giggling, thinking, singing and wearing out the soles of your shoes all at once.
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