With a smooth groove and sometimes staccato-like rhythm within the lyrics, Tommy Down delivers a memorable track in the form of ‘Superficial’, which is steeped in melody and simply memorable in the aftermath. And now matter and antimatter collide musically with the help of Decca Records artist Rhys Lewis.

This dynamic duo chisel out ‘Superficial’ in a way that is anything but. This song is deep. Musically, creatively, maybe even spiritually on a guttural level. The chorus has such a lyrical delivery of the song title that it is actually still in my head. That is the mark of genius. When a song stays with you and becomes a part of you. That is more than superficial.

About ‘Superficial’
Produced by rising Decca Records star Rhys Lewis, ‘Superficial’ sounds like the brainchild of Nile Rodgers and Sade scoring a Boogie Nights sequel. Managing to tactfully balance its glossy velvet-toned nostalgic influences with a raw and stripped-back production approach, ‘Superficial’ sees Tommy Down analyzing the psychological perils of a generation addicted to selfies and social media. It’s all captured in the contradiction at the heart of its narrative: guy judges a girl for taking a selfie with him, yet harbors a desire to see himself tagged in it the next day.

Ultimately ‘Superficial’ navigates the complex, maddening, and circular logic of technological overthink by asking us if we’re even perhaps a little attracted to the idea of our own narcissism. Maybe the fact that we go into these things ambivalently makes us more woke anyhow? It’s three minutes of clever, concise and thought-provoking pop that puts Down both sonically and lyrically on a standout path. With Tommy starring as himself and his own conscience, alongside live bandmate and Cold Feet actress Sylvie Briggs, and Raffy Ellison, the accompanying video, (directed by Toby Harris), is a colorful, slick and tongue-in-cheek dramatization of the lyrics.

About Tommy Down
Tommy Down is the sharp-suited and incisive lyricist and frontman to Harker Moon. He started the project in 2015 with schoolmates Hal Briggs, Ben Phillips, Olly Jay, and Joe Caplin. The band peddles an uproarious blend of rock, soca, funk, and roots with a trademark relish for old-school feel-good vibes. Tommy has been writing music and recording since he was fourteen, and since leaving university a year and a half ago, has been dedicating himself to it fully. In that time, he’s already netted a few accolades and picked up a wealth of practical experience – winning an award for ‘Best Original Composition’ at the UK Open Mic Competition, for instance. He also started performing as the male vocalist for Bristol University Jazz Orchestra in 2015 and now gigs in venues across London including the Camden Assembly.

Tommy’s broad knowledge of musical styles and emphasis on innovative stylistic fusions make him one of the most interesting emerging British artists. >From London to New York he has also been forging some eminent collaborations this year, including Jeff Silverman, Charlie Perry (who helped produce Jorja Smith’s Lost and Found), and John Shave & Jason Pebworth from the Grammy-nominated “Invisible Men” – the hitmakers behind songs by Britney Spears and Rita Ora. Both as a bandleader and as a solo artist Tommy unequivocally shines, but it’s in the latter category that we’re seeing his unique artistry in its full resplendent glory.