I Like Trains drops their new video for the track titled ‘The Truth’. Almost in a style set in its own noir, I Like Trains begs the question ‘Is that the best you can do?’. Set in these unique and trying times, I like Trains gives that tell-all to the truth with a hard-hitting ode to social questioning in a time of social distancing. And it works.
While the single is available across digital platforms now, the full ‘KOMPROMAT’ album will be released on August 21 on black vinyl LP, limited edition silver vinyl LP and CD, as well as digitally.
About I Like Trains & ‘The Truth’
Leeds-based trailblazers, I LIKE TRAINS present ‘The Truth’, an eye-opening lead track that forebodes their potent, hard-hitting new album ‘KOMPROMAT’, written as an instinctive gut reaction to a world that has changed beyond all recognition. This is a record that digs beneath populism’s rise, from the divide and conquers tactics that caused Brexit in the UK, to Trump’s ascent in America and the subsequent reign of lies and misinformation, to discover the grubby hands that have engineered it all.
The British quintet will release their fourth studio album via Schubert Music’s newly founded Atlantic Curve label in late summer. This is the band’s first record since 2012’s ‘The Shallows’, which focused on how the internet and smart technology is re-wiring the human mind and affecting our concentration spans. Now, with ‘KOMPROMAT’, it’s clear that this same technology, in the wrong hands, has taken an even more sinister turn. The game has changed – and I LIKE TRAINS have changed with it.
The accompanying deep-fake karaoke video was directed by the previous co-conspirator Michael Connolly, a Leeds born artist and designer. “The track is relentless and I wanted the film to feel the same. Claustrophobia and confusion were my watchwords. I combined deep-fakes, distorted visuals, and digital cut-up techniques to create an intense level of disorientation. It sums up the last four years in geopolitics for me,” says Connolly.
‘The Truth’ was the last track to come together during the group’s recording sessions – a summation of the way in which facts are bent and, in many cases, utterly dismantled. Over a burring build of disco-inflected post-punk that recalls LCD Soundsystem and early DFA Records, “The truth is no longer concerned with the facts”.
“I’d been writing this list on my phone for a couple of months, adding a couple of lines
to it every so often. I’d read a news article or a tweet and I’d make reference to it. I decided to dig out this list in the last couple of days in the studio [for this track]. It’s pretty much the order I wrote it in – it came together on the fifth take and it was a pretty cathartic process,” says the group’s vocalist and lyricist David Martin.
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Formed in 2004, I LIKE TRAINS is made up of David Martin (vocals/guitar), Alistair Bowis (bass), Guy Bannister (guitar/synths), Simon Fogal (drums) and Ian Jarrold (guitar). They have never shied away from confronting the possibility of humanity’s collapse. Earlier records, like the towering Godspeed-influenced ‘Progress Reform’ (2006) and ‘Elegies to Lessons Learnt’ (2007) took tales of tragic characters and events from history and applied them to the modern-day, while ‘He Who Saw The Deep’ (2010) looked uneasily ahead to the climate change battle we are on the verge of losing.
While ‘KOMPROMAT’ sounds like none of those records, it contains DNA from all of them. I LIKE TRAINS has essentially gone back to go forwards in some ways, returning to some of the primary influences that inspired the band’s formation: Joy Division, The Birthday Party, Gang of Four, Television and The Velvet Underground.
“An I LIKE TRAINS record doesn’t really start to take shape until there’s a theme. That point came following Edward Snowden’s NSA leaks in 2013,” says David Martin.
“We didn’t set out to write a record about current affairs, but the path we set out on converged drastically with that daily discourse. The album inadvertently became about populist politics across the world. Brexit, Trump, Cambridge Analytics and covert Russian influence ended up at the centre of it all”.
At the time, Martin started writing about low-key, insidious intrusions on our privacy. As global events unfolded, however, so did the importance of those themes: the perception of what is true and what isn’t truly being challenged on a daily basis and how that confusion could be used to manipulate populations into thinking and voting in certain ways.
Several years ago, British filmmakers Ben Lankester and Matt Hopkins released the feature documentary ‘A Divorce Before Marriage’, which follows the band members over three years, capturing their struggles first-hand. Then, as now, one thing is for sure – while I LIKE TRAINS often look back and also to the future, ‘The Truth’ speaks very much of the here and now.