The age of the modern protest song is here. Why it took so long may never be known. In an age of modern materialism and the modern ‘butthurt’ comes verbal gut punch that needs to be heeded and not merely heard. Twilight Fields places our modern social dilemma to lyrics in a way that not only explains but informs.
As of December 6, ‘Demagogue’ will be available via online stores and streaming platforms, including Spotify and iTunes, as well as Bandcamp. The full album ‘Song From The Age of Ruin’ LP will be released on February 1, 2019.
About Twilight Fields
‘Songs from the Age of Ruin’ is a warning to the present and an apology to a possible future. While Twilight Fields is best known for his blend of ambient, dream-pop and progressive rock influences, this album pays grateful homage to such artists as Billy Bragg, New Model Army, Killing Joke, Midnight Oil, and The Levellers, as well as other artists influencing his music like Leon Rosselson, Bob Dylan, Robert Wyatt, and Phil Ochs.
‘Songs from the Age of Ruin’ is also an uneasy but compelling song cycle that begins with the bombing of Hiroshima and the absurdities of the atomic age and proceeds to tackle such difficult topics as homelessness and economic inequalities (‘Lazarus’), the evils of populism and political repression (‘Demagogue’, ‘Taken Away’), the toxicity of social media communication (‘Offended’), animal rights (‘The Animal’s Song’), and the utter stupidity of war (‘Soldier Song’). It concludes with a three-part “climate change suite” (‘Loss’, ‘Barren Planet’, ‘Why Did We Do It?’) that lays bare the tragic human consequences of catastrophic climate change.
The album also contains two cover versions, including of Bruce Cockburn’s immortal classic ‘Lovers in a Dangerous Time’ and Thin Lizzy’s ‘Holy War’.
“While growing up, certain passionate, activist musicians were very influential to me. So much so that I’d say they changed and shaped the person I would eventually become. There has never been a more crucial time for musicians to step up and add their voices to the chorus of reason necessary to take us back from the brink of total destruction,” says Allister Thompson.
Here we are well into the streaming, CDs printed on demand, download era, and the music industry's song licensing processes are still stuck in effing 1995. It's mind-boggling to contemplate how stupid it is.
About 28 minutes ago from allister t's Twitter via Twitter Web App
I always retweet my funny jokes that no one thought were funny, which is about 65% of them. twitter.com/GatelessGate1/…
About 4 hours ago from allister t's Twitter via Twitter Web App
@sirenbrian Awww thanks bud!
Yesterday from allister t's Twitter via Twitter for iPhone
@BreakfastRuins @Imrryr8 A true classic - and I like the cover!
@gillies_robert The Derek Forbes Mighty Thumb Slap, based on what I just heard.
“The year 2019 finds the human species standing at a crossroads, with only two possible directions: survival or extinction. Artists should contribute their strong and clear voices to dialogues that could lead to our survival and renewal.”
Allister Thompson has had a varied musical career, initially playing with Toronto-based glam-rock band Crash Kelly, together with Sean Kelly (now guitarist for Nelly Furtado), and opening for such notable artists as The Black Crowes and Alice Cooper. He later veered towards making traditional folk music, progressive rock, and ambient music, recording several ambient rock albums as Twilight Fields and numerous albums of ambient/Krautrock/psychedelia under the monikers The Gateless Gate and Khan Tengri.
“Sounds like a politicized and melodic conversation between Rufus Wainwright, Bruce Cockburn and modern synthpop… his focus goes well beyond Canadian borders to grotesque developments in the political realm that are more universal (and spreading like a disease). ‘Demagogue’ is a timely foreboding of things to come (and a wake-up call about where we are now and how we’ve gotten here)”
– The Record Stache
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