Embroiled with sonic dissonance and virtual angst, We Are Parasols’ new album titled Inertia gives a dark and demented voice to the audio imagination in a way that will enthrall even the most skeptic and restless of listener. The construction of this album is set in a way to keep you guessing “what’s next” and being wrong at least 50% of the time.
About We Are Parasols
No Movement Records has announced the forthcoming release of their sophomore album ‘Inertia’ from We Are Parasols, a Portland-based alternative trio known for making music that simultaneously embraces several genres while walking the thin line between dark and light. It will be made available on cassette and digitally.
A throbbing beat. Machines on a march. Guitars can be a drill or sing like an angel. A voice like a computer caught in a human throat. A whisper. A howl. Synthesizers are sometimes smooth and glassy, sometimes jagged and bloody. A walk on the shore can easily turn into an apocalyptic landscape, depending on your perception.
Influenced by Curve, Wire, Cocteau Twins, Depeche Mode, Gazelle Twin, Skinny Puppy, Nine Inch Nails and Bloody Knives, their new offerings on ‘Inertia’ features tracks ranging from the analogue postpunk near-industrial enigma of projects like Clan of Xymox and The Tear Garden to electronic dark reverie similar to Delerium and Gazelle Twin classics to the stripped back melancholy served up by This Mortal Coil.
Dubbing their own music as ‘industrialgaze’ and ‘darkwave’, We Are Parasols is comprised of D (vocals and bass), Jerman (guitars, piano, synthesizers, programming, and samples), and Alec Eye (drums, programming, and synthesizers).
“I have a stronger desire — or, really, a need — to continue to make and perform music. So that deep need often overrides the fears I have about creating and sharing our art, and performing live,” says D.
We Are Parasols began as a shoegaze-electronic hybrid band. Their debut full-length ‘Infrastructure’ was followed by their ‘bite_your_tongue’ EP, a more minimal ambient release. The song ‘No Movement’ off the band’s debut album, which was about an android sex worker, ultimately spawned the musical world of their new album ‘Inertia’.
‘Inertia’ combines industrial, shoegaze, dream pop and darkwave with sci-fi in order to tell a dystopian, possibly humanist, probably anti-human, story about violence, technology, politics, control, and an android feminist anti-hero known only as a synthetic sexual tasked android body.
There are 13 tracks on the cassette version of the EP, which comes with a full-color 4-panel J-Card featuring all the lyrics, as well as a digital download (a poster is also available). While these same 13 tracks are available through online stores and streaming platforms everywhere, the Bandcamp edition includes a special bonus track – ‘hush (Piano Version)’ – especially for lovers of early 4AD output.
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